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▓▄██ ██▄▓
▓█▀▄▄ Artist : Miles Davis & John Coltrane ▄▄▀█▓
▐▓▌▐█▌ Album : The Final Tour: The Bootleg Series, Vol. 6 ▐█▌▓▌
▐▀▄██ Label : Sony Legacy ██▄▀▌
▄███▌ Genre : Jazz ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2018-03-28 ██▀▄▌
▐▓▌▐█▌ Quality : 660 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 1103.21 MB ███▓
▀ ▀█▌ Time : 220:46min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/ycmckbxu ███▄▓
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▄██▀ ▀██▄
██▌ Disc 1/4 ▐██
██▌ ▐██
██▌ 1. All of You (Live from Olympia Theatre, Paris) 17:05 ▐██
██▌ 2. So What (Live from Olympia Theatre, Paris) 13:25 ▐██
██▌ 3. On Green Dolphin Street (Live from Olympia Theatre, Paris) 14:40 ▐██
██▌ 4. Walkin' (Live from Olympia Theatre, Paris) 15:52 ▐██
██▌ ▐██
██▌ ▐██
██▌ Disc 2/4 ▐██
██▌ ▐██
██▌ 1. Bye Bye Blackbird (Live from Olympia Theatre, Paris) 14:01 ▐██
██▌ 2. 'Round Midnight (Live from Olympia Theatre, Paris) 5:36 ▐██
██▌ 3. Oleo (Live from Olympia Theatre, Paris) 4:22 ▐██
██▌ 4. The Theme (Live from Olympia Theatre, Paris) 0:51 ▐██
██▌ 5. Introduction (Live from Tivoli Konsertsal, Copenhagen) 0:59 ▐██
██▌ 6. So What (Live from Tivoli Konsertsal, Copenhagen) 14:36 ▐██
██▌ 7. On Green Dolphin Street (Live from Tivoli Konsertsal, 14:35 ▐██
██▌ Copenhagen) ▐██
██▌ 8. All Blues (Live from Tivoli Konsertsal, Copenhagen) 15:31 ▐██
██▌ 9. The Theme (incomplete) (Live from Tivoli Konsertsal, 0:30 ▐██
██▌ Copenhagen) ▐██
██▌ ▐██
██▌ ▐██
██▌ Disc 3/4 ▐██
██▌ ▐██
██▌ 1. Introduction by Norman Granz (Live from Konserthuset, 1:10 ▐██
██▌ Stockholm) ▐██
██▌ 2. So What (Live from Konserthuset, Stockholm) 10:34 ▐██
██▌ 3. Fran Dance (Live from Konserthuset, Stockholm) 7:24 ▐██
██▌ 4. Walkin' (Live from Konserthuset, Stockholm) 16:21 ▐██
██▌ 5. The Theme (Live from Konserthuset, Stockholm) 0:52 ▐██
██▌ ▐██
██▌ ▐██
██▌ Disc 4/4 ▐██
██▌ ▐██
██▌ 1. So What (Second Concert) (Live from Konserthuset, Stockholm) 15:20 ▐██
██▌ 2. On Green Dolphin Street (Live from Konserthuset, Stockholm) 13:39 ▐██
██▌ 3. All Blues (Live from Konserthuset, Stockholm) 16:10 ▐██
██▌ 4. The Theme (Second Concert) (Live from Konserthuset, 1:00 ▐██
██▌ Stockholm) ▐██
██▌ 5. John Coltrane Interview (Live from Konserthuset, Stockholm) 6:13 ▐██
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████ The sixth volume in Legacy's Miles Davis Bootleg Series circles ████
████ back to 1999's Miles Davis and John Coltrane: The Complete ████
████ Columbia Recordings 1955-1961, with an exclamation point. The ████
████ four discs here are taken from five concerts in March 1960: Two ████
████ sets from L'Olympia in Paris, two at Stockholm's Konserthuset, ████
████ and one from Copenhagen's Tivolis Koncertsal. The three-week ████
████ European tour was part of the Jazz at the Philharmonic series ████
████ produced by George Wein. Accounts from Davis and drummer Jimmy ████
████ Cobb claim certifiable tension surrounding John Coltrane. He left ████
████ the band at the end of 1959 and reportedly had to be talked ████
████ (hard) into taking the gig by Davis. It was the trumpeter's first ████
████ European tour as an international jazz star, and the band -- with ████
████ Cobb, pianist Wynton Kelly, and bassist Paul Chambers were among ████
████ the cats who recorded 1959's Kind of Blue. ████
████ ████
████ From the opening moments of "All of You" in the first Paris show, ████
████ it's obvious that what's happening on-stage wasn't planned. It ████
████ took everyone, with the possible exception of Coltrane, by ████
████ surprise, and is more than 17-minutes long. The lengthy solo by ████
████ the saxophonist greets the changes with dissonance, sharp angles, ████
████ and a (then) atypical fury as he tries out new sounds, ████
████ fingerings, and breathing techniques. Kelly brings it back inside ████
████ with his own solo, light, fleet, expert, and swinging. "All of ████
████ You" is followed by a blazing 13-minute "So What," offered with ████
████ the illuminating contrast that would underscore the tour: The ████
████ reinvention of standards from the '40s and '50s with more open, ████
████ less melodic modal jazz epitomized by the Kind of Blue material. ████
████ In the first version of "All Blues," Davis follows Chambers and ████
████ Kelly by adding more physicality to his own playing without ████
████ sacrificing his lyric invention. It foreshadows Coltrane's ████
████ wailing solo full of multiphonics, honks, and banks of layered ████
████ scales that wove together East and West. The short reading of the ████
████ bop standard "Oleo" is the only place in either of the Paris ████
████ concerts where the saxophonist reigns himself in. "All Blues" ████
████ from Copenhagen is also faster. Chambers' short solo intro is ████
████ picked up by Kelly's fat vamp and Cobb's stutter-step beat before ████
████ Davis takes the lean melody and stretches it, opening a door for ████
████ Coltrane, who commences slowly before breaking its structure wide ████
████ open. Once more, it's Kelly's grooving solo with glorious ████
████ right-hand flourishes that brings the hard swing back to the ████
████ equation. All the music here is filled with these moments. The ████
████ decision to rework the standards in order to make room for more ████
████ openness was wise and all one needs to do is check the three ████
████ versions of "On Green Dolphin Street" here for evidence. ████
████ Interestingly, while the tour established Davis' international ████
████ rep for good, it was Coltrane who benefitted most from the tour ████
████ -- he was all but unknown before it, and unforgettable after. The ████
████ tape sources are all official: The Copenhagen gig is remastered ████
████ from a state radio broadcast and the other two concerts are from ████
████ producers' archives, making this historic set among the most ████
████ essential in the Bootleg Series. ████
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