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▓▒ The_Head_and_the_Heart-Living_Mirage-WEB-2019-ENTiTLED ▒▓
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░ artist........ | The Head and the Heart ░
title......... | Living Mirage
label......... | Warner Bros Records Inc.
genre......... | Rock
rip date...... | 2019-05-16
retail date... | 2019-05-17
runtime....... | 41:42
tracks........ | 11
size.......... | 97.29MB
quality....... | 320kbps 44.1kHz
░ codec......... | MP3 (MPEG-2 Audio Layer III) ░
▒░ encoder....... | LAME ░▒
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▀▀█ · ·< t r a c k . l i s t >· · █▀▀
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01 > See You Through My Eyes < 03:54
02 > Missed Connection < 03:15
03 > People Need A Melody < 04:12
04 > Honeybee < 03:16
05 > Brenda < 03:48
06 > Running Through Hell < 03:39
07 > Up Against The Wall < 03:33
08 > Saving Grace < 03:38
09 > I Found Out < 03:53
10 > Living Mirage < 05:14
11 > Glory of Music < 03:20
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█▓▀ · ·< RELEASE NOTES >· · ▀▓█
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In 2014, exhausted after four years of non-stop touring, the six
members of the Head And The Heart pointed their individual compasses
to new cities, new relationships and new adventures. Pianist Kenny
Hensley learned to fly planes and enrolled in kung-fu training in
China, while bassist Chris Zasche packed up a camper and went off the
grid in the Canadian Rockies. Drummer Tyler Williams put down stakes
across the country and immersed himself in the burgeoning music scene
in Richmond, Va., while vocalist/multi-instrumentalist Charity Rose
Thielen honed her compositional skills by writing for such legends as
Mavis Staples.After his own cross-country trip to reconnect with
family and friends, vocalist/guitarist Jonathan Russell traveled to
Haiti and found inspiration working with the non-profit Artists For
Peace And Justice. "When I found out we were going to have a
significant amount of time off, I saw it as an opportunity to touch
base again -- to listen to what other people were saying and what they
were going through," he says. "I really wanted to make sure that I
reconnected with a world that was starting to feel farther and farther
away."When they regrouped last summer in Stinson Beach, Ca., to start
writing together again, "it almost felt like we were a new band,
trying things we hadn't tried," Zasche recalls. "We stayed at a
bungalow on the beach. We'd wake up, have coffee and go boogie
boarding. We were ready and excited to be back together."That renewed
sense of purpose can be felt throughout Signs Of Light, the group's
first release for Warner Bros. Records. "This album isn't about us now
having achieved our dreams," says Thielen. "The day we started being
able to live off our art was the day we achieved our dreams, in my
mind. This is the album where we really fell into our true voices as
those artists."Recorded in Nashville with producer Jay Joyce (Eric
Church, Cage The Elephant), Signs Of Light, crackles with the upbeat,
sing-a-long energy of the Head And The Heart's finest work. Lead
single "All We Ever Knew," which was written during the "Let's Be
Still" era but never captured to the band's satisfaction until now, is
sure to be a crowd-pleaser, while "Turn It Around" seems primed to be
a future concert staple, matching its inspirational message with a
lush and multi-layered soundscape.Throughout, the colors are brighter,
the electric guitars are louder and the musical touchstones more
universal. The propulsive, smile-inducing ode to Los Angeles "City Of
Angels" and the head-nodding "Rhythm & Blues" nod to classic Fleetwood
Mac, while the organ-flecked "Dreamer" is a timeless-sounding ballad
that could have been beamed straight out of an old jukebox."Jay was
really adamant about getting a great performance," group member
Jonathan Russell says. "We have all the tools in the world to make
something sound real or more excitable, but it's never really as true
as the band in the room for the whole take. 'City Of Angels' - we had
previously re-cut that song and played it so many times. But within
two takes in Nashville, we nailed it. It felt like we were playing on
a massive stage in front of tons of people."Elsewhere, Thielen's
"Library Magic" could almost be seen as a letter to the other five
members, acknowledging the ups-and-downs of life in a successful band
while celebrating the unique and constantly evolving bond between
them. "I wrote that song after having our first real time off as a
band," she says. "It touches on the storied relationships between band
members trying to survive living in a van off of accelerated time and
gas station crafts for years straight, but it also applies to any of
life's relationships."The Head And The Heart's 2011 self-titled debut
album captured a nascent but undeniable creative partnership between
six strangers thrown together by little more than a shared love of
music. It became one of Sub Pop Records' best-selling debut releases
ever, and rocketed the band to acclaim well beyond its then-home base
in Seattle. The formative experiences that followed both on and off
the stage heavily informed the 2013 follow-up "Let's Be Still," which
continues to remind Russell of "the stale beer, bleach and potato
chips from all the venues we saw once this became our livelihood."On
Signs Of Light, that gamut of emotions is felt most deeply on the
Josiah Johnson-penned title track, which none of the other members had
ever heard until they happened to walk in on him playing it over and
over at the piano during pre-production in El Paso, Texas. "It was one
of those moments where no one talks," Russell remembers. "No one needs
the chords; no one is looking up. You simply pick up your instrument
and play. The next thing you know, nearly 10 minutes have gone by and
you have no idea how or why or what just happened."
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█ · ·< GREETINGS >· · █
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