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[dmc]
Doom Generation Noises
────[rlsnfo]────────────────────────────────────────────────────────────────────
Artist : Chet Baker
Title : You cant go home again
Year : 1998
Label : A&M
Genre : Jazz
Type : Album
────[ripnfo]────────────────────────────────────────────────────────────────────
Ripped on: 10/09/2005
Ripper : DGN Crew
Quality : VBR kbps
Size : 59,7 MB
Playtime : 41:54 min
Grabber : EAC
Encoder : Dibrom's LAME 3.90.3
────[trax]──────────────────────────────────────────────────────────────────────
01. Love For Sale 13:02
02. Un Poco Loco 09:26
03. You Cant Go Home Again 05:47
04. El Morro 13:39
────[Release Note]──────────────────────────────────────────────────────────────
This is the rare and hard to find Chet Baker LP titled "You
Can't Go Home Again" on the A&M Horizon Label and is catalog
number SP 726 released in 1977. It far exceeds its 9/10 rating
and comes in a presentation LP folder.
As a special note Paul Desmond made his last recorded
performance on this LP with Chet Baker. Two of Jazz legendary
performers. Don't miss this LP.
The wild ride of the most romanticized icon in jazz is
thrillingly recounted in this first major biography.
From his emergence in the 1950sùwhen an uncannily beautiful
young man from Oklahoma appeared on the West Coast to become,
seemingly overnight, the prince of ôcoolö jazzùuntil his
violent, drug-related death in Amsterdam in 1988, Chet Baker
lived a life that has become an American myth. Now, drawing on
hundreds of interviews and previously untapped sources, James
Gavin gives a hair-raising account of the trumpeterÆs dark
journey.
The story of BakerÆs demiseùa heretofore unsolved riddleùis
revealed here at last. So is the truth behind his tormented
childhood, the pain of which haunted his entire life. Gavin
explores the birth of the melancholy trumpet playing, the
fragile tenor voice, and the otherworldly personal aura that
catapulted Baker to fame. Sexy, angelic, needy, and forbidding
all at once, Baker became known as the James Dean of jazz. Like
Dean, he struck a note of menace in the staid fifties: behind
his ultra cool, handsome faτade lay something ominous,
unspoken. The mystery drove both sexes crazy. But his only real
romance, apart from music, was with drugs. And in mesmerizing
detail, Gavin narrates the harrowing spiral of dependency down
which Baker tumbled, dragging with him those who dared get
close.
From his golden promise to his eventual destruction, BakerÆs
life mirrored AmericaÆs fall from postwar innocence. Deep in a
Dream is the portrait of a musician whose singular artistry and
mystique have never lost their power to enchant and seduce us.
Jazzman Baker sang and played trumpet like a dream and lived a
nightmare, thanks to a heroin habit that wreaked havoc on his
soul and on the lives of those around him. Gavin's in-depth bio
is definitive, tracing Baker's career and his art in detail.
Yet the volume feels like it belongs on the shelf next to such
harrowing addiction tomes as William Burroughs' Junky and Art
Pepper's Straight Life. Whether you read it as a character
study of a titanic, troubled musician or as a lurid cautionary
tale, Dream is a haunting prose poem that's every bit as
affecting as one of Baker's solos. Reviewed by Tom Sincla
Popular cool-toned trumpeter and a fragile singer whose
charisma made up for his limited voice, with his good looks
Chet Baker probably could have been a movie star. Instead he
became a drug addict in the mid-'50s and had an extremely
erratic lifestyle with horrific episodes alternating with some
wonderful musical moments.
Chet Baker certainly started out on top. After getting out of
the Army, he gigged with Charlie Parker on the West Coast in
1952 and then joined the Gerry Mulligan Quartet, a pianoless
unit that soon became among the most popular in jazz. After
Mulligan was jailed for his own drug problems, Baker (who had
helped make "My Funny Valentine" into a hit) formed a quartet
with pianist Russ Freeman. He began to win polls on both
trumpet and vocals, toured Europe in 1955 and seemed on his way
to a lucrative career. But by 1960 Baker was in an Italian jail
and, although he made a few worthy recordings in the '60s, by
the end of the decade his teeth had been knocked out after a
botched drug deal and he was out of music.
Against all odds Chet Baker made a gradual comeback in the
1970s. Although Baker recorded far too much during his final 15
years, his nomadic lifestyle (never kicking drugs and
essentially wandering all over Europe) was unstable and his
occasional vocals (always an acquired taste) were generally
poor, his trumpet playing actually improved as the decade
progressed. In fact despite everything, Chet Baker was still in
his musical prime when he fell out of a second story window
(pushed or slipped?) to his death in 1988. He remains one of
the great cult figures of jazz.
You Can't Go Home Again
Label:A&M SP726
Original issue:
Number of Tunes: 4
Recording Date(s):FEBRUARY 16,21,22 & MAY 13,1977
Personnel:Chet Baker(tp)Michael Brecker(ts)John
Scofield(g)Richie Beirach,Kenny Barron(p)
Ron Carter(b)Alphonso Johnson(elb)Tony Williams (d)Ralph
Macdonald(perc)
Paul Desmond(as)Don Sebesky(p,arr)+strings
Review:
Against all odds, Baker made a successful comeback in the
mid-'70s after several years totally outside of music. This LP
from A&M Horizon features him with a large group on three
selections playing Don Sebesky arrangements. Tenor-saxophonist
Michael Brecker and guitarist John Scofield are among the
all-star supporting cast on "Love for Sale," "Un Poco Loco" and
"El Morro." The fourth selection has altoist Paul Desmond (on
his very last recording) interacting with the trumpeter/leader
on a small group version of Sebesky's "You Can't Go Home
Again." This is worth searching for.
For the Jazz Historian, this is one over the edge recording,
that deserves a place in any jazz library of note.
────[Group Notes]───────────────────────────────────────────────────────────────
Dgn is around since 1998...
After a few years, a few rippers who left, a few who joined, people
greeting,people yelling, people threatening, people helping, people
watching, we're still enjoying our aime: Let ppl listen to what they
are gonna buy b4 they pay a single penny.
There have been also some people and groups that helped out during the
last few years, maybe it's because of them that (against all odds) we
are still releasing and doing well, those know who they are, and we'll
thank forever.
We remind our beloved public, we're against all kind of distrubution,
don't search our rips neither in your preferred XDcc channel, nor in
your local 127.0.0.1 p2p program, We do not distribute ! But it's not
nice to buy when you do not know what you're buying.
As a matter of fact, DGN is a private group, and do not need rippers,
fast or slow shells, traders, t1+ sites, couriers, prewhores, and hw
suppliers, we need only a nice chalet in Switzerland/Canada or a Villa
in the Caribbean sea where to listen to some chillout music.
If you can supply any of those, for free, feel free to contact us for
an application form.
Remember to support the artists.
DGN Crew, 2003
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Nfo file by [dmc]/DGN using Elton's and Morgoth's tools