G-Man--IV_(G-4)-EP-1989-CMC

Section
MP3/FLAC
Group
CMC
Size
58,74 MB
Files
6
Date
2005-10-29

NFO

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         ▄▄█████▀▀▀▀      - Chemical Music Crew -       ▀▀▀▀█████▄▄   ▓▀ ▀▓
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     ███                   . .. Release info .. .                  ███
      ▀██▄▄                                                     ▄▄██▀
         ▀▀▀▄     ARTIST.......: G-Man                        ▄▀▀▀
              ▀▄▄  TITLE.......: IV                        ▄▄▀
                ▀█▄ SOURCE.....: Vinyl                   ▄█▀
                ▄█▀ STYLE......: Techno                  ▀█▄
            ▄▄█▀▀  LABEL.......: G Records                 ▀▀█▄▄
         ▄█▀▀    CAT.NR........: G-4                           ▀▀█▄
        ▀      QUALITY.........: VBRkbps/44,1Hz/Joint-Stereo       ▀
     ▄▀      URL...............: www.swimhq.com                      ▀▄
    ▄       RIP.DATE...........: Oct-28-2005                           ▄
    █        LENGTH............: 38:16 min                             █
     ▄ ■▄     SIZE.............: 58,3 MB                           ▄■ ▄
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       ▀▀▄▄▄▄        ▀▀▀      . .. Notes .. .       ▀▀▀        ▄▄▄▄▀▀
            ▀▀▀██▄▄▄                                    ▄▄▄██▀▀▀
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         ▄▄█▓████▀▀▀                                    ▀▀▀▀████▓▄▄
       ██▓▓▀▀                                                  ▀▀██▓▓
     ██▓▓                                                          ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        Gez first came to prominence in 1990 as one         ██▓▓
    ██▓▓        half (with Mark Bell) of ground breaking            ██▓▓
    ██▓▓        Leeds based duo LFO. With a sound that              ██▓▓
    ██▓▓        referenced early house, b.boy aesthetic             ██▓▓
    ██▓▓        (they met as members of rival breakdance            ██▓▓
    ██▓▓        crews), northern bleep & their own                  ██▓▓
    ██▓▓        distinctive sub-bass.                               ██▓▓
    ██▓▓        LFO not only had a considerable influence           ██▓▓
    ██▓▓        over the developing electronic underground          ██▓▓
    ██▓▓        (you'd be hard put to find anyone from the          ██▓▓
    ██▓▓        genre who doesn't regard LFO as an                  ██▓▓
    ██▓▓        influence) but also enjoyed chart sucess,           ██▓▓
    ██▓▓        their debut single (LFO) reaching no. 10 in         ██▓▓
    ██▓▓        the national charts and earning them the            ██▓▓
    ██▓▓        ultimate accolade of being described as "the        ██▓▓
    ██▓▓        most annoying record (he'd) ever heard" by          ██▓▓
    ██▓▓        Radio 1 DJ Simon Mayo!                              ██▓▓
    ██▓▓        I991 saw the duo touring throughout Europe          ██▓▓
    ██▓▓        and putting together tracks for their debut         ██▓▓
    ██▓▓        album "Frequencies" which was preceeded by          ██▓▓
    ██▓▓        the "We are back" single. Later that year           ██▓▓
    ██▓▓        they made their US debut at                         ██▓▓
    ██▓▓        the New Music Seminar & collaborated with           ██▓▓
    ██▓▓        Karl Bartos (Kraftwerk) on some tracks which        ██▓▓
    ██▓▓        due to record company wranglings never saw          ██▓▓
    ██▓▓        the light of day in their intended form.            ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        By 1992-3 the duo had a considerable number         ██▓▓
    ██▓▓        of gigs under their belts, including the            ██▓▓
    ██▓▓        first large scale rave in Paris, and were           ██▓▓
    ██▓▓        much in demand as remixers, having remixed          ██▓▓
    ██▓▓        Africa Bambaata, Art of Noise & YMO and this        ██▓▓
    ██▓▓        set a seal on their acceptance into the             ██▓▓
    ██▓▓        historical tradition of electronic music.           ██▓▓
    ██▓▓        Canadian DJ/Musician Richie Hawtin had been         ██▓▓
    ██▓▓        considerably influenced by the duo and they         ██▓▓
    ██▓▓        collaborated on a 12" (LFO v FUSE)                  ██▓▓
    ██▓▓        originally on the Warp "Quick One" imprint          ██▓▓
    ██▓▓        later re-released on Hawtin's label Plus 8.         ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        By '94 the strains of a lot of touring were         ██▓▓
    ██▓▓        beginning to show and they began to want to         ██▓▓
    ██▓▓        spend more time at home. Recorded output            ██▓▓
    ██▓▓        from the duo (disregarding the                      ██▓▓
    ██▓▓        collaborations) during this period had              ██▓▓
    ██▓▓        consisted                                           ██▓▓
    ██▓▓        only of 1 single (What is House) in 1992.           ██▓▓
