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██ ▒ Artist : Robert Rich ░ █░ ▓███
██ ░ Album : Tactile Ground ░ ▓▒ ▓███
██▄▄ Genre : Ambient ░ ▓ ▓███
███▓ Source : CD ░ ▒ ▓███
███▓ Label : Soundscape ░ ▓███
███▓ Cat. Number : SP036 ▓███
███▓ Street Date : 2019-01-15 ▓███
███▓ Rip Date : 2019-02-17 ▓███
███▓ Encoder : LAME 32bits version 3.98.4 (http://www.mp3dev.org/) ▓███
███▓ Quality : 220kbps / 44.1KHz / Joint Stereo ▓███
███▓ Tracks : 15 ▓███
███▓ Playtime : 01:56:32 (193.MB) ▓███
███▓ URL : http://robertrich.bandcamp.com/album/tactile-ground ▓███
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███▓ Disc 1 / 2 ▓███
███▓ -------- ▓███
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███▓ 01 The Sentience of Truth 9:02 ▓███
███▓ 02 Eroding Columns 7:58 ▓███
███▓ 03 Shrouded Lattice 9:19 ▓███
███▓ 04 A Skein for Skin 9:12 ▓███
███▓ 05 The Abiding Wheel 7:04 ▓███
███▓ 06 Language of Breezes 14:29 ▓███
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███▓ Disc 2 / 2 ▓███
███▓ -------- ▓███
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███▓ 01 Radiant Groundlines 7:46 ▓███
███▓ 02 Haptic Incursions 9:14 ▓███
███▓ 03 Glassmaker's Sand 5:02 ▓███
███▓ 04 Senescent Architecture 4:29 ▓███
███▓ 05 Heat Island Effect 7:19 ▓███
███▓ 06 Dominion of Microns 4:05 ▓███
███▓ 07 Tentative Unfolding 5:46 ▓███
███▓ 08 Elevations 7:01 ▓███
███▓ 09 Meridian Respiration 8:46 ▓███
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███▓ 116:32min ▓███
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███▓ Robert Rich has been around influencing music (especially ambient ▓███
███▓ and electronica music) and releasing many albums since 1982. He is ▓███
███▓ a multi-instrumentalist and builds his own acoustic and electronic ▓███
███▓ instruments, but most of his music consists of ambient instrumental ▓███
███▓ music and the utilization of microtones. He is famous for his ▓███
███▓ all-night sleep concerts and lectures on music. ▓███
███▓ This album, 'Tactile Ground', released early in 2019, consists of ▓███
███▓ two parts, the first of which is subtitled 'Location'. This part is ▓███
███▓ quite ambient and all 6 of the tracks run from 7 minutes to 14 ▓███
███▓ minutes. 'The Sentience of Touch' is quite lovely, being led off ▓███
███▓ with a piano with other atmospheric tones and layers. The piano ▓███
███▓ stands out the most and plays in a loose, melodic style, but drops ▓███
███▓ out about half-way through the track. After that, the music is ▓███
███▓ mostly electronic with a lot of ambience. This ambient and minimal ▓███
███▓ sound continues through 'Eroding Columns' and 'Shrouded Lattice' ▓███
███▓ that puts the listener in a peaceful mood, evoking soundscapes that ▓███
███▓ hint at the slow creation or destruction of natural forces. Just ▓███
███▓ like watching the formation of frost or ice, or the eroding of a ▓███
███▓ river, in human terms of time, you don't see, or hear, a lot of ▓███
███▓ movement in these tracks. ▓███
███▓ This changes to a subtle degree in the next track 'A Skein for ▓███
███▓ Skin', which seems to be a bit warmer, and utilizes some nice, ▓███
███▓ ethereal effects behind a lovely, wandering but more musical line. ▓███
███▓ This continues through 'The Abiding Wheel' which adds to the ▓███
███▓ effects and introducing some percussive sounds, which gives it a ▓███
███▓ tribal feel and a slight bit more intensity. The passage of time ▓███
███▓ now is more noticeable in the music. Continuing on, the music flows ▓███
███▓ into the longest track at over 14 minutes, 'Language of Breezes'. ▓███
███▓ Reflecting the name of the track, this one has an airy feel to it, ▓███
███▓ and slowly, the music starts to dissolve from the previous ▓███
███▓ intensity. As it continues, layers drop off almost unnoticed and ▓███
███▓ soon you are left with the slow, moving ambience as before. Even ▓███
███▓ this continues to lessen in intensity until you are left with ▓███
███▓ complete quiet. ▓███
███▓ The second part is subtitled 'Dislocation'. It consists of 9 ▓███
███▓ tracks, most around 7 ' 9 minutes, but with a few around 5 minutes, ▓███
███▓ and while it stays ambient, the overall feel of this part is ▓███
███▓ experimental. Starting with 'Radiant Groundlines', we get a high- ▓███
███▓ pitched echoing effect with synth chords fading in and out over a ▓███
███▓ quiet drone effect. A sax-like effect and another microtonal effect ▓███
███▓ produce a quasi-melody passing it back and forth. 'Haptic ▓███
███▓ Incursions' continues with the echoing effects, but a dark presence ▓███
███▓ is looming underneath percussive tones. 'Glassmaker's Sand' goes ▓███
███▓ even more ambient as the main drone drops off and the only sounds ▓███
███▓ are slightly percussive tones, but a strange effect grows in ▓███
███▓ intensity threatening to drown everything out, but quickly retreats ▓███
███▓ to the background with occasional short outbursts of odd noise. ▓███
███▓ Darkness still rules the atmosphere. Metallic notes and percussion ▓███
███▓ that sounds like a bouncing object give a continued darkness to ▓███
███▓ 'Senescent Architecture' which is where microtones make the ▓███
███▓ ambience quite dissonant and unsettling. ▓███
███▓ By the time we get to 'Heat Island Effect' we seem to be 100 miles ▓███
███▓ away from anything melodic or bright as it starts from deep, dark ▓███
███▓ ambience, but a sudden breeze effect fading in and out bring in a ▓███
███▓ little more life and hope with each cycle. 'Dominions of Microns' ▓███
███▓ moves into some avant-garde territory as the strange noises ▓███
███▓ increase and synth chords fade in and out. But on 'Tentative ▓███
███▓ Unfolding' there is a 'tentative' movement away from the dark ▓███
███▓ textures to more hopeful and less harsh tones. There is a feeling ▓███
███▓ of new life emerging as the track brings us back out into the ▓███
███▓ light. 'Elevations' moves on swells that ebb and flow, becoming ▓███
███▓ slightly louder each time as if light is bringing more life with ▓███
███▓ each breath. A high pitched, almost vocalized effect brings back a ▓███
███▓ more melodic style. 'Meridian Resperation' begins with percussive ▓███
███▓ tones and a minimal drone. Later, a tribal flute effect comes in to ▓███
███▓ carry it all home. ▓███
███▓ The entire album could be considered ambient and minimal, using ▓███
███▓ tones and sounds and quasi-melodic lines to move things forward ▓███
███▓ slowly. This music is best for meditation, relaxation, maybe even ▓███
███▓ sleeping to. The use of microtones in various places make the music ▓███
███▓ seem more naturally made than man-made. It is difficult to just sit ▓███
███▓ and listen to because it moves along so slowly, but it is also ▓███
███▓ beautiful and, used in the right context, enjoyable. But you have ▓███
███▓ to be ready for it knowing that changes are sometime quite subtle. ▓███
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███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███
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▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ <LNK^2016> ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀
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