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██▀▀▓▄▄▄▓████▀ ▄ ░█▓▓▒▒▒▒▒░░░░ ░░░░ UP ░░ ▒▒▒▒▓▓██▓█████▓░░ ░░ ▐
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▓▒▒▒▒▓▓▓▓▓▓▓▓▓░:░ Release notes ░▒▓▓▓▓▓▒▒░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░▓▒░
▒▒ ▀▀▀▄▄ ▀▓▓▀ ▒▒
▒▒ ▀ ▄ ■ ▀ ▒▒
▒░ ▀ ░▒
▒░ Electron - This is Electron ░░
░░ ░░
░░ ░░
░░ Artist ....: Electron ░░
░░ Album .....: This is Electron ░░
░░ Genre .....: Other ░░
░░ Label .....: Self-Release ░░
░░ Catalog # .: n/a ░░
░░ Language ..: Music ░░
░░ ░░
░░ Source ....: CDDA ░░
░░ Grabber ...: EAC ░░
░░ Encoder ...: LAME 3.90.3 APS ░░
░░ Bitrate ...: VBR ░░
░░ Size ......: 73,7 MB ░░
░░ ░░
░░ Rel. date .: Sep-16-2005 ░░
░░ Street date: 000-00-0000 ░░
░░ ░░
░░ ░░
░░ n/a ░░
░░ --- ░░
░░ ░░
░░ ----------------------------------------------------------------------- ░░
░░ ░░
░░ in short: Marc Brownstein + Aron Magner of the Disco Biscuits, Tom ░░
░░ Hamilton of Brothers Past & Joe Russo of The Benevento/Russo Duo ░░
░░ supergroup/sideproject. for the longwinded review, read on :) ░░
░░ ░░
░░ In the Disco Biscuits' often tangled web of side projects, Electron is ░░
░░ something of the band's bastard child. So, it's only fitting that ░░
░░ Electron's long labored debut release, the live/studio hybrid This is ░░
░░ Electron, is the product of a band in flux, rooted in dark livetronica ░░
░░ and orphaned emotions. ░░
░░ ░░
░░ Initially conceived as a vehicle to showcase bassist Marc Brownstein ░░
░░ during his six-month estrangement from the Disco Biscuits in 2000, ░░
░░ Electron shifted its direction before its first performance. A month ░░
░░ before the group made its debut, Brownstein rejoined the Disco Biscuits ░░
░░ rendering Electron another side project attached to a band (now) ░░
░░ increasingly known for its extra-curricular activities. Recruiting ░░
░░ fellow Disco Biscuit Aron Magner as Electron's keyboardist, Brownstein ░░
░░ went forth with his scheduled performances. Indeed, Electron's ░░
░░ auspicious debut included the first complete performance of ░░
░░ Brownstein's rock opera, the Chemical Warfare Brigade, while his second ░░
░░ gig mixed in a handful of new compositions, as well as a stealth set by ░░
░░ the Disco Biscuits. But, soon after, Electron seemed to fade into the ░░
░░ back corners of Brownstein's mind. ░░
░░ ░░
░░ Over the next few years, Electron fell by the wayside. The majority of ░░
░░ the group's material was quickly integrated into the Disco Biscuits' ░░
░░ repertoire and rearranged. From time to time Brownstein would resurrect ░░
░░ Electron for a pickup gig in the northeast with a rotating cast of ░░
░░ familiar faces providing accompaniment. Without a permanent lineup or ░░
