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▒ release information for : ▒
░ Periphery-Periphery_IV_HAIL_STAN-WEB-2019-ENTiTLED ░
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artist.....: Periphery
title......: Periphery IV: HAIL STAN
label......: 3Dot Recordings, LLC. Marketed and distributed by Ro
genre......: Rock
rip date...: 2019-04-04
retail date: 2019-04-05
runtime....: 1:03:55
tracks.....: 9
size.......: 148.6MB
quality....: 320kbps 44.1kHz
codec......: MP3 (MPEG-2 Audio Layer III)
encoder....: LAME
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▒ track list ▒
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░ 01. Reptile 16:43 ░
░ 02. Blood Eagle 05:58 ░
░ 03. Chvrch Burner 03:40 ░
░ 04. Garden in the Bones 05:56 ░
░ 05. It's Only Smiles 05:33 ░
░ 06. Follow Your Ghost 05:24 ░
░ 07. Crush 06:49 ░
░ 08. Sentient Glow 04:27 ░
░ 09. Satellites 09:25 ░
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▒ release notes ▒
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The legendary traditions of progressive rock are not without
critics. Detractors say the otherwise celebrated style lacks
spirit. It lacks emotion. But PERIPHERY smashed this
misperception to bits across two full-length albums and a handful
of nonconventional releases. The band's mind-bending
instrumentation and diverse vocalizations are delivered with
vibrant urgency and inescapable hooks that act as an inviting tip
to the sonic iceberg lurking beneath. PERIPHERY's appropriately
titled third full-length collection, Juggernaut, lays waste to
all expectations within and without the genre. The meticulously
crafted, conceptually driven masterpiece is the end result of
focus, determination and unrelenting ambition from the creatively
obsessive and boundlessly skilled heavy music alchemists. Artists
as diverse as Pink Floyd, The Beatles, Green Day, The Who and
similarly minded Periphery forefathers like Rush, Genesis and
Voivod have tackled the concept album before, with earthmoving
and genre-shifting results. Juggernaut is no different, taking
the building blocks laid down by math-metal merchants Meshuggah,
obtuse riff-wielding shamans Tool, atmospheric visionaries
Deftones and the boundless craftsmanship of Dream Theater (whose
John Petrucci contributed to 2012's Periphery II: This Time It's
Personal) to craft something engagingly familiar yet altogether
unique, forward-thinking and inspired for a new generation
fans.Periphery's Juggernaut was a long time in the making, with
demos and conceptual ideas gestating long before the bulk of the
work began. Perhaps Periphery's first truly collaborative
release, Juggernaut saw all six members of the band work
collectively toward a single-minded goal: to fully expand their
sound and faithfully render the story."This is new ground and
it's exciting," band founder and guitarist Misha Mansoor says of
the decision to embark on such an ambitious undertaking. "It's a
way to shake things up. Everyone was allowed to contribute to
everything, even if it wasn't his instrument. It wasn't about
confrontation. Everyone was focused on creating a really cool
album.""That's not to say it was smooth sailing the whole time,"
offers longtime vocalist Spencer Sotelo. "But I think the
problems we did face brought us closer and made us better at
working together. In the end we ended up with something really,
really cool. I can speak for everyone when I say Juggernaut is a
huge accomplishment for all of us."The conceptual nature of the
album lends itself to new soundscapes and an overall more
adventurous feeling, broadening the dynamic range of the music as
dictated by the emotional highs and lows of the story Juggernaut
tells. The band brings together all of their experience in
Periphery, as well as with outside endeavors (members have
contributed to Halo 2 and Grand Theft Auto, for example) into
their third full-length.The album concept is one full of darkness
with a narrative story the band prefers listeners explore
independently. Like Angels & Airwaves or Nine Inch Nails, the
Juggernaut story has potential to expand to other mediums -
comics, toys; even video games, which will be no surprise to
longtime listeners. Periphery's sound is as indebted to maestros
like Final Fantasy game composer Nobuo Uematsu as it is Meshuggah
or Tool. The guys delve deeply into the obscure nicks and
crannies of likeminded artistry wherever they find it, whether
that's in Chicago's defunct electronic trailblazers Telefon Tel
Aviv, or in the work of fusion guitarists like Allan Holdsworth
and Guthrie Govan.Mansoor's justifiably acclaimed performances,
onstage and in the studio, serve as unassailable testaments as to
why Guitar World put him on their cover and why players across
the globe track his every move. Fellow spider-fingered shredder
and longtime Periphery mainstay Jake Bowen is the nephew of
