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Artist......: Deadbeat & Camara
Album.......: Trinity Thirty
Label.......: Constellation Records
Genre.......: Electronic
Catnr.......: CST141
Source......: CD
Rip.date....: 2019-04-24
Str.date....: 2019-04-26
Quality.....: 675 kbps avg / 44.1kHz / 2 channels
Url.........: http://cstrecords.com
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\ / # title time \ /
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1. Mining For Gold 4:20
2. Misguided Angel 5:36
3. Blue Moon 5:45
4. I Don't Get It After Midnight (Medley) 7:54
5. I'm So Lonesome I Could Cry 5:17
6. To Love Is To Bury 4:20
7. Dreaming My Dreams With You 4:26
8. 200 More Miles 5:29
9. Working On A Building 6:45
10. Postcard Blues 6:03
11. Sweet Jane 5:36
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\ / ________ Runtime 61:31
,\ /... . . .... .... \ / ' Size 313.12______
:\/ ', \ / , \ /
' '... ..\ /.. .. .....:. .. .... .. . ..\ /.
: Release Notes: \/ , \/ ,
' '
,: Trinity Thirty is a celebration and reinterpretation of the much :,
: beloved Cowboy Junkies classic The Trinity Session, on the :
:' occasion of the albumÆs 30th anniversary (originally released ':
,: in late 1988). The idea was spawned when Berlin-based Canadian :,
: producer Scott Monteith ù best known as DJ and dub-inflected :
:' minimal techno-electronica recording artist Deadbeat ù heard ':
,: the JunkiesÆ Trinity version of ôSweet Janeö playing in an :,
: airport a few years back. Viscerally reminded of how much he :
:' loved the album, and how surprisingly overground the record ':
,: ended up becoming (by mid-1989 The Trinity Session would be :,
: certified Platinum in both Canada and The United States û truly :
:' another era!), Monteith immediately reached out to the band to ':
,: ask if they had anything planned to mark its 30th birthday. :,
: Before Monteith even touched down back in Berlin, the band had :
:' replied saying they had no such plans but would ':
,: enthusiastically support whatever angle Monteith/Deadbeat might :,
: want to run with. :
:' Monteith then recalled conversations with musician/producer and ':
,: fellow Canadian-in-Berlin Fatima Camara (whose acclaimed debut :,
: solo album Before We Sleep came out on Parachute Records in :
:' 2016) about their shared love of The Trinity Session, feeling ':
,: sheÆd be the perfect partner to involve in a reinterpretation. :,
: Camara was thrilled by the idea, and the two began meeting to :
:' explore how to approach things conceptually and aesthetically. ':
,: This would be their first collaboration û and the first time :,
: either artist placed their own vocals at the forefront of a :
:' project (with guest vocalist Caoimhe McAlister adding harmonies ':
,: on certain tracks). :,
: :
:' The Trinity Session is rightly celebrated for its naturalistic, ':
,: profoundly languorous covers of classic tunes and traditional :,
: work songs (ôIÆm So Lonesome I Could Cryö, ôMining For Goldö, :
:' ôBlue Moonö et al) û and famous for having been recorded with a ':
,: single microphone in single takes at a church in Toronto. For :,
: Trinity Thirty, Deadbeat and Camara similarly re-recorded :
:' everything with ambient mics in a big open space at BerlinÆs ':
,: Chez Cherie studio, relying heavily on natural room acoustics, :,
: committed to raw first takes, guided by an overriding strategy :
:' of slowing down all the tempos as far as they could while ':
,: continuing to channel the warm asceticism of the original album. :,
: :
:' Initially imagining they would run a fair amount of electronic ':
,: treatments during the mix, Deadbeat and Camara instead found :,
: themselves absorbed by the spaces, silences and atmospherics, :
:' guided by a spirit of preservation and restraint in further ':
,: homage to the original. The result is ôa less electronic album :,
: than we imagined makingö: a gorgeous somnambulant collection of :
:' æcovers of coversÆ, where the reference point is always the ':
,: Cowboy Junkies original approach, stretched to new and beguiling :,
: limits of deceleration and narcotized spaciousness (a :
:' sensibility reinforced by the mastering treatment of minimalist ':
,: dub-techno legend Stefan Betke of ~scape/Pole). :,
: :
:' The gauzy, quavering, reverberant slowcore vibes of artists ':
,: like Galaxie 500, Grouper and Codeine are a key reference point :,
: for Deadbeat & CamaraÆs prevailing aesthetic: clouds of textured :
:' drone and hushed vocals drift through cavernous space, where ':
,: long decays gently warp and distort the melodic vocal lines and :,
: the insistently languid percussion, anchored by thick saturated :
:' bass tones representing the most overt influence carried ':
,: through from their electronic music bona fides. Trinity Thirty :,
: is a gorgeously sedate, subtly avant-garde and wonderfully :
:' reverent re- interpretation of this classic album. ':
,: :,
: Thanks for listening. :
:' ':
: '
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\ / Shout out to all our homies from: \ /
\ / \ /
\ / iPC BOSS HiT2000 1way UKi i8 RNS \ /
\ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ /
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\ / H O U N D \ /
\/ 2 0 1 9 \/