░░ core collection of songs, Electron's sound seemed to stagnate, loosely ░░
░░ defined as a more electronic version of the Disco Biscuits with ░░
░░ Brownstein's bass placed at the forefront. ░░
░░ ░░
░░ But during the Disco Biscuits' road hiatus in early 2004, Brownstein ░░
░░ decided to setup a birthday gig for himself under the Electron moniker. ░░
░░ Recruiting the group's original lineup, including Magner, drummer Joe ░░
░░ Russo and Brothers Past guitarist Tom Hamilton, Brownstein reformed ░░
░░ Electron, now several of the livetronica scene's biggest names. ░░
░░ Recorded, edited, overdubbed and released as This is Electron, ░░
░░ Electron's BB King Blues Club performance peeked into a bizzaro world ░░
░░ and hinted at Brownstein's sound if he never rejoined the Disco ░░
░░ Biscuits. With his basslines placed front and center and his lyrics ░░
░░ supplying the band's primary message, Electron is still clearly ░░
░░ Brownstein's vision. Yet his bandmates have become celebrities in the ░░
░░ jamband scene and their presence is pronounced. Since Electron's ░░
░░ inception, Russo has found jam-fame with the Duo and shifted his ░░
░░ delicate drumming style from electronic jazz to jazzy, instrumental ░░
░░ rock, symbolically signing with Ropeadope Records and grounding himself ░░
░░ in Brooklyn. Hamilton has also evolved as both a songwriter and ░░
░░ vocalist, helping move Brothers Past into the Radiohead corner of the ░░
░░ modern-rock community. ░░
░░ ░░
░░ Opening with "Rock Candy," one of Brownstein's most electronic oriented ░░
░░ latter-day Disco Biscuits numbers, This is Electron immediately ties ░░
░░ itself to the Disco Biscuits' world. Essentially a live album, This is ░░
░░ Electron has been nipped and tucked in the studio, at times boasting ░░
░░ fresh vocals and a clean, computer sound. Refashioning "Rock Candy"'s ░░
░░ chorus like a post-modern version of the Chipmunks, Brownstein also ░░
░░ finds a unique way to combat criticisms of Electron's vocals. While ░░
░░ Russo is technically a more skilled drummer than Disco Biscuits' ░░
░░ backbone Sam Altman, his touch lacks a certain punch on "Rock Candy," ░░
░░ turning the track into a more melodic number featuring particularly ░░
░░ interesting keyboard work from Magner. Brownstein also shines brightly ░░
░░ on the elongated jam, one of the disc's most adventurous workouts. ░░
░░ ░░
░░ But, in truth, Hamilton is Electron's secret weapon. Providing both the ░░
░░ album's most memorable vocals and its indie rock voice, Hamilton ░░
░░ interjects a cool urban edge that blends well with Electron's ░░
░░ trance-heavy sound. Finding a kindred spirit in Russo's inner hipster, ░░
░░ Hamilton pushes Brownstein and Magner into new and exciting territory. ░░
