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| Artist : Quizz |
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| Title : Bag U Should (Charles Webster's Remixes) |
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| Label : Art Brut |
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| Cat-Nr : AB 004 |
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| Source : Vinyl |
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| Tracks : 02 |
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| Size : 21,10 MB |
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| Rel-Date : Nov-07-2005 |
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| Str-Date : Sep-26-2005 |
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| Quality : VBRK/44.1K/Joint-Stereo |
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| Encoder : Lame 3.90.3 (VBR) |
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| Genre : House |
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| Sub-Genre: Deep House |
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| |
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: .--l____/---l___/---l___/---l___/---l___/---l___/--------l___⌐dtA!__/
: | :
| `-------> t.r.a.c.k.l.i.s.t <-) |
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| Play |
| No. Trackname time |
| |
| 01 Bag U Should (Charles Webster Vocal Mix) 07:37 |
| 02 Bag U Should (Charles Webster Deeper Dub) 07:19 |
| ----- |
| 14:56 |
| |
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: .--l____/---l___/---l___/---l___/---l___/--------l___/------⌐dtA!___/
: | :
| `-------> t.r.a.c.k.i.n.f.o <-) |
| |
| Following up the original "Bag U Should" & L'Aroye remix, Charles |
| Webster now bring us back to the good old sounds of Claude |
| Young's Transfusion material or Mood II Swing's classic NY dubs. |
| Dub version is clubby & tough - the vocal version is Electronic |
| soul and it rarely gets better than this. |
| |
| http://www.discogs.com/release/526471 |
| http://www.dialectrecordings.com |
| http://www.misorecords.co.uk |
| |
| |
| |
| About Charles Webster: |
| |
| Now into his second decade as a true innovator in the electronic |
| music scene, Charles Webster is one of the few real |
| mould-breakers in an increasingly stale & predictable dance music |
| world (though whether a man whose favourite artist is Rickie Lee |
| Jones, and whose records ooze such soul and depth should really |
| ever be pigeonholed as dance is another debateà). |
| |
| Charles has sold over 100,000 albums without ever being |
| considered æmainstream' or having a major hit singleàhe has |
| toured the world with a full (genuinely) live bandàhe has also |
| dj'ed worldwide, playing regularly in every continent, without |
| ever having had the need to be feted by the dance media as a |
| flavour of the monthàhe's had the nous to have been running his |
| own labels for years, frequently laying them to rest before they |
| get tired and switching to other projectsàhe is comfortable |
| making music at any tempo, straddles numerous genres (both real |
| and imagined) with easeàbloody hell, he even writes songs. |
| |
| See what we mean about mould-breaking ? |
| |
| So what led to this blossoming talent? Well to truly understand |
| that, let's go backà.way backàback into timeà |
| |
| àwhere we find a shy young lad in rural Derbyshire, England, |
| first fascinated by this album of his dad's called æHelp' by the |
| Beatlesàthen enthralled by the madcap genius of prime era David |
| Bowieàthen seeing the electronic future thanks to Kraftwerk. And |
| so our hero got his first instruments aged 15 (guitar, |
| synthesizer and drum machine) and began treading the boards in |
| early electronic bands a round Sheffield and Derby . |
| |
| Then another fateful hand was dealt. Charles moved to Nottingham, |
| started working in a restaurant... the owner of which also just |
| happened to own the city's 'Garage Club', definitely the first |
| House club in Nottingham (and arguably in England ). The owner |
| invited all the staff to the opening party of his new club. One |
| Graeme Park is the resident DJ, Larry Heard and DJ Pierre are on |
| the turntables, and suddenly Charles is aware that the |
| genre-defying music he has been creating himself has by chance |
| happened across a genre and a scene which can take him to their |
| very hearts. |
| |
| From hereon it's a blurred tale of late nights in studios and |
