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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : The James Hunter Six ▄▄▀█▓
▐▓▌▐█▌ Album : Whatever It Takes ▐█▌▓▌
▐▀▄██ Label : Daptone Records ██▄▀▌
▄███▌ Genre : Soul ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2018-02-02 ██▀▄▌
▐▓▌▐█▌ Quality : 503 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 102.81 MB ███▓
▀ ▀█▌ Time : 27:05 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/y94kdjxq ███▄▓
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▄██▀ ▀██▄
██▌ 1. I Don't Wanna Be Without You 3:28 ▐██
██▌ 2. Whatever It Takes 2:53 ▐██
██▌ 3. I Got Eyes 2:17 ▐██
██▌ 4. Mm-Hmm 3:13 ▐██
██▌ 5. Blisters 2:46 ▐██
██▌ 6. I Should've Spoke Up 2:30 ▐██
██▌ 7. Show Her 2:36 ▐██
██▌ 8. Don't Let Pride Take You For A Ride 2:32 ▐██
██▌ 9. How Long 2:33 ▐██
██▌ 10. It Was Gonna Be You 2:17 ▐██
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████ James Hunter has stubbornly been making unapologetically retro ████
████ R&B records since the mid-'90s. The former railroad switchman has ████
████ worked with Celtic Soul Brother Number 1 (Van Morrison) and has ████
████ been celebrated by -- and opened for -- everyone from Tom Petty ████
████ and Aretha Franklin to Etta James and Willie Nelson. Whatever It ████
████ Takes is the James Hunter Six's second outing for Daptone. It was ████
████ produced by label boss Bosco Mann (Gabriel Roth) and recorded ████
████ live in the label's California studio, direct to eight-track ████
████ analog tape and pressed to an acetate. The sound is flat, ████
████ immediate, and just a tiny bit muddy -- it's all it should be. ████
████ ████
████ After signing to Daptone, Hunter met his future wife Jesse after ████
████ a gig in New York. They were married in New Orleans and moved to ████
████ England. She is the prime inspiration for many of the songs here, ████
████ and it's more than likely their marriage may account for the ████
████ unusual tenderness in Hunter's singing voice. His songwriting is ████
████ more ambitious than at any other time in his career to date. ████
████ While these songs unabashedly reflect the early days of soul -- ████
████ from the late '50s through the mid-'60s -- they do so with a ████
████ sense of rhythmic invention we haven't heard since the early days ████
████ of New Orleans R&B and pre-Motown Northern soul. Check the ████
████ interplay between the horns, organ, and guitar on opener "I Don't ████
████ Want to Be Without You," as the rhythm section underscores them ████
████ with a tough rhumba and Hunter counters with a hovering, sensual, ████
████ grainy croon. The backbeat shuffle on the title track underscores ████
████ his wonderfully ragged falsetto, and the strolling horns lead ████
████ into a killer bridge that accentuates the groove quotient. "I Got ████
████ My Eyes," with its syncopated Latin beat, swinging vibes, and ████
████ singalong chorus, is simply infectious. Its guitar break hints at ████
████ Hunter's other skill: that of a formidable axeman. (The ████
████ instrumental "Blisters" is a scorching guitar blues that succeeds ████
████ because of its taste and economy, not pyrotechnics.) But Hunter's ████
████ real instrument is his voice. No matter what he sings, whether it ████
████ be a simmering midtempo ballad such as " MM-Hmm," the sweet, Sam ████
████ Cooke-inspired "I Should've Spoke Up," or the greasy, uptempo ████
████ Brook Benton-esque "Don't Let Pride Take You for a Ride," his ████
████ vocal digs deep inside his lyrics; they emerge as a cry, a wail, ████
████ a whisper, a growl, or a bleat, moving head on into the James ████
████ Hunter Six's rhythmic attack to immediately convince the listener ████
████ of the song's truth. The meld of gospel, soul, and blues on "How ████
████ Long" -- complete with a killer acoustic guitar solo that touches ████
████ on T-Bone Walker and Grant Green -- is a true set highlight. The ████
████ rhumba strut returns in closer "It Was Gonna Be You," a soul-deep ████
████ love song that puts a proper cap on this ten-song set. Whatever ████
████ It Takes clocks in at just under half-an-hour. While that's brief ████
████ by 21st century standards, it's plenty and proper on a collection ████
████ of songs framed in kinetic, inspired performances by one of the ████
████ greatest soul bands to emerge in decades. ████
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