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_/»» \_ // _ \___/ _/__\ _\_____ __/ \ _________:::::
_______________\__ /__\\ / \ / \ / \ / \ /_/ /:::::
TR.TechnoRulez / \ \ _____/_\___/ \___/ / \\____/_ / /::::::
»»»»»»»»»»»»»»»»//___/ \____\ _ /_____/ /____/_____/ /______/:::::::
/_______\ ____ _______ _____ \_ \:::::::
_\ \ _____ / /___\__ \_ / /____:::
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| / / _ / \_______/_______// /| \::::
| \_____/______/ \_____\__ _______\:::
l____\ :::::::::
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... because it's about music :::::::::
:::::::::
. :::::::::
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: :::::::::
::::::::::::::........: RELEASE .NFO ::::...... :::::::::
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___ _____ / / ______/ /: . :::::::::
__\ \/ /___\ \______ _\ _/ / /:: ,: :::::::::
\ \ \ / _\ \ /____\__ \______/::: .:. .::. :::::::::
/__/ /_____/ // / ___ / _\ :::..╖?' '╖ ╖' ╖ :::::::::
\___/ \________/____\ /\___\ ╖ : ╖ :::::::::
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: ':::::::::
artist...: Enduser And Submerged :::::::::
title....: Appropriate & Deface :::::::::
label....: Ad Noiseam :::::::::
cat.nr...: ADN54 :::::::::
style....: Drum & Bass :::::::::
quality...: VBRkbps@44,1kHz :::::::::
chan-mode.: Joint-Stereo :::::::::
rls.size.: 33,6 MB source....: Vinyl :::::::::
rls.date.: Oct-03-2005 encoder...: Lame 3.90.3 MMX :::::::::
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url/nfo..: http://www.adnoiseam.net :::::::::
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____________ _______ /»»» »//_________ :::::::::
____/ / /____/ _ / \ \::::::\____/ /»»»»»/::
::::::::..: NOTES :../ / / / / /_ /__/___\ \::::::: ___/_____/:::
____________________/____\ /____ / /______/ \ \ :::::::::
\___\ / _/ / // \_ :::::::::
\____/ \__________/ :::::::::
:::::::::
On the tail of Enduser's successful releases on Ad :::::::::
Noiseam, and introducing Submerged to the label, :::::::::
"Appropriate and deface" is a meeting of these two icons :::::::::
of the hard drum'n bass scene, bringing a new face to a :::::::::
massive sound, new clothes to an energetic genre. Enduser :::::::::
is on everybody's lips for his efficient combination of :::::::::
dnb and breaks and Submerged is known for unleashing :::::::::
monstrous basses through his Ohm Resistance label, the two :::::::::
had never worked together; it had to be corrected, here :::::::::
comes their encounter. Hide the subwoofers. :::::::::
:::::::::
Recently relocated to NYC after having produced in Berlin, :::::::::
Lynn Standafer (Enduser) has generated more than a stir :::::::::
with his chopping up of noisy beats and his take-over on :::::::::
the drum'n bass scene, in which he marries dark 90's noise :::::::::
hooks with just the right amount of breaks to fill in the :::::::::
dance floors. Probably the highest profile producer for :::::::::
this sound at the moment, Enduser is on everybody's lips :::::::::
and speakers, from London's crowded party halls to :::::::::
Berlin's hip locations and New York's dark venues. An :::::::::
confessed fan of the efficiency of drum'n bass, Enduser :::::::::
brings his own touch by infusing large amounts of :::::::::
unexpected breaks in the usual drum'n bass formula, and :::::::::
supporting the beats with enough drive to submit the head :::::::::
-nodding, low-ends aficionados into movement. :::::::::
:::::::::
Kurt Gluck (Submerged), is no newcomer to the hardest side :::::::::
of drum'n bass. May it be with his own productions or with :::::::::
his label (Ohm Resistance), Submerged has been known as :::::::::
the ultimate combination of all things low and loud. A :::::::::
regular collaborator of Bill Laswell, Mick Harris and John :::::::::
Zorn and a relentless DJ, Submerged is as much at home in :::::::::
the experimental scene as on the floors. On "Appropriate :::::::::
and deface" the opening "Second Mission" pushes the :::::::::
envelope of how powerful and addictive a sweeping bass can :::::::::
be. Building a wall to tear it down later, Submerged's :::::::::
following "Oppressor" keeps the low-ends in the red while :::::::::
persecuting a syncopated beats with tortured high :::::::::
frequencies. :::::::::
:::::::::
"Appropriate and Deface" gives the opportunity to two :::::::::