░░ A left-field cover of Radiohead's "The Bends," and a relatively ░░
░░ faithful reading of Brothers Past's "Simple Gift of Man" both fashion ░░
░░ Hamilton as Electron's frontman. While Hamilton has a very different ░░
░░ guitar tone than the Biscuits' Jon Gutwillig, his style is no less ░░
░░ distinctive and compliments Brownstein's borderline baritone bass quite ░░
░░ naturally. The album's centerpiece is Brownstein's most tender ░░
░░ composition, "Home Again." Written for his then girlfriend, now wife, ░░
░░ and first performed in Electron's precursor The Maui Project, "Home ░░
░░ Again" has blossomed into one of the Disco Biscuits' anthems and the ░░
░░ closest the group has come to a radio-ready song. Rearranged with ░░
░░ Brownstein supplying lead vocals, "Home Again" has evolved into a ░░
░░ restrained and beautifully layered composition. It's easy to forget ░░
░░ that This is Electron is essentially a live offering. The album's ░░
░░ production is so neat and its overdubs so smooth that tracks flow like ░░
░░ studio compositions. In fact, the live feel only truly comes across ░░
░░ during Brownstein's post-song crowd banter and a few crowd noises used ░░
░░ primarily for emphasis. ░░
░░ ░░
░░ While This is Electron is only a footnote in the Disco Biscuits' ░░
░░ catalogue, it also stands as one of Brownstein's best offerings and, ░░
░░ perhaps, one of the year's best live releases. By covering its ░░
░░ blemishes in the studio, the Disco Biscuits have figured out a way to ░░
░░ capture its live energy on disc, as evidenced by the popular Trance ░░
░░ Fusion Radio series. This is Electron finds similar success and goes a ░░
░░ step further by actually manipulating the group's sound. And, by and ░░
░░ large these slight changes help establish Electron as a truly more than ░░
░░ the sum of its parts. ░░
░░ ░░
░░ Mike Greenhaus, Jambands.com ░░
░░ ░░
░░ ░░
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░▓▓▄▓ Track ░ list ░▒▄▓▓▓█▓▓▒░░░ ░ ▀▀▀▀▄████▀ ░░░░▒░▒▒▓▒▒░░░ ░░░ ░░ ░
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░░ This is *NOT* a substitute of the original! ░░░
░░ ----------------------------------------------------------------------░░░
░░ ░░░
░░ NB TRACKNAMES: LENGHT: ░░░
░░ ░░░
░░ 01. Rock Candy 12:09 ░░░
░░ 02. Long Walk 05:56 ░░░
░░ 03. The Bends 03:43 ░░░
░░ 04. Factory 09:27 ░░░
░░ 05. Simple Gift Of Man 08:02 ░░░
░░ 06. Pttfall 10:11 ░░░
░░ 07. Home Again 10:53 ░░░
░░ 08. Charm 06:19 ░░░
░░ --- ░░░
░░ 66:40 min ░░░
░░ ----------------------------------------------------------------------░░░
░░ To the involved artist(s): consider this release as a free, world ░░░
░░ wide promotion campaign and thank us! ░░░
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█▓▒▒█▓▒▒▓▒▒░░▒▒▒▒▒▓▒▒▒▒▒▒░░▒▒░▒▓▒▒▒▒▒▒▒░░░░▒░░░░ ░░▒▒▒▒▒▒ ▀▀▀▓▓▓▓▓▓▒▒ ▒▓░░
