Albert_Collins-Deep_Freeze-2CD-2005-SER

Section
MP3/FLAC
Group
SER
Size
156,27 MB
Files
18
Date
2005-12-05

NFO

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         :  /____\ :           >>>  Albert Collins: Deep Freeze  <<<
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 :..:... Supplier : SER 2005              Release Date : 12/05/2005   ...:..:
    :  : Ripper   : SER 2005              Street Date  : 03/21/2005   :..:...
 ...:..: Genre    : Blues                 Source       : CD              :  :
 :  :    Label    : Snapper Music         Tracks       : 18 Tracks    ...:..:
 :  :    Quality  : VBR/APS/44.1kHz       Channels     : Joint Stereo :  :
 :..:... Language : English               Size         : 156 MB       :..:...
    :  : Software : EAC v0.95 Beta 3      Encoder      : LAME v3.90.3    :  :
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    Albert Collins, "The Master of the Telecaster," "The Iceman," and "The
    Razor Blade" was robbed  of his best years  as a blues performer  by a
    bout with liver cancer that ended with his premature death on November
    24, 1993. He  was just 61  years old. The  highly influential, totally
    original Collins, like the  late John Campbell, was  on the cusp of  a
    much  wider  worldwide following  via  his deal  with  Virgin Records'
    Pointblank subsidiary. However, unlike Campbell, Collins had performed
    for many more years, in obscurity, before finally finding a  following
    in the mid-'80s.

    Collins was born October  1, 1932, in Leona,  TX. His family moved  to
    Houston when he was  seven. Growing up in  the city's Third Ward  area
    with the likes of Johnny "Guitar" Watson and Johnny "Clyde"  Copeland,
    Collins started out  taking keyboard lessons.  His idol when  he was a
    teen was Hammond B-3 organist Jimmy McGriff. But by the time he was 18
    years old, he switched to guitar,  and hung out and heard his  heroes,
    Clarence  "Gatemouth"  Brown,  John  Lee  Hooker,  T-Bone  Walker  and
    Lightnin'  Hopkins (his  cousin) in  Houston-area nightclubs.  Collins
    began  performing in  these same  clubs, going  after his  own  style,
    characterized by his use of minor tunings and a capo, by the mid-'50s.
    It was also at this point that he began his "guitar walks" through the
    audience,  which  made  him  wildly  popular  with  the  younger white
    audiences he played for years later  in the 1980s. He led a  ten-piece
    band, the Rhythm  Rockers, and cut  his first single  in 1958 for  the
    Houston-based Kangaroo label, "The Freeze." The single was followed by
    a slew  of other  instrumental singles  with catchy  titles, including
    "Sno-Cone,"  "Icy  Blue" and  "Don't  Lose Your  Cool."  All of  these
    singles  brought Collins  a regional  following. After  recording  "De
    -Frost" b/w "Albert's Alley" for Hall-Way Records of Beaumont, TX,  he
    hit it big in 1962 with "Frosty," a million-selling single.  Teenagers
    Janis Joplin and Johnny Winter,  both raised in Beaumont, were  in the
    studio  when  he  recorded  the  song.  According  to  Collins, Joplin
    correctly  predicted that  the single  would become  a hit.  The  tune
    quickly became part of his  ongoing repertoire, and was still  part of
    his live  shows more  than 30  years later,  in the mid-'80s. Collins'
    percussive, ringing guitar style became his trademark, as he would use
    his right hand to pluck the strings. Blues-rock guitarist Jimi Hendrix
    cited Collins as an influence in any number of interviews he gave.

    Through the  rest of  the 1960s,  Collins continued  to work  day jobs
    while pursuing his music with short regional tours and on weekends. He
    recorded for other small  Texas labels, including Great  Scott, Brylen
    and TFC. In 1968, Bob "The Bear" Hite from the blues-rock group Canned
    Heat took an interest in  the guitarist's music, traveling to  Houston
    to  hear him  live. Hite  took Collins  to California,  where  he  was
    immediately signed to  Imperial Records. By  later 1968 and  1969, the
    '60s blues revival was still going on, and Collins got wider  exposure
    opening for groups  like the Allman  Brothers at the  Fillmore West in
    San Francisco.  Collins based  his operations  for many  years in  Los
    Angeles before moving to Las Vegas in the late '80s.