    ██▓▓        The pair's response was to start to work on         ██▓▓
    ██▓▓        their own material, Mark Bell's "Speed Jack"        ██▓▓
    ██▓▓        and "Gez's" G-Man both have ther roots in           ██▓▓
    ██▓▓        this period and once the 2nd LFO album              ██▓▓
    ██▓▓        "Advance", was released we saw the end of an        ██▓▓
    ██▓▓        era.                                                ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        Gez's pre-disposition has always been for           ██▓▓
    ██▓▓        live playing and for music which can move           ██▓▓
    ██▓▓        the floor in a club setting. The developing         ██▓▓
    ██▓▓        LFO situation was not at all conducive to           ██▓▓
    ██▓▓        this approach and he began to realise that          ██▓▓
    ██▓▓        only through a seperate project could he            ██▓▓
    ██▓▓        actually do what he felt he should be doing.        ██▓▓
    ██▓▓        Swim had approached LFO in early '95 to             ██▓▓
    ██▓▓        remix Immersion (LFO had previously remixed         ██▓▓
    ██▓▓        Wir so a contact existed) in the end both           ██▓▓
    ██▓▓        Gez (as G-Man) and Mark (as Fawn) did               ██▓▓
    ██▓▓        remixes. Gez also sent a speculative                ██▓▓
    ██▓▓        cassette of other G-Man tracks at the time.         ██▓▓
    ██▓▓        The opening track on the cassette was "Quo          ██▓▓
    ██▓▓        Vardis" and the moment Colin & Malka heard          ██▓▓
    ██▓▓        it they knew they could do something with           ██▓▓
    ██▓▓        it. Over the following weeks a selection of         ██▓▓
    ██▓▓        4 tracks were chosen for what was to become         ██▓▓
    ██▓▓        the (1st) G-Man EP.                                 ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        The record was picked up on very early by           ██▓▓
    ██▓▓        the likes of Richie Hawtin, Claude Young,           ██▓▓
    ██▓▓        Jeff Mills etc. and owed it's sucess at             ██▓▓
    ██▓▓        least in part to the fact that both techno &        ██▓▓
    ██▓▓        house DJ's played it. Swim followed it up           ██▓▓
    ██▓▓        early the following year with the similarly         ██▓▓
    ██▓▓        minimally credited G-Man II which acheived          ██▓▓
    ██▓▓        even more success than it's predecessor.            ██▓▓
    ██▓▓        Both 12's spawned tracks which even 3 or 4          ██▓▓
    ██▓▓        years later continued to be licensed to             ██▓▓
    ██▓▓        countless compilations and be absolute              ██▓▓
    ██▓▓        staples of all minimal DJ's everywhere,             ██▓▓
    ██▓▓        Andrew Weatherhall, Sven Vath, Billy Nasty,         ██▓▓
    ██▓▓        Daft Punk and countless others all spin             ██▓▓
    ██▓▓        those g-tunes.                                      ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        The project developed organicly over the            ██▓▓
    ██▓▓        year to 1996 where an album and live work           ██▓▓
    ██▓▓        became part of a natural flow of events,            ██▓▓
    ██▓▓        resulting in the summer of '96 with release         ██▓▓
    ██▓▓        of the CD album Kushti which took a minimal         ██▓▓
    ██▓▓        mix approach to the material as digitally           ██▓▓
    ██▓▓        layered by Vapourspace/ Cusp man Mark Gage.         ██▓▓
    ██▓▓        For those who prefer to "roll their own"            ██▓▓
    ██▓▓        un-mixed tracks could be found on Kushti            ██▓▓
    ██▓▓        Vinyl.                                              ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        '97 saw the branching out of the "g-style"          ██▓▓
    ██▓▓        into it's own sub label in the Swim stable.         ██▓▓
    ██▓▓        G1 featured Swiss producer DJ Fallovie, G2          ██▓▓
    ██▓▓        the super hip Japanese w-moon from the              ██▓▓
    ██▓▓        Metrojuice crew, G3 features Leeds mega-lads        ██▓▓
    ██▓▓        shoota and G4 the g-man himself. Gez has            ██▓▓
    ██▓▓        also continued to mash up other peoples             ██▓▓
    ██▓▓        tunes to keep his hand in. Recent remixes           ██▓▓
    ██▓▓        include, Malka Spigel, DJ Fallovie, w-moon &        ██▓▓
    ██▓▓        Vapourspace.                                        ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        It's been a long 2 years since the g-man            ██▓▓
    ██▓▓        (aka Gez Varley) last graced us with one of         ██▓▓
    ██▓▓        his eponymous release. In fact the g-label          ██▓▓
    ██▓▓        has had to wait until number 4 before               ██▓▓
    ██▓▓        getting a release from it's number one son!         ██▓▓
    ██▓▓        Still Varley was never prolific in his early        ██▓▓
