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Ensign Broderick - Bloodmyth
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|||||| -----------------=--= RELEASEiNFO =-=------------------- ||||||
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||| Artist Name_____> Ensign Broderick |||
||| Album Name______> Bloodmyth |||
||| Label___________> Six Shooter Records |||
||| Genre___________> Rock |||
||| URL_____________> http://ensignbroderick.com |||
||| Release Date____> 2019-06-06 |||
||| Street Date_____> 2019-06-07 |||
||| Size____________> 265.50mb ||
|| Playtime________> 35:49 ||
|| Encoder_________> FLAC 1.3.1 ||
|| Quality_________> 965 kbps / 44.1khz / 2 channels ||
|| ||
| |
| -----------------=--= TRACKLiST =-=------------------- |
| |
| |
| 1 Standing In My Light: Remix 4:50 |
| 2 Swept Away 4:40 |
| 3 Only Ever 2:32 |
| 4 Love Died Here 6:29 |
| 5 Intro 0:28 |
| 6 Our Angel Of Morphine 4:29 |
| 7 The Telling Part 12:21 |
| |
| |
| -----------------=--= N O T E S =-=------------------- |
| |
| |
| A condemnation disguised as a benediction, Ensign BroderickÆs |
| BloodMyth speaks out against hate, pernicious nationalism and |
| vainglorious self-destruction through characters that embody |
| these, the very worst, ways of being. The album is an |
| inverse/reverse/perverse excavation of 2018Æs BloodCrush, a |
| meditation on frailty and fallibility that edged ever closer to |
| the brink. With BloodMyth, more a finale than a companion to its |
| partner album, Ensign Broderick pushes things over the edge, where |
| concepts of personal and political extremism come to swirling, |
| chaotic conclusions. |
| |
| ôSwept Away,ö a 5-minute melodrama, explores the oceanic |
| disorientation of being over oneÆs head. With a classic backbeat, |
| horns and pedal steel, the song channels late 60s FAME Studios |
| rock, the overall aesthetic somewhere between bedazzled Manuel |
| contrition and glam dandy swagger, the twin pillars of Ensign |
| BroderickÆs sound and style. |
| |
| Appalachian folk meets California pop in ôOur Angel of Morphine,ö |
| a sweetly celestial treatment of a truly dark and nasty tale. |
| Ethereal, soft-focus brokenness is also present in ôLove Died |
| Here,ö an atmospheric opiated half-time reworking of a song from |
| BloodCrush. Pain, of whatever sort, and the treatment thereof is a |
| major theme in the album, in both lyrical and visual form. The |
| vinyl package contains a collage built around a main image of a |
| spinal-fusion operating table, its sleek chrome more Ducati than |
| OR supply. |
| |
| The inescapable disintegration reaches its apex with ôThe Telling |
| Part,ö the last and oldest song on the album (c. 1970), a tale of |
| alienation and abandonment. Over twelve minutes, anger boils and |
| bubbles over. æTell me about starvation and sustenance,Æ it goes, |
| which in its way encapsulates the poisonous imbalance of give and |
| take found at every turn. BloodMythÆs villains û anonymous |
| caricatured embodiments of the deadly sins û trade only in |
| damages. |
| |
| In contrast to the desert glitter of BloodCrush, BloodMythÆs |
| physical form û a vinyl-first release for Record Store Day Canada |
| (a move true to form for an artist with such a deep connection to |
| musicÆs physical places and pieces) û unravels in similar fashion. |
| From jarring hi-def patent leather to the scribbles and edits on |
| the lyrics, the vinyl edition echoes the devolution and |
| deconstruction of music and narrative in art. |
| |
| With six albums out in just over a year, Ensign BroderickÆs story |
| and experience of launching his solo career at age 59, has little |
| precedent. Each album conveys a fully realized and distinct |
| dimension of the artist and persona, yet a complete picture of the |
| inner life and creative ambition of the artist is only just |
| starting to take form. ôYouÆre getting a different Ensign |
| Broderick with each project,ö says the artist. ôThe progression |
| from the childlike perspective of Ranger to the totally |
| superficial, fully realized glam of Feast of Panthers, to the very |
| personal depth-plumbing of BloodCrush/BloodMyth is a maturation |
| and a devolution. These are all puzzle pieces.ö |
| |
| |
| -----------------=--= GREETiNGS =-=------------------- |
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|\\ AEROHOLiCS - ENTiTLED - FNT - FTD - PMS - r35 /|
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