Move_D--Homeworks_2_(SOURCE_1232)-EP-1994-CMC

Section
MP3/FLAC
Group
CMC
Size
31,65 MB
Files
6
Date
2005-10-29

NFO

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         ▄▄█████▀▀▀▀      - Chemical Music Crew -       ▀▀▀▀█████▄▄   ▓▀ ▀▓
      ▄██▀▀▀                                                    ▀▀▀█░▀     ▀
     ███                   . .. Release info .. .                  ███
      ▀██▄▄                                                     ▄▄██▀
         ▀▀▀▄     ARTIST.......: Move D                       ▄▀▀▀
              ▀▄▄  TITLE.......: Homeworks 2               ▄▄▀
                ▀█▄ SOURCE.....: Vinyl                   ▄█▀
                ▄█▀ STYLE......: Lo-Fi                   ▀█▄
            ▄▄█▀▀  LABEL.......: Source Records (DE)       ▀▀█▄▄
         ▄█▀▀    CAT.NR........: SOURCE 1232                   ▀▀█▄
        ▀      QUALITY.........: VBRkbps/44,1Hz/Joint-Stereo       ▀
     ▄▀      URL...............: www.source-records.com/             ▀▄
    ▄       RIP.DATE...........: Oct-28-2005                           ▄
    █        LENGTH............: 20:02 min                             █
     ▄ ■▄     SIZE.............: 31,2 MB                           ▄■ ▄
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       ▀▀▄▄▄▄        ▀▀▀      . .. Notes .. .       ▀▀▀        ▄▄▄▄▀▀
            ▀▀▀██▄▄▄                                    ▄▄▄██▀▀▀
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       ██▓▓▀▀                                                  ▀▀██▓▓
     ██▓▓                                                          ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        I always get the feeling that I'm not               ██▓▓
    ██▓▓        fashionable at all. And that's not the point        ██▓▓
    ██▓▓        of it anyway. All I can say about my music          ██▓▓
    ██▓▓        is this is me and hope other people share           ██▓▓
    ██▓▓        the same ideas." David Moufang                      ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        If talent converted into record sales, David        ██▓▓
    ██▓▓        Moufang would be a very rich man. His               ██▓▓
    ██▓▓        records with partner Jonas Grossmann as Deep        ██▓▓
    ██▓▓        Space Network and his own solo releases as          ██▓▓
    ██▓▓        Move D are among the furthest outreaches of         ██▓▓
    ██▓▓        techno's push towards the stars.                    ██▓▓
    ██▓▓        Moufang grew up in Heidelberg listening to          ██▓▓
    ██▓▓        his parents' collection of early Pink Floyd         ██▓▓
    ██▓▓        and Kraftwerk records but the most                  ██▓▓
    ██▓▓        overwhelming influence on his childhood was         ██▓▓
    ██▓▓        outer space, the result of a trip to the            ██▓▓
    ██▓▓        cinema with his father to see 2001: A Space         ██▓▓
    ██▓▓        Odyssey. "I was space crazy as a child,"            ██▓▓
    ██▓▓        Moufang told journalist Tony Marcus in 1995,        ██▓▓
    ██▓▓        "when the other kids were riding around in          ██▓▓
    ██▓▓        their little cars I'd be building my own            ██▓▓
    ██▓▓        spacecraft. I'd put in a small engine, put          ██▓▓
    ██▓▓        rubber on the wheels so it made some noise          ██▓▓
    ██▓▓        and stand there with a walkie-talkie and my         ██▓▓
    ██▓▓        headphones on. It was very techno..."               ██▓▓
    ██▓▓        Moufang's grandmothers were both classical          ██▓▓
    ██▓▓        concert pianists. He can still remember             ██▓▓
    ██▓▓        favourite childhood moments, sitting under          ██▓▓
    ██▓▓        the piano as they played, surrounded and            ██▓▓
    ██▓▓        lost in sound. By the age of 12, he taken up        ██▓▓
    ██▓▓        drums (he eventually went on to study               ██▓▓
    ██▓▓        classical percussion) and took up the guitar        ██▓▓
    ██▓▓        a few years later, this time taking lessons         ██▓▓
    ██▓▓        from two separate jazz guitar teachers. He          ██▓▓
    ██▓▓        played guitar in a band called Rivers &             ██▓▓
    ██▓▓        Trains well into the '90s. Occasionally he          ██▓▓
    ██▓▓        even plied his trade as a DJ, spinning              ██▓▓
    ██▓▓        electro, funk and jazz.                             ██▓▓
    ██▓▓        It wasn't until 1989 that he discovered             ██▓▓
    ██▓▓        techno when a friend of his, D-Man, invited         ██▓▓
    ██▓▓        him to a club he was running in the                 ██▓▓
    ██▓▓        industrial suburb of Mannheim. When Moufang         ██▓▓
    ██▓▓        walked into the Milk Club that night - like         ██▓▓
    ██▓▓        so many others before and after him - he            ██▓▓