    ██▓▓        days with techno innovators LFO and it's the        ██▓▓
    ██▓▓        quality that counts - and what quality!!            ██▓▓
    ██▓▓        G-man has been responsible for defining the         ██▓▓
    ██▓▓        real soul of minimal techno by simply being         ██▓▓
    ██▓▓        the one who "brought the funk". From                ██▓▓
    ██▓▓        earliest days with the first g-man 12" on           ██▓▓
    ██▓▓        g's sister label swim ~ g-man has always            ██▓▓
    ██▓▓        been the favourite of the world biggest             ██▓▓
    ██▓▓        floor movers (how does, Mills, Weatherall &         ██▓▓
    ██▓▓        Hawtin grab you for starters?) From g-man II        ██▓▓
    ██▓▓        came the minimal classic "El Jem" (soon to          ██▓▓
    ██▓▓        be redefined by some freshly minted talent)         ██▓▓
    ██▓▓        and the Kushti album in it's digital                ██▓▓
    ██▓▓        sequencing by Vapourpace's Mark Gage to             ██▓▓
    ██▓▓        mimic the layered floor presentation so             ██▓▓
    ██▓▓        necessary to the medium is still light years        ██▓▓
    ██▓▓        ahead of anything in techno.                        ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        Yet despite his reputation for providing the        ██▓▓
    ██▓▓        finest mixing gear g-man in it's pure state         ██▓▓
    ██▓▓        remains peerless in it's sheer subtlety. The        ██▓▓
    ██▓▓        new 12" provides ample opportunity to be            ██▓▓
    ██▓▓        pulled into it's hynotic embrace. Always            ██▓▓
    ██▓▓        understated the 12" encompasses almost              ██▓▓
    ██▓▓        spacey mimimal techno The Art of War , Gez'         ██▓▓
    ██▓▓        own take on skank Centurion, the most               ██▓▓
    ██▓▓        minimal of dubs Brutus and the necessary            ██▓▓
    ██▓▓        hard finaliser Nero. A definitive return.           ██▓▓
    ██▓▓        The g-man is back to claim what's his.              ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
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        ▀▄▄▄▄        ▀▀▀      . .. Tracks .. .      ▀▀▀        ▄▄▄▄▀
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     ██▓▓                                                          ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓  .No.:..Artist./.Titel...........................:..Time.  ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓   A1 - The Art Of War                            : 08:35   ██▓▓
    ██▓▓   A2 - Centurion                                 : 08:12   ██▓▓
    ██▓▓   B1 - Brutus                                    : 10:10   ██▓▓
    ██▓▓   B2 - Nero                                      : 11:19   ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                            Total : 38:16   ██▓▓
    ██▓▓  ........................................................  ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
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        ▀▄▄▄▄        ▀▀▀    . .. Group News .. .    ▀▀▀        ▄▄▄▄▀
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         ▄▄█▓████▀▀▀                                    ▀▀▀▀████▓▄▄
       ██▓▓▀▀                                                  ▀▀██▓▓
     ██▓▓                                                          ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓         Please don't spread our releases on                ██▓▓
    ██▓▓         public sources and P2P networks !!                 ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓         Support the artists :                              ██▓▓
    ██▓▓         - buy the vinyls !!                                ██▓▓
    ██▓▓         - buy the CDs !!                                   ██▓▓
    ██▓▓         - visit the concerts !!                            ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓         .. and always keep in mind :                       ██▓▓
    ██▓▓         The beat just goes STRAIGHT on and on ..           ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
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        ▀▄▄▄▄        ▀▀▀      . .. Greetz .. .      ▀▀▀        ▄▄▄▄▀
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    ██▓▓                                                            ██▓▓
    ██▓▓        TO ALL OUR FRIENDS n MUSICLOVERZ out there !!       ██▓▓
    ██▓▓                                                            ██▓▓
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       ██▓▓▄▄                                                  ▄▄█▓▓▓
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Files

PathSize
00-g-man--iv_(g-4)-ep-1989-a-cmc.jpg141,47 KB
00-g-man--iv_(g-4)-ep-1989-b-cmc.jpg283,19 KB
a1-g-man--the_art_of_war-cmc.mp312,38 MB
a2-g-man--centurion-cmc.mp313,46 MB
b1-g-man--brutus-cmc.mp315,89 MB
b2-g-man--nero-cmc.mp316,60 MB