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▓█▓▓█ Artist.....[ Robert Stillman ▀████▄█▓
██▓▀ Album......[ Horses ▀▓██
▄ █▓█ █ Label......[ Mill Pond Records █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ MP004 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Instrumental ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2006-01-10 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2006-01-10 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.90.3 --alt-preset standard ▀████▄█▓
▀█▓▀ Quality....[ 182 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.millpondrecords.com ▓█▓▄█▓█ ▄
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█▓ 01 The Dance 1 4:11 ▓█
█▓ 02 Horses 6:14 ▓█
█▓ 03 Half-Luke 7:16 ▓█
█▓ 04 Love Theme 9:31 ▓█
█▓ 05 Cavalry 3:54 ▓█
█▓ 06 The Dance 2 5:36 ▓█
█▓ 07 That's Enough 5:53 ▓█
█▓ ----- ▓█
█▓ 42:35 ▓█
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▓█▓█ ▀ ▓█▄▀ ▓█▀ ▓█ ▓█▀█ ▓█ █ ▓█ ▓█▀ -▀▀▀█ ▀ █▓█▓
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█░█ we be back, happy new years, dont worry some █░█
█░█ great indiepop instore for you this 2006, but in █░█
█░█ the meantime here are some lofi instrumental █░█
█░█ tracks to lay back to. █░█
█░█ █░█
█░█ ------- █░█
█░█ Horses is a collection of songs by █░█
█░█ instrumentalist/ composer Robert Stillman. █░█
█░█ Stillman uses an eclectic sonic palette █░█
█░█ consisting of saxophones, clarinets, old pianos, █░█
█░█ pump organs, and drums to create short musical █░█
█░█ narratives that exist on their own, but also work █░█
█░█ together to create a vivid, self-contained world █░█
█░█ echoing the composer's interest in all things █░█
█░█ mysterious. █░█
█░█ █░█
█░█ Though Horses is Stillman's debut recording as a █░█
█░█ leader, he is no newcomer to the music world. His █░█
█░█ woodwind-arrangements and piano playing can be █░█
█░█ heard on friend and label-mate Luke Temple's █░█
█░█ recent release, Hold A Match for a Gasoline █░█
█░█ World. Robert also lends his drumming skills to █░█
█░█ the New York rock foursome The End of The World █░█
█░█ and continues to make his presence felt as a █░█
█░█ saxophonist on the improvised music scene █░█
█░█ throughout the U.S. and Europe. █░█
█░█ █░█
█░█ Stillman was born and raised in Portland, Maine. █░█
█░█ His exposure to music came early by way of his █░█
█░█ mother's singing and guitar playing and his █░█
█░█ father's collection of Beatles records. After a █░█
█░█ few years of requisite piano lessons, Stillman █░█
█░█ took up saxophone at age eleven, and by his early █░█
█░█ teens he was writing music and playing jazz gigs █░█
█░█ locally with musicians thrice his age. After high █░█
█░█ school he relocated to Boston to study music and █░█
█░█ literature in a dual-degree program at New █░█
█░█ England Conservatory and Tufts University. While █░█
█░█ in Boston, Stillman connected with a group of █░█
█░█ like-minded musicians and formed the band █░█
█░█ Kalifactors, whose short but accelerated career █░█
█░█ involved tours in Europe and the release of An █░█
█░█ Introduction to Kalifactors on Fresh Sound █░█
█░█ Records. █░█
█░█ █░█
█░█ In 2001 Stillman moved to New York, where he █░█
█░█ spent his early months on endless walks, █░█
█░█ overwhelmed by the city's terrifying energy and █░█
█░█ ubiquitous detail. When he finally settled, it █░█
█░█ was in his apartment with a four-track recorder, █░█
█░█ composing and recording music. What emerged from █░█
█░█ these solitary efforts was the demo-version of █░█
█░█ Horses û- a collection of lo-fi, multi-tracked █░█
█░█ instrumental songs that featured Stillman on all █░█
█░█ instruments, playing music that sounded something █░█
█░█ like an antique film score for a long forgotten █░█
█░█ silent movie. In December of 2004, Stillman and a █░█
█░█ group of his closest friends from Maine and New █░█
█░█ York holed up in Seattle's Avast Recording █░█
█░█ Company with engineer Troy Tietjen (The █░█
█░█ Decemberists, Death Cab for Cutie) to re-record █░█
█░█ the Horses repertoire for Mill Pond Records, █░█
█░█ emerging a little over a week later with the █░█
█░█ seven beautifully haunted-sounding tracks that █░█
█░█ comprise Horses. From one listen it is clear █░█
█░█ Stillman took full advantage of the recording █░█
█░█ studio's resources to shape a production that is █░█
█░█ at once delicate and urgent; the sounds on Horses █░█
█░█ seem to live and breathe as distinct characters █░█
█░█ in a wordless musical narrative. One would be █░█
█░█ hard pressed to pin the music down in terms of █░█
█░█ genre; though the shrewd listener may be able to █░█
█░█ pick out hints of Stillman's variant musical █░█
█░█ influences, (among whom he counts Kurt Weill, The █░█
█░█ Band, Milton Nascimento, Miles Davis, and Maurice █░█
█░█ Ravel). It's clear the music on Horses exists on █░█
█░█ its own terms, a detailed musical territory unto █░█
█░█ itself. █░█
█░█ █░█
█░█ Though Horses is not set for release until the █░█
█░█ beginning of 2006, Stillman and his band are █░█
█░█ currently presenting the material live in select █░█
█░█ New York performances. The shows use plenty of █░█
█░█ scrappy inventiveness to make the music come █░█
█░█ alive: instrument switching and multi-tasking are █░█
█░█ not uncommon on stage. The group plans to bring █░█
█░█ the Horses repertoire on the road early next year █░█
█░█ in support of the record's release. █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
▀▓█ ESC FNT FTD gF HiT2000 iTS █▓▀
▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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