    ██▓▓        discovered a scene that changed his life.           ██▓▓
    ██▓▓        Discovering Detroit, 808 State, Nexus 21 and        ██▓▓
    ██▓▓        the first stirrings of ambient techno,              ██▓▓
    ██▓▓        Moufang became a committed clubber. Through         ██▓▓
    ██▓▓        D-Man, he met Peter Wiederroth (Redagain P)         ██▓▓
    ██▓▓        who converted Moufang's nickname "Mufti"            ██▓▓
    ██▓▓        into the more kinetic Move D.                       ██▓▓
    ██▓▓        Moufang's first records were made with              ██▓▓
    ██▓▓        Grossmann as Deep Space Network. Their first        ██▓▓
    ██▓▓        two albums, EARTH TO INFINITY (1992) and BIG        ██▓▓
    ██▓▓        ROOMS (1993) suggested a significant,               ██▓▓
    ██▓▓        unpredictable and innovative talent which           ██▓▓
    ██▓▓        was confirmed by the release of HOMEWORKS           ██▓▓
    ██▓▓        (1993), a Source Records compilation that           ██▓▓
    ██▓▓        included solo tracks such as "Pulsar" and           ██▓▓
    ██▓▓        "I've Been On Drugs" alongside                      ██▓▓
    ██▓▓        collaborations with D-Man. Ranging from             ██▓▓
    ██▓▓        subtle, Detroit-inflected grooves to wired          ██▓▓
    ██▓▓        electronic jazz, Moufang's music seemed to          ██▓▓
    ██▓▓        operate on ambience, slow motion and subdued        ██▓▓
    ██▓▓        rhythm, a sound that was rooted, as Tony            ██▓▓
    ██▓▓        Marcus later pointed out, "in the jazzy,            ██▓▓
    ██▓▓        laid-back but still hip-tugging tradition of        ██▓▓
    ██▓▓        Larry Heard, Carl Craig's "Microlovr" or            ██▓▓
    ██▓▓        "The Wonders Of Wishing" and New York's             ██▓▓
    ██▓▓        Burrell Brothers... listening to [Moufang's         ██▓▓
    ██▓▓        records] is like a sweet and lazy adventure         ██▓▓
    ██▓▓        into sound, a space where time and stress           ██▓▓
    ██▓▓        are suspended."                                     ██▓▓
    ██▓▓        REAGENZ (1994), a collaboration with Space          ██▓▓
    ██▓▓        Time Continuum's Jonah Sharp, was an                ██▓▓
    ██▓▓        astonishing fusion of beautiful,                    ██▓▓
    ██▓▓        experimental electronics that reached out to        ██▓▓
    ██▓▓        a point that even Detroit's most visionary          ██▓▓
    ██▓▓        producers hadn't yet achieved. Recorded             ██▓▓
    ██▓▓        between Heidelberg and San Francisco, it            ██▓▓
    ██▓▓        sounded like pianist Bill Evans might have          ██▓▓
    ██▓▓        if he'd grown up surrounded by Star Trek            ██▓▓
    ██▓▓        instead of modal jazz.                              ██▓▓
    ██▓▓        Moufang's debut album, KUNSTSTOFF (1995),           ██▓▓
    ██▓▓        was equally remarkable. Tracks such as "Soap        ██▓▓
    ██▓▓        Bubbles" and "In/Out" oscillated between            ██▓▓
    ██▓▓        soft, dreamlike textures and the spiked             ██▓▓
    ██▓▓        electronics that Detroit was beginning to           ██▓▓
    ██▓▓        explore. The glittering production surfaces         ██▓▓
    ██▓▓        were a legacy of Moufang's days as a student        ██▓▓
    ██▓▓        at the School of Audio Engineering, but the         ██▓▓
    ██▓▓        music they encompassed was equally                  ██▓▓
    ██▓▓        compelling. It was an album full of                 ██▓▓
    ██▓▓        contrasts - between the jagged drugfloor            ██▓▓
    ██▓▓        grooves of, say, "Nimm 2" and the gentle,           ██▓▓
    ██▓▓        synthetic lullaby of "Beyond The Machine" or        ██▓▓
    ██▓▓        between the pristine sounds Moufang conjured        ██▓▓
    ██▓▓        with and the haloes of analogue noise which         ██▓▓
    ██▓▓        surrounded others. Amazingly pretty and             ██▓▓
    ██▓▓        wildly innovative, KUNSTSTOFF remains one of        ██▓▓
    ██▓▓        the most accomplished techno albums to              ██▓▓
    ██▓▓        emerge from Europe so far.                          ██▓▓
    ██▓▓        The collaborative ventures that followed -          ██▓▓
    ██▓▓        including EXPLORING THE PSYCHEDELIC                 ██▓▓
    ██▓▓        LANDSCAPE (1996) and A DAY IN THE LIVE              ██▓▓
    ██▓▓        (1997) with Pete Namlook - preceded an              ██▓▓
    ██▓▓        experimental single for Sheffield's Warp            ██▓▓
    ██▓▓        label. Moufang had been a big fan of the            ██▓▓
    ██▓▓        label's "bleep techno" output in the early          ██▓▓
    ██▓▓        '90s and "Cymbelin" was, in some ways, a            ██▓▓
    ██▓▓        homage to that sound, twisting beats and            ██▓▓