Petrucci, who publicly credits modern metal/prog masterminds like
Between The Buried And Me, Animals As Leaders and Periphery with
invigorating Dream Theater, thus bringing the modern genre full-
circle.Modern Drummer cover star Matt Halpern appears on all of
Periphery's official releases, which include their 2010 self-
titled debut, the two follow-up albums plus the Icarus and Clear
EP collections. The Maryland based band's Iron Maiden-like three-
guitar approach, completed by Mark Holcomb (who joined after the
first album), offers further layers upon layers for listeners to
delve into. Touring guitarist-turned-bassist Adam Getgood made
his official recorded debut on the second album (he contributed a
solo to the first), lending a thrilling but tasteful bottom end
to Periphery compositions. Holcomb's brother, Jeff, has stood-in
for Getgood continues to contribute film, visuals and more.A
handful of vocalists participated in the band's early days before
Sotelo put a definitive stamp to the frontman position in the
late stages of the first album's recording. His guttural growl
and high-soaring melodic side are almost completely without
parallel among singers who employ the style, drawing from the
naked emotion of Trent Reznor, the diverse experimentation of
Mike Patton and the croon of Brandon Boyd (Incubus).Periphery II:
This Time Its Personal was hailed as The Best Metal Album of 2012
in the MetalSucks year-end reader's poll and Juggernaut is sure
to be even better received. Like multitalented musician/producer
Devin Townsend or critically adored rockers Dear Hunter,
Periphery is accumulating a body of work full of different colors
and shades. While they enjoy making a living from music and want
as many people as possible to have a chance to connect with their
creative output, they work in opposition to the idea that music
should be created only as a byproduct of completely careerist
objectives."By doing a record like this, in attitude even more
than in music, we want to encourage people to do what feels right
to them, to truly express yourself rather than compromising what
you want," says Mansoor. "We are very involved with the business
side, but the music is the one thing that is always sacred, no
matter what. It has to be self-expression, which is important to
all of us. If it wasn't we wouldn't be putting out an eighty
minute concept album. We write the music we think is cool and
enjoy creating."The end result is a record that will sound at
once familiar to the band's fans and yet invitingly new. Mansoor
says the process led them into new territory, but all through
their established lens. Like the rest of his band, the thoughtful
Sotelo is enthusiastic about the Periphery audience's willingness
to come along for the creative ride."There's a signature heavy-
groove throughout all of our records, including the newest one,"
the singer observes. "But we always introduce new elements, the
type of thing where people hear it and go, 'Wow, this is
definitely Periphery, but with a new twist.'"The guys in
Periphery similarly enjoy bringing that music to the masses. The
band has built a burgeoning fanbase through hard touring, teaming
up with the likes of Deftones, The Dillinger Escape Plan, Dream
Theater, Fear Factory and Between The Buried And Me, going out as
part of the Summer Slaughter Tour and on their own headlining
treks. The collaborations, the albums, visual content, touring -
it's all a journey where the trip itself is just as exciting as
the destination, wherever Periphery's trek should lead.
Periphery IV: Hail Stan is the upcoming sixth studio album by
American progressive metal band Periphery, scheduled for release
on April 5, 2019. It will be their first album not to be released
on Sumerian Records, as the band parted ways with the label in
2018. The album will be independently released on the band's own
label, 3DOT Recordings. It will also be Periphery's first album
since bassist Adam "Nolly" Getgood left the band in 2017, though
he still served as producer and performed mastering duties for
the album. Additionally, the band hired him to track the bass
parts for the album, though he had no involvement in the writing
process. The album will also feature live orchestrations and
choir from the band's longtime collaborator and arranger Randy
Slaugh.Periphery IV was officially announced on February 6, 2019.
The album's first single, "Blood Eagle" was released alongside
the announcement, with an accompanying music video. A second
single, "Garden in the Bones", was released on March 1, 2019.
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▒ greetings ▒
░ ░
░ Shout out to all of those who keep the dream of the scene alive. ░
Special thanks to those who have paved the way and parted.
We miss you!
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