Gerardo_Frisina-The_Latin_Kick-(SCLP395)-2xVinyl-2005-MPX
- Section
-
MP3/FLAC
- Group
- MPX
- Size
- 72,48 MB
- Files
- 8
- Date
- 2005-10-16
NFO
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░ ▄█▀ ▄▄▄▄█ PRESENTS: ▀▀█▄▄▄▄▄▄▄▄▄▄▄█▀▀▀ ▀█▄ ▀██▄
▄███ ▄█▀ ▀█ ███▄
█▓█▀ ▄█ Gerardo Frisina - The Latin Kick █▄ ▀█▓█
▄██▀ █▓ ▓█ ▀██▄
█▓█ █░ RiPPER......[ Winnie the Pooh ░█ █▓█
█▓█ █ LABEL.......[ SCHEMA - SCLP 395 █ █▓█
█▓█ ▄█▀ ENCODER.....[ lame 3.90.3(mod) ▀█▄ █▓█
█▓██░▀ BiTRATE.....[ VBR ▀░██▓█
█▓▓█ MODE........[ Joint-Stereo █▓▓█
▄█ ▀▓█▄ GRABBER.....[ EAC 0.95 pb5 ▄█▓▀ █▄
█ █▓█ DATE RiPPED.[ 17.10.2005 █▓█ █
█▄ ▄█▓█ YEAR........[ 2005 █▓█▄ ▄█
▀▄█▓█ RELEASE SiZE[ 72,5 MB █▓█▄▀
█▓▓█ TUNES.......[ 08 █▓▓█
█▓█▀ ▀▄ SOURCE......[ Vinyl ▄▀ ▀█▓█
██▀ ▀▄ GENRE.......[ Lo-Fi ▄▀ ▀██
█▓█ █ █ █▓█
███▄▄▀ ████ ███▄ ███▄ ████ ██ █ ███ ▀▄▄███
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█▓ █▓█ █▀▀▀▀▀ ▀▀▀▀▀█ █▓█ ▓█
█ █▓█ NR.│ TRACKNAME. │ TiME. █▓█ █
█ ███ ∙∙∙│∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙│∙∙∙∙∙∙ ███ █
█ █▓█ 01.│ a1 cortante │ 05:33 █▓█ █
█ █▓█ 02.│ a2 bite the nite │ 05:12 █▓█ █
█ █▓█ 03.│ b1 batucafro │ 04:42 █▓█ █
█ █▓█ 04.│ b2 gosto de que e bom │ 05:27 █▓█ █
█ █▓█ 05.│ c1 hush │ 05:30 █▓█ █
█ █▓█ 06.│ c2 senior rico │ 06:02 █▓█ █
█ █▓█ 07.│ d1 jazz ally │ 05:36 █▓█ █
█ █▓█ 08.│ d2 the 7th day │ 06:03 █▓█ █
▀▓ ████ │ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ▓▀
▀▄█▓█ │ TOTAL[ 44:05 █▓█▄▀
█▓▓█ . █▓▓█
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█▓▓█ █▓▓████████ ▓█▀▄ ▓█▄▄ ▓█▄▄ ▓█ █ ▓█▄█ ▓█ ▓█▄▄ ▄▄█ █████████▓▓█ █▓▓█
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█▓ █▓█ ▀ ▀ █▓█ ▓█
█ █▓█ Frisina comes back on the scene with his third █▓█ █
█ █▓█ album 'The Latin Kick', after the previous two, █▓█ █
█ █▓█ internationally acclaimed works, 'Ad lib' and 'Hi █▓█ █
█ █▓█ Note'.s █▓█ █
█ █▓█ 'The Latin Kick' is born from a concept of █▓█ █
█ █▓█ continuity with the singles 'Descarga' and █▓█ █
█ █▓█ 'Cubana', respectively found on 'Ad lib' the █▓█ █
█ █▓█ first and on 'Hi Note' the latter. An album █▓█ █
█ █▓█ conceived for the Club environment. █▓█ █
█ █▓█ Club is meant as in a place where people get █▓█ █
█ █▓█ together to share music, manifesting through █▓█ █
█ █▓█ dance the sensations caused by it. Keeping in █▓█ █
█ █▓█ mind that Jazz has been for many years 'The' █▓█ █
█ █▓█ music for dancing, the new album by Frisina fits █▓█ █
█ █▓█ perfectly the perspective of bringing back Jazz █▓█ █
█ █▓█ music on dance-floors. More than a tendency, it's █▓█ █
█ █▓█ an objective that is shared worldwide from some █▓█ █
█ █▓█ time. █▓█ █
█ █▓█ Gerardo Frisina precisely chose Latin Jazz █▓█ █
