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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Wayne Shorter
Album : Emanon
Label : Blue Note Records
Genre : Jazz
Street Date : 2018-09-14
Quality : 230 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 219.87MB
Time : 127:15min
Url : http://tinyurl.com/y86p42aa
[Tracks]
Disc 1/3
1. Pegasus 14:54
2. Prometheus Unbound 8:19
3. Lotus 15:16
4. The Three Marias 12:29
Disc 2/3
1. The Three Marias 27:31
2. Lost And Orbits Medley 9:50
Disc 3/3
1. Lotus 13:36
2. She Moves Through The Fair 6:24
3. Adventures Aboard The Golden Mean 4:30
4. Prometheus Unbound 14:26
[Notes]
For decades, composer and saxophonist Wayne Shorter has led one of the more
impressive quartets in jazz. With pianist Danilo Perez, bassist John
Patitucci, and drummer Brian Blade, the 85-year-old saxophonist has explored
the connections between chamber music and jazz. This band rehearses
on-stage, creating innovative architectures via in-the-moment dialogue and
improvising with unbridled freedom that never gives way to excess. Emanon is
their first recording in five years and conceptual in nature. It comprises a
four-part suite in a studio date from 2013 with the Orpheus Chamber
Ensemble, and two 2016 live discs of the quartet playing the Emanon material
with other tunes. It's packaged in an oversize hardbound book that contains
a 36-page graphic novel that Shorter co-wrote with Monica Sly and
illustrator Randy DeBurke. It follows the exploits of its "rogue
philosopher"/warrior/protagonist namesake ("no name" spelled backwards, from
a Dizzy Gillespie tune). He fights bad guys in the multiverse, a concept
that shares principles with the Buddhist notion of emptiness, allowing for
an infinite number of simultaneously existing universes that Emanon travels
effortlessly between.
Disc one begins with piano and soprano sax probing the suggestion of melody,
but really it's the pianist offering Shorter a chance for dialogic thought.
Orchestral brass, strings, and the rhythm section enter minutes later and
create melody from rhythm and vice-versa. The full orchestra's colorful
voicings introduce "Prometheus Unbound" with a majestic grandeur balanced by
the quartet's subtler interventions. "Lotus" commences as a full-on
orchestral thematic statement answered by a recurrent three-note piano
ostinato that's countered by free blowing from Perez and Shorter. They are
barely held in check by the fluid pulse from Blade and Patitucci. The
chamber group's bold yet lush restatement later in the piece frames the
quartet's interrogatory investigation of blues. "The Three Marias," whose
origins date back to 1985's Atlantis, is rendered completely anew with
Bernstein-esque orchestral flourishes and a sweeping theme. Shorter plays
soprano and tenor with equal vigor. The quartet emerges to take over with
speculative and assertive conversation until the last third, where the
orchestra returns with tempi, texture, and dynamic changes ushering in a
sweeping conclusion.
The two live discs begin with a radically revisioned 27-minute version of
"The Three Marias," where the group's close listening and instinctive
risk-taking chart the unknown amid post-bop, modal jazz, and free improv.
The medley of "Lost" and "Orbits" is edgier, traversing out jazz one moment
and swinging grooves the next as Perez provides a wide palette for his
bandmates to color. The final disc opens and closes with kaleidoscopic
quartet versions of "Lotus" and "Prometheus Unbound," with stops at the
traditional "She Moves Through the Fair" (unrecognizable from their 2003
version) and a short, blistering "Adventures Aboard the Golden Mean" that
goes from 0-60 instantly in a bluesy workout led by Shorter's soprano,
followed by Perez's Latin montunos and vamps given a heavy bottom by the
rhythm section. While Emanon's suite may take some getting used to, it is a
profoundly imaginative work; the quartet concert offers a killer portrait a
group whose M.O. is pushing at the margins until they give way to something
altogether new.