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██████▀▀▀▀ ▀ ▀ ▒ ░▒▒░ ▓▓▒▒░ ▓█▓▒ ▀▀▀▀▀▀▀▓███████▓▓▓▒▒░░
▓██▀ "Oi" to: ░▒▒░ ░ ▓▓▒▒░░ ▀▓▓▒▒▒░░░ ▀▀▓██▓▒▒░░
▓█▌ ░▒▒░░ ▀▓▓▓▒▒▒░░ ▀▀▓▓▓▓▒▒▒▒░░ ░▓█▓▒░
▒█░▒▓▓▓▒▒▒▒▒▒▒▒▒▒░░░░░░░░░░░ ░░░ ░ ░░▒▒░░ ▀▀▓▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓▓▄░░░▓▓░░
▒█ ░░▒▒▒░░░░░▀▀▀▀▀▀▀▀▀▀▓▓▓▄▄▀▀▓▓▄▓▓░░
▒▓ ░ ▀▀▓▓▄░▀▓▓░░
░▓ ▀▓▓░░▓░░
░▓ █▓░▓░░
░▒ 4 HORSEMEN, █▓▓░░
░▒ 801, █▓░░
░▒ APOCALYPSE PRODUCTiON CREW, ▓░░
░░ BEATS iN CONTROL, ▒░░
░░ CHROMANCE, CiTADEL CREW MP3 DiViSiON, COMPRESS DA AUDIO, CRiSiS, ▒░░
░░ DEAFNESS, DiSSiDENT, ░░░
░░ FRENCH SOUND PROViDER, ░░
░░ iMAGiNE, iMPULZ, iNTERNET MUSiC PiRATES GUiLD, ░░
░░ JAZ, ░░
░░ MORGOTH, MUSiC AND DECiBELS, MUSiC TO MASSES, ░░
░░ NEW WORLD ORDER MP3, NORDiC MUSiC ENSEMBLE, ░░
░░ PROViDERS OF SOUND, PSiLOCiBiN, ░░
░░ REVOLUTiON, ROCKERS' BREWiNG CORP, RUDE BWOY KUTZ, ░░
░░ SCHOOL OF THE OLD, STRONGER THAN ALL, SYNTHESiS MEDiA, ░░
░░ TOUCHDOWN, TWEE, ░░
░░ WALL OF SOUND, WE LOVE WAREZ MP3 & ░░
░░ ░░
░░ *ALL* of our friends and family. ░░
░░ ░░
░░ ---------------------------------------------------------------------- ░░
░░ ░░
░░ "Those who cannot remember the past are condemned to repeat it." ░░
░░ ░░
░░ George Santayana (1863-1952) ░░
░░ ░░
░░ ▄▄█▓▀ ▄▄ ░░
░░ ▄▄▓███▓▓▓░░███▓▓▓▄▄▄ ░░
░░ ▄▓████▀░░▒▒▒▒▒▓▓▒▒▒▒▒▒▓█▄▄ - you cannot *EVER* contact us. ░░
░ ▄▀▀▄░░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓██▄ ░░
░ ▄░░▒▒▓▓▓▓█▀▀▀▀▀▓▓██▀▓▓▓▓▓▒▒▓█ - we DON'T endorse pushing our releases ░░
░ █▓▓▓▀██▓▀▀▀▄▓▒░░▄██▌░░ ▓▀▓▓▓▓█ to unrelated scene personal. ░░
█▓▓▀▄▓█▓▓░░░░█████▓█▓▄▄▄█▓ ▀▓▀▓▓ ░░
█▀ █▓▀▓███▄▄▄███▓▓▓█████▓█▀▄▐▌ █ - we are ONLY hiring bisex twin sisters ░░
█ ▐█████▀ ████▓▓█▌▀██▓▓ ▐▓ and (also quite possibly) their mom. ░░
░ ███▀ ▐████▓█▓ ▐▓▀ ▀ ░░
░░ ▓ ███▓███▓ ▀ ░░
░░ ▐███▓▓██▌ ░░
░░ ██▓▓▓▓█▌ Founded overnight by monkeys with typewriters, WUS ░░
░ ▓█▓▒▒▓█ is yet another group of copycatting and mindless ░░
░░ ██▒▒▒▓█▌ midgets. We are solely humping the MP3 scene for ░░
░░ ▐█▌░▒▒▓██ the sakes of trying to look good and of jerking ░░
░░ ▐█▌░░▒▓█▌ our monstrous huge cocks. ░░
░░░ ██▒░▒▓█▌ ▓ ▄■ Your true pseudo-friends, ░░
░▒░ ▐█▌▓▀▓█▌ ▓▄▓ · ░░
░▒▒ ░██▌▒▒▓█▓▌▓▒█▀·▄■▄ ▄ ▓▓▄▄▄ WUZZiES iNC. ░░
░▒▒▌ ▒▒██▒▒▓▓░█▓▒▒▒▀▒▒▄▄ ▄ ██▓▓███▄▄▄▄▄ ░░
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▒▓▒ ▒██▓▓▓▓█▓▓▒█▓▓▓▓█████▒▓▓▒▒░░░░░░░░░ WASHED UP ░░▒▒▒▒▒▒▒▓▓▓███▓▓▒▓▒▒░▒▓▓
▒▓▒ ░▓██▓▓▓▓▓▒█▓▓▓▓▓█████▒▓▓▒▒░░░░░░░░░ ░░▒▒▒▒▓▓▓████▒██▓▒▒░░▓█▓
░▒▓ ░▓█▓▓▓▓▒▒█▓▓▓█▓██████▒▒▓▒▒░░░░░░░░ FOR LiFE. ░░░░▒▓▓████▓▒██▓█▒░▒░▒▓▓
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░░░░░░░░░▒▒▓▓█▓░ ░░░░░░▒▓█████████████▄▐▓▌ ░░░▒▒▒▒▒▒▓▓██ ░█▒▒▒░░░░░REV:B
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░ gfx:ix<3 in MMV.