    ██▓▓        synths into a bass heavy groove. But the            ██▓▓
    ██▓▓        producer's ability to soften almost any             ██▓▓
    ██▓▓        structure with aching prettiness transformed        ██▓▓
    ██▓▓        the record into a unique fusion.                    ██▓▓
    ██▓▓        Another unique fusion was suggested by the          ██▓▓
    ██▓▓        release of CONJOINT (1997). A collaboration         ██▓▓
    ██▓▓        between Moufang, jazz veteran Karl Berger,          ██▓▓
    ██▓▓        Jamie Hodge (of Born Under A Rhyming Planet)        ██▓▓
    ██▓▓        and Gunter "Ruit" Kraus, it was Moufang's           ██▓▓
    ██▓▓        most overtly jazzed outing so far, but              ██▓▓
    ██▓▓        provided spectacular evidence of his growing        ██▓▓
    ██▓▓        abilities as a producer and composer.               ██▓▓
    ██▓▓        Currently working on a number of new                ██▓▓
    ██▓▓        projects - including a new Deep Space               ██▓▓
    ██▓▓        Network album and a second Conjoint album -         ██▓▓
    ██▓▓        Moufang continues to explore the boundaries         ██▓▓
    ██▓▓        of electronic music. It remains to be seen          ██▓▓
    ██▓▓        whether his talents will ever be recognised         ██▓▓
    ██▓▓        on a wider scale, but those who have                ██▓▓
    ██▓▓        experienced his music at close range can            ██▓▓
    ██▓▓        testify to his unequivocal - if as yet              ██▓▓
    ██▓▓        uncelebrated - genius.                              ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
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        ▀▄▄▄▄        ▀▀▀      . .. Tracks .. .      ▀▀▀        ▄▄▄▄▀
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       ██▓▓▀▀                                                  ▀▀██▓▓
     ██▓▓                                                          ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓  .No.:..Artist./.Titel...........................:..Time.  ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓   A1 - Pulsar                                    : 04:43   ██▓▓
    ██▓▓   A2 - Ive Been On Drugs                         : 05:01   ██▓▓
    ██▓▓   B1 - Sandmann                                  : 04:29   ██▓▓
    ██▓▓   B2 - Arise And Shine                           : 05:49   ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                            Total : 20:02   ██▓▓
    ██▓▓  ........................................................  ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
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        ▀▄▄▄▄        ▀▀▀    . .. Group News .. .    ▀▀▀        ▄▄▄▄▀
            ▀▀▀██▄▄▄                                    ▄▄▄██▀▀▀
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       ██▓▓▀▀                                                  ▀▀██▓▓
     ██▓▓                                                          ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓         Please don't spread our releases on                ██▓▓
    ██▓▓         public sources and P2P networks !!                 ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓         Support the artists :                              ██▓▓
    ██▓▓         - buy the vinyls !!                                ██▓▓
    ██▓▓         - buy the CDs !!                                   ██▓▓
    ██▓▓         - visit the concerts !!                            ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓         .. and always keep in mind :                       ██▓▓
    ██▓▓         The beat just goes STRAIGHT on and on ..           ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓                                                            ██▓▓
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        ▀▄▄▄▄        ▀▀▀      . .. Greetz .. .      ▀▀▀        ▄▄▄▄▀
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       ██▓▓▀▀                                                  ▀▀██▓▓
     ██▓▓                                                          ██▓▓
    ██▓▓                                                            ██▓▓
    ██▓▓        TO ALL OUR FRIENDS n MUSICLOVERZ out there !!       ██▓▓
    ██▓▓                                                            ██▓▓
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       ██▓▓▄▄                                                  ▄▄█▓▓▓
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Files

PathSize
00-move_d--homeworks_2_(source_1232)-ep-1994-a-cmc.jpg141,35 KB
00-move_d--homeworks_2_(source_1232)-ep-1994-b-cmc.jpg348,62 KB
a1-move_d--pulsar-cmc.mp37,34 MB
a2-move_d--ive_been_on_drugs-cmc.mp37,59 MB
b1-move_d--sandmann-cmc.mp37,09 MB
b2-move_d--arise_and_shine-cmc.mp39,14 MB