    He recorded  three albums  for the  Imperial label  before jumping  to
    Tumbleweed Records. There, several singles were produced by Joe Walsh,
    since the label was owned  by the Eagles' producer Bill  Szymczyk. The
    label folded  in 1973.  Despite the  fact that  he didn't  record much
    through the 1970s  and into the  early '80s, he  had gotten sufficient
    airplay  around the  U.S. with  his singles  to be  able  to  continue
    touring, and so he did, piloting his own bus from gig to gig until  at
    least 1988, when he  and his backing band  were finally able to  use a
    driver. Collins' big break came about  in 1977, when he was signed  to
    the Chicago-based  Alligator Records,  and he  released his  brilliant
    debut for the  label in 1978,  Ice Pickin'. Collins  recorded six more
    albums  for  the label,  culminating  in 1986's  Cold  Snap, on  which
    organist  Jimmy McGriff  performs. It  was at  Alligator Records  that
    Collins began to  realize that he  could sing adequately,  and working
    with his wife Gwen, he  co-wrote many of his classic  songs, including
    items like "Mastercharge," and "Conversation With Collins."

    His other albums for Alligator include Live in Japan, Don't Lose  Your
    Cool, Frozen Alive!  and Frostbite. An  album he recorded  with fellow
    guitarists Robert Cray  and Johnny "Clyde"  Copeland for Alligator  in
    1985, Showdown! brought  a Grammy award  for all three  musicians. His
    Cold Snap, released in 1986, was nominated for a Grammy award.

    In 1989, Collins signed with the Pointblank subsidiary of major  label
    Virgin Records, and his debut, Iceman, was released in 1991. The label
    released  the  compilation  Collins Mix  in  1993.  Other compact-disc
    reissues  of  his  early  recordings  were  produced  by  other record
    companies who  saw Collins'  newfound popularity  on the  festival and
    theater circuit, and they include Complete Imperial Recordings on  EMI
    Records (1991) and Truckin' With Albert Collins (1992) on MCA Records.
    Collins'  sessionography  is  also  quite  extensive.  The  albums  he
    performs on  include David  Bowie's Labyrinth,  John Zorn's  Spillane,
    Jack Bruce's  A Question  of Time,  John Mayall's  Wake Up  Call, B.B.
    King's  Blues Summit,  Robert Cray's  Shame and  a Sin,  and  Branford
    Marsalis' Super Models in Deep Conversation.

    Although he'd spent far too much time in the 1970s without  recording,
    Collins could sense  that the blues  were coming back  stronger in the
    mid-'80s, with  interest in  Stevie Ray  Vaughan at  an all-time high.
    Collins enjoyed  some media  celebrity in  the last  few years  of his
    life, via  concert appearances  at Carnegie  Hall, on  Late Night with
    David Letterman,  in the  Touchstone film,  Adventures in Babysitting,
    and in a  classy Seagram's Wine  Cooler commercial with  Bruce Willis.
    The blues revival that Collins, Vaughan and the Fabulous  Thunderbirds
    helped bring about  in the mid-'80s  has continued into  the mid-'90s.
    But sadly,  Collins has  not been  able to  take part  in the  ongoing
    evolution of the music.

    Tracks:

    CD #1

    01. Introduction Instrumental (4:49)
    02. How Blue Can You Get (8:02)
    03. Thaw Out (5:36)
    04. So Tired (6:03)
    05. Funky (1:59)
    06. Deep Freeze (3:47)
    07. Baby What Do You Want Me To Do? (5:09)
    08. Mustang Sally (5:49)
    09. Backstroke (3:18)

    CD #2

    01. Intro (4:46)
    02. All About My Girl (6:45)
    03. I've Got A Mind To Travel (8:01)
    04. Things That I Used To Do (3:44)
    05. Frosty (12:40)
    06. Wah Heat (10:51)
    07. Can't You See What You're Doing To Me (17:16)
    08. Cold Tremor (4:15)
    09. Johnny B. Cool (1:21)
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Files

PathSize
101-albert_collins-introduction_instrumental-ser.mp34,70 MB
102-albert_collins-how_blue_can_you_get-ser.mp38,17 MB
103-albert_collins-thaw_out-ser.mp36,92 MB
104-albert_collins-so_tired-ser.mp36,42 MB
105-albert_collins-funky-ser.mp32,57 MB
106-albert_collins-deep_freeze-ser.mp35,27 MB
107-albert_collins-baby_what_do_you_want_me_to_do-ser.mp36,38 MB
108-albert_collins-mustang_sally-ser.mp36,37 MB
109-albert_collins-backstroke-ser.mp33,34 MB
201-albert_collins-intro-ser.mp37,28 MB
202-albert_collins-all_about_my_girl-ser.mp310,40 MB
203-albert_collins-ive_got_a_mind_to_travel-ser.mp311,74 MB
204-albert_collins-things_that_i_used_to_do-ser.mp35,67 MB
205-albert_collins-frosty-ser.mp319,58 MB
206-albert_collins-wah_heat-ser.mp316,71 MB
207-albert_collins-cant_you_see_what_youre_doing_to_me-ser.mp326,03 MB
208-albert_collins-cold_tremor-ser.mp36,76 MB
209-albert_collins-johnny_b_cool-ser.mp31,97 MB