█ █▓█ colours and shades for the production of this █▓█ █
█ █▓█ album. The ækick' coming out of it is a pure █▓█ █
█ █▓█ injection of energy; a blast of intense █▓█ █
█ █▓█ excitement over the notes of exotic sounds and █▓█ █
█ █▓█ rhythms. This feeling is immediate from listening █▓█ █
█ █▓█ to the album. However Jazz stays firmly at the █▓█ █
█ █▓█ foundation of this album's concept, resulting █▓█ █
█ █▓█ expressed as the essential surrounding substance █▓█ █
█ █▓█ from the performance of the musicians. █▓█ █
█ █▓█ The outcome is an enjoyable recording, adequately █▓█ █
█ █▓█ meditative to be listened in the comfort of a █▓█ █
█ █▓█ home. █▓█ █
█ █▓█ █▓█ █
█ █▓█ In this gripping piece reworked in a Club key by █▓█ █
█ █▓█ Frisina, it feels like the Orishas (the deities █▓█ █
█ █▓█ who are considered messengers of God by the █▓█ █
█ █▓█ Yoruba people in Nigeria, and whom were taken █▓█ █
█ █▓█ during the African diaspora to Cuba and the West █▓█ █
█ █▓█ Indies) want to grab evryone to the dance. █▓█ █
█ █▓█ Another remarkable cover is 'The 7th Day'. █▓█ █
█ █▓█ Originally composed by Freddie Hubbard, in this █▓█ █
█ █▓█ version the sax and trumpet's dialogue elevates █▓█ █
█ █▓█ the theme, which is always supported by an █▓█ █
█ █▓█ incessant rhythm lead by the piano. The third █▓█ █
█ █▓█ cover is a Brazilian Samba/Bossa track, composed █▓█ █
█ █▓█ in the '60s and revisited on this occasion with █▓█ █
█ █▓█ æcontemporary clubs' sound effects. In 'Gosto Do █▓█ █
█ █▓█ Que E' Bom' the initial feeling remains intact █▓█ █
█ █▓█ though, courtesy of brilliant singing that █▓█ █
█ █▓█ narrates of spectacular football actions of PelΦ: █▓█ █
█ █▓█ themes that are frequent as well as important █▓█ █
█ █▓█ back in those days of the great Brazilian █▓█ █
█ █▓█ Seleτao. Another spotless Samba composition is █▓█ █
█ █▓█ 'Batucafro'. █▓█ █
█ █▓█ A Batucada with light Afro hints, perceptible █▓█ █
█ █▓█ from the flute. The true delight of this track is █▓█ █
█ █▓█ a Bossa styled guitar that propels it on the █▓█ █
█ █▓█ wings of music specifically designed to dance. █▓█ █
█ █▓█ 'Cortante' and 'Senior Rico' recall the typical █▓█ █
█ █▓█ Gerardo Frisina's Latin Jazz releases. In this █▓█ █
█ █▓█ compositions though the element of Jazz █▓█ █
█ █▓█ contamination is more strongly marked, as █▓█ █
█ █▓█ displayed by the explosive horn section in █▓█ █
█ █▓█ 'Cortante'. █▓█ █
█ █▓█ This track introduces a new musician of the █▓█ █
█ █▓█ ensemble, the Cuban trumpeter Hendrixon Mena. █▓█ █
█ █▓█ Surprisingly enough in this track, he gives his █▓█ █
█ █▓█ best on piano. In typical Salsa style, dragging █▓█ █
█ █▓█ the whole band to a relentless performance. █▓█ █