| clubs, collaborators aplenty, all pieces fitting together and |
| helping to shape the king of electronic soul we know and love |
| today. Earning his dance music spurs engineering for the great, |
| the good, and just occasionally the godawful at the city's |
| seminal Square Dance Studios, Charles comes of age as a producer |
| in his own right with 1990's Sine and 1992's Megatonk projects. |
| |
| Ever keen to push forward, 1993 sees CW grab the chance to move |
| to San Francisco , where his production career goes into |
| overdrive as the prime mover behind the acclaimed Love From San |
| Francisco label. This in turn leads to tracks coming out on other |
| acclaimed Stateside labels such as Emotive, Nitebeat, Happy |
| Tracks, Rey-d et al. Charles also meets a 16 year old Terra Deva |
| around this time, and with mom & grandma's permission, launches |
| this prodigious talent into the dance music world via Furry |
| Phreaks' æSoothe' and æWant Me Like Water'. Now one of the |
| circuit's most in-demand singers, Terra still collaborates with |
| Charles, most recently on 2002's æReady' (see below, æBorn on the |
| 24 th July'). |
| |
| Back in the UK in 1996, Charles starts the Remote label, and |
| begins to get serious props as a DJ. æGetting Lifted' by Presence |
| garners serious attention, leading to Pagan Records offering the |
| Webster-masterminded project an album deal. The hugely successful |
| æAll Systems Gone' release took the often staid world of |
| so-called deep house into new stratospheres, won æalbum of the |
| month' plaudits in pretty much every publication that reviewed it |
| worldwide (even scoring an unprecedented 11 out of 10 in one |
| mag), and gave the world the classic single æSense of Danger', |
| featuring Shara Nelson. |
| Shara and Terra are just two of many quality vocalists to have |
| benefited from working with Charles. Other notable singers in |
| Websterworld include Sara Jay and Steve Edwards, both of whom |
| played a starring role in Presence's 1999-2000 live tour, feature |
| on æBornà', and continue to work with Charles on new Presence |
| material, and for his latest label project Miso (picking up where |
| his legendary Love From San Francisco and Remote imprints left |
| off). |
| |
| 2002 saw worldwide acclaim and success for his first album under |
| his own name, æBorn On The 24th July' (Peacefrog / Statra). |
| Perhaps the closest thing yet to a full depiction of Charles's |
| musical vision, it is a deep yet uplifting, soulful, diverse |
| collection û and makes for a truly coherent album, rather than a |
| patchwork of club tracks and fillers. It is the other side of the |
| coin to the equally acclaimed, album, released by the |
| |
| A remixed version of æBornà', featuring such leftfield luminaries |
| as Herbert, UFO ,Theo Parrish and Pepe Braddock, was released to |
| acclaim in late 2003. 2004 has seen Charles dj'ing relentlessly |
| worldwide, as well as remixing the likes of Salif Keita and |
| Martina Topley-Bird. New Presence demos are being recorded, and |
| more releases are lined up for the much-feted Miso Records |
| (including the return of the Furry Phreaks moniker), so you'll |
| continue to hear a lot more from Matlock's finest export. The |
| quality control knob will, as ever, be turned up to 11. |
| |
| http://www.misorecords.co.uk |
| |
| If you liked this record, please BUY it and SUPPORT the artists. |
| DO NOT SHARE it ON P2P Networks. |
| |
| Where to buy? |
| |
| http://www.phonicarecords.co.uk/detail.aspx?ID=8264 |
| http://www.juno.co.uk/ppps/products/192758-01.htm |
| http://www.conzoom.com/ |
| http://www.beatport.com |
| |
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: .--l____/---l___/---l___/---l___/----------------l___/------⌐dtA!___/
: | :
| `-------> g.r.o.u.p.i.n.f.o <-) |
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| |
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: .eMPHASIs. |
: |
: releasing quality electronic music since 2001 |
| |
: kats from the old amiga scene keeping the friendly spirit alive |
. |
: our aim is to showcase talented artists on the cutting edge :
| new and old |
| :
: we at EMP encourage you to support the artists by picking up |
| the CD/vinyl at your favourite record store or go to the show! |
. .
| |
| :
| S H O U T S |
| :
| to all our friends in scene ... |
| |
| |
|__________ _________|
dESIGN bY)_________ _________(dAYTONA'01
)______ ______(
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