confirmed artists to stress once again their take at this :::::::::
genre. A club-filler and an instant DJ-hit, this record :::::::::
however never forgets to present something new and :::::::::
remarkable. :::::::::
:::::::::
:::___:::
:___ ____ _ ___::/ /_::_
_____ ___ ___ | | / _/// / //__//_///
_/ /__\ \______\ \_____ | |/ /_____\_ \::::::╖:
.....:: TRACKLIST :\ / \ \ _ / _/___| / /\ / / \\»»»:'
:╖╖╖╖╖╖╖╖╖╖╖╖╖/ _/ / /___ \ / \ \ \_____/ \\ \»»»╖
no : track title ____//___|\ \ \____\___/_____\__| ti:me\________/::::
╖╖╖╖╖╖:╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖\______\╖╖ ╖ ╖ ╖ ╖╖ ╖╖╖╖╖╖╖╖╖╖╖ ╖╖..╖╖:::::::
:::::::
A1 : Enduser - Taking Life 05:48 :::::::
A2 : Enduser - Murderous Rage 05:19 :::::::
B1 : Submerged - Second Mission 04:12 :::::::
B2 : Submerged - Oppressor 06:09 :::::::
:::::::
total length: 21:28 min :::::::
. ____ ________ ____ ______:::::::
. ____ _\ \ / /_\ \ _____ ________/ :::::::
:: __/ _/__ / \ \ / / / / /_\ \______ \ _/ / /:::::::
:::.\ \_ / / /________/ / / _/ \ /____\__ \______/ :::::::
::::/_____/ \__|\ \ \ \______/ \\_____// / / _\ :::::::
:::::::::/_____/╖╖\_______\....:::: \____\ /____\ /\___\ :::::::
:::: \_____\ ::::::
:::: GROUP NFO :::....................::::::.
:::::..
As release upon release emerges, we will continue to bring you only :::::.
the best in electronic music! We focus equally on both style and ::::::
quality, and if your reading our info, you already know that. We're ::::::
now in our fifth year, and we feel pretty confident about the work ::::::
we do. We have brought music to the masses, and in doing so ::::::
hopefully made their lives that much better. For us, that is what ::::::
its all about, and thats what keeps us going. ::::::
::::::
We purchase records and rip them so other people can hear the tracks ::::::
and decide if they want to buy! We have paid for our records and ::::::
think you should also, if you do not subscribe to this, you are part ::::::
of the problem. So if you like a release please buy it. Don't be a ::::::
skanky bitch about the price, just pay it! In doing so, you are ::::::
supporting what we all love so much. We sleep good at night cause we ::::::
support the artists that produces electronic music, without whom we ::::::
wouldn't have so much material to enjoy. We know some releases are ::::::
nearly impossible to find, so buy something else you like instead :D ::::::
::::::
The electronic music scene ain't like the pop and rock scene. Where ::::::
fans pays Euro100 for a ticket to a concert! It's smaller and ::::::
artists rely on units sold. Since you probably downloaded this ::::::
release and think you can have it for free -- you're wrong. That ::::::
mindset is killing the artists and the scene. Its simple, support ::::::
the people who support you, musically. ::::::
::::::
We at TechnoRulez are adamant about any of releases being posted in ::::::
public scene dupingchans and prechans! Please respect that, and ::::::
remove our releases from the db's. We insist that the scene must be ::::::
kept underground, and if the clueless lamers using such chans and ::::::
websites cant comply with the terms, you will see alot less of us. ::::::
That doesn't mean we will slow down, but we will take action to keep ::::::
our releases internal or a very limited spread. It is simply ::::::
unacceptable to post scene related info on *any* public source at ::::::
*any* time. Use your head. ::::::
::::::
In the words of a Luke Slater track, "Lets get together" and make ::::::
the scene a better place for all of us! keep the distance from ::::::
the n00bs, and unite more to keep the few bad apples from ruining ::::::
our business! ::::::
::::::
As always, cheers! ::::::
/TechnoBoyz 2004 ::::::
::::::
:::::.
.........................::::: GREETINGS :::::........................::::::.
:::::..
1REAL . 313 . AES . AMOK . BEX . BOSS . CMC . CMG . CQi . dh . DOC :::::.
DPS . DRUM . DW2K . EMP . FWYH . gEm . KrbZ . kW . mbs . MGC . MiM ::::..
MOD . MS . MTC . MYCEL . NBD . OMA . PDJ . PHT . PsyCZ . radial ::::.
RAMPLjUS . RNS . sb . smc . sour . SQ . tronik . UBE . YARD ::::
:::.
& all underground electronic music lovers ;) ::.
::.
::.
_____________________________________________________________________ __ _____
> TR.oldschool.nfo.Build.0.69 | Updated 2004/07/21 | ⌐ eskoner(t^) // /// /
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