█ █▓█ 'Senori Rico' is an uncompromisingly modern track █▓█ █
█ █▓█ both in the production as well as in the █▓█ █
█ █▓█ rendition. The percussive element reigns █▓█ █
█ █▓█ unmatched. █▓█ █
█ █▓█ 'Hush' hooks the ears through a piano sounding █▓█ █
█ █▓█ vaguely oblique yet unmistakably Jazz-Salsa. █▓█ █
█ █▓█ The same Cuban trumpeter Hendrixon Mena is █▓█ █
█ █▓█ playing comes into the equation playing it again, █▓█ █
█ █▓█ this time in an inspired combination with Luigi █▓█ █
█ █▓█ Bonafede, already pianist for Frisina from time. █▓█ █
█ █▓█ This piece of music blends classic tradition with █▓█ █
█ █▓█ contemporary effects in a way that's really spot █▓█ █
█ █▓█ on. 'Jazz Ally' even though contaminated by Latin █▓█ █
█ █▓█ sounds, expresses a certain Jazz gusto. This is █▓█ █
█ █▓█ perceptible form piano harmonies as well as from █▓█ █
█ █▓█ hints of vibraphone and sax and trumpet solos. █▓█ █
█ █▓█ 'Bite the Nite' is perhaps the most cinematic █▓█ █
█ █▓█ composition. Sounds perfect as score theme in a █▓█ █
█ █▓█ spy or police movie of the '70s, courtesy also to █▓█ █
█ █▓█ a wicked vibraphone solo. Whereas a feeling of █▓█ █
█ █▓█ Boogaloo diffused by the rhythms and the horn █▓█ █
█ █▓█ sketches. █▓█ █
█ █▓█ This new work by Gerardo Frisina shows a very █▓█ █
█ █▓█ balanced, stunning amalgamation of rhythm devoted █▓█ █
█ █▓█ to dance with great taste for music. █▓█ █
█ █▓█ █▓█ █
█ █▓█ █▓█ █
█ █▓█ eNJ0y! █▓█ █
█ █▓█ █▓█ █
█ █▓█ █▓█ █
▀▓ ████ ████ ▓▀
▀▄█▓█ /TEAM MPX █▓█▄▀
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██▄ ▄▀ ██▄▄ ▄ ▓█ ▄ ▓█ █ ▓█▄ ▓█▄ ▓█ ▓█▄ ▄ ▄▄██ ▀▄ ▄██
█▓█▄ ▄▀ ▓▓█████████████ ▓█▄█ ▓█▀▄ ▓█▄▄ ▓█▄▄ ▓█ ▄▄█ ██████████████▓▓ ▀▄ ▄█▓█
█▓▓█ █▀▀▀ ▀▀▀█ █▓▓█
▄▀█▓█ ...GOES TO ALL GROUPS THAT KEEP THE SCENE ALiVE! █▓█▀▄
█▀ ▀█▓█ █▓█▀ ▀█
█ █▓█ 1REAL, XDS, RNS, MTC, QMI, NVS, UTE, eMF, kiNky █▓█ █
█ █▓█ USF, mbs, EMP, DRUM, TR, kA0 █▓█ █
▀█ ▄▓█▀ ▀█▓▄ █▀
█▓▓█ AND ALL OTHERS WE FORGOT █▓▓█
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▀██▄ █▓ ▀ █▄ ██ ████▄ ▓█▄ ▄▓█▀▀ ▀ ▓█ ▄██▀
█▓█▄ ▀█ ▀ ASCii ▀ ▄▓ ▓██▄███ ▓█ ▀█ ▓█ ▓█ ▄▓▄ ▀ AyLieN ▀ █▀ ▄█▓█
▀███ ▀█▄ ▀▄▄ BY ▀ ▓▓▓ ▓█▀█▀██ ▓█ ▄█ ███ █▓▓▓ ▀ ▄▄▀ ▄█▀ ███▀
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Files
| Path | Size |
|---|
| 01-gerardo_frisina-a1_cortante-mpx.mp3 | 9,47 MB |
| 02-gerardo_frisina-a2_bite_the_nite-mpx.mp3 | 8,38 MB |
| 03-gerardo_frisina-b1_batucafro-mpx.mp3 | 7,97 MB |
| 04-gerardo_frisina-b2_gosto_de_que_e_bom-mpx.mp3 | 8,69 MB |
| 05-gerardo_frisina-c1_hush-mpx.mp3 | 8,52 MB |
| 06-gerardo_frisina-c2_senior_rico-mpx.mp3 | 10,04 MB |
| 07-gerardo_frisina-d1_jazz_ally-mpx.mp3 | 9,24 MB |
| 08-gerardo_frisina-d2_the_7th_day-mpx.mp3 | 10,16 MB |