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▓▒ Silversun_Pickups-Widows_Weeds-WEB-2019-ENTiTLED ▒▓
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░ artist........ | Silversun Pickups ░
title......... | Widow's Weeds
label......... | New Machine Recordings
genre......... | Rock
rip date...... | 2019-06-06
retail date... | 2019-06-07
runtime....... | 47:50
tracks........ | 10
size.......... | 112.87MB
quality....... | 320kbps 44.1kHz
░ codec......... | MP3 (MPEG-2 Audio Layer III) ░
▒░ encoder....... | LAME ░▒
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▀▀█ · ·< t r a c k . l i s t >· · █▀▀
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01 > Neon Wound < 05:38
02 > It Doesn't Matter Why < 04:08
03 > Freakazoid < 04:49
04 > Don't Know Yet < 04:24
05 > Straw Man < 03:04
06 > Bag of Bones < 04:58
07 > Widow's Weeds < 05:17
08 > Songbirds < 05:04
09 > Simpatico < 05:19
10 > We Are Chameleons < 05:09
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█▓▀ · ·< RELEASE NOTES >· · ▀▓█
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Silversun Pickups have always considered their sonic density a source
of pride: The Los Angeles band's four studio full-lengths--including
their 2006 gold-selling debut, Carnavas, which spawned the hits "Lazy
Eye" and "Well Thought Out Twinkles"--reveal additional sonic gifts
with each subsequent spin.Their fifth album, Widow's Weeds, also
caters to an adventurous, patient group of listeners. Strident
acoustic strumming tussles with raging electric riffs, as urgent,
precise beats and moody electronic pulses percolate underneath. The
band members--which, in addition to Aubert, include bassist Nikki
Monninger, drummer Christopher Guanlao and keyboardist Joe Lester--
were also in agreement with the album's starting point (the urgent
synth-rocker "Neon Wound") and closer (the aggressive, throttling "We
Are Chameleons"). The band admitted that everything in between,
including how the rest of Widow's Weeds was sequenced and how the
album unfolded, often surprised the band."We didn't know exactly which
emotional level the lyrics were going to start at," Aubert says. "I
was like, 'Are they going to be angry, with these crazy times?'
Everything seems so polarized and bizarre and scary. All of these
things affect you. And then as they were coming out, it was like, 'No,
they sound like they're kind of mourning.' I couldn't quite put them
all together."To make sense of these ideas, Silversun Pickups enlisted
a long-time friend: producer Butch Vig (Nirvana, Smashing Pumpkins,
Sonic Youth). Incredibly enough, this was the first time the band had
worked with Vig, even though the idea of collaborating had been
floated for years. The timing didn't feel right until now, Aubert
says. "With the ideas that were popping around in my head, it felt
like, 'God, this would be awesome; I think it's time. If Butch is
interested in doing this at all, let's just call him.'"Vig and mixer
Billy Bush helped Silversun Pickups craft a confident, extroverted
album in which every instrument is clearly audible in the mix.
Pulsing, Cure-like keyboards hold their own against slashing riffs on
"Neon Wound"; antique-sounding violin and cello enhance fragile
acoustic strumming on "Straw Man"; and the spring-loaded, glammy "It
Doesn't Matter Why" boasts pogoing beats and needling pizzicato
plucks. The album's more restrained moments also maintain this
crispness. "Simpatico" is "the closest we'll get to a James Bond
song," says Aubert, who immersed himself in movie scores as the album
was coalescing. Widow's Weeds strikes a perfect balance between
provocative noise and distortion, and lush, introspective pop
tranquility.The band members also decided not to go overboard layering
on instruments and sounds, which contributed to the album's clearer
approach. "We made a conscious effort to rein in the electronic stuff
a little bit, and have more pianos and organs," Lester says. "There's
still synthy stuff on there for sure. But we have strings again, which
we hadn't done for a couple of records. And there's a lot less
sequenced electronics. It was like, 'Let's strip the palette a little
bit, and see what happens.' And that goes back to the directness of
things."Vig's versatility and songwriting background helped the band
shape other songs--including and especially "Don't Know Yet," on which
glitchy, taut electronic textures segue into explosive choruses drive
by brusque drums and noisy guitars. "It has moments of intimacy, but
then it really comes alive and big-sounding," Guanlao says of the
song. "That's all Butch. We would have probably gone a totally
different direction if it wasn't for him hearing that this once-
intimate, mellow song can be really boastful and rocking."In the end,
recording with Vig surpassed the band members' already-high
expectations. "He really listens to each band member, and he puts a
great value on each individual, and what they can add to the music,"
Monninger says. "It was very collaborative with him. He's such an
easygoing person, and he put everybody at ease." That camaraderie
translated into a studio environment that involved intense and serious
hard work unfolding in a jovial, even lighthearted, manner. "We had a
really fun time recording this album," Guanlao says. "He really did
get the best out of us. We didn't want it to end."Despite the halcyon
studio time, the band members were wrestling with challenges in their
personal lives. The album had to be done in two separate blocks of
time, since Vig had Garbage tour plans already on the calendar, which
left Silversun Pickups with a break between sessions. During that gap
in time, Lester's father passed away. Aubert, meanwhile, found himself
in an extremely dark place, for reasons he couldn't immediately
explain."We started making this album about mourning, and it's like,
'What are you mourning? Are you really mourning politics and stuff
like that? Or what is happening?' I didn't realize that I was finding
myself in this space where I completely tried to take on everything
myself. I couldn't ask for help; I couldn't let anybody in. That led
me to start drinking in a different way, that I never did before."As a
result, Aubert--who was already feeling "emotionally closed off," as
he puts it--fell into a deep depression. "I didn't know how to get out
of it," Aubert says. "Finally, I was just like, something big has to
happen." His solution was getting treatment and getting sober during
the gap between recording sessions--a decision that immediately
improved his mental health and creative outlook.Unsurprisingly, Aubert
also had a much different perspective on his Widow's Weeds lyrics
post-treatment, and understood more what messages he was trying to
convey with the album. "The record does have a mourning vibe, but it's
not sad," he says. "It's change. It's growing up, and moving on and
letting go of things. And it's okay to be sad about those things, and
mourn them. It's actually healthy to do so, and take the time to do
it. At the end of the day, it's going to be much better and much more
fulfilling when you get through it.""When I got sober, and took a
little time to myself to move as a human, we came back at the record
again," Aubert says. "Then it was like, now we're back into the
record, and writing again. It was wild. Things are really changing,
and I'm starting to emotionally connect to things, and starting to
take care of myself. I'm starting to ask for help."Aubert's bandmates
also saw an immediate change in him as they reconvened to finish
Widow's Weeds. Guanlao noticed that the vocalist was opening up to him
and the rest of the band more, and allowing himself to be more
vulnerable, while Monninger observed increased clarity. "I'm really
proud of him for coming through all this. He focused so much on the
album and put so much of his heart into it--as we all did, but
especially coming out of all that, he needed something to really focus
on." Lester also saw big, positive differences in his bandmate. "It
was like, 'okay, this has actually been really good; he's gotten stuff
that has probably been bothering him for a long time sorted out.'"In a
nod to Aubert's healthier mindset--and in a big change from past
working environments--the members of Silversun Pickups welcomed
friends and family into the studio as they were recording. "This was
the first album where we were open," Aubert says. "Not just with
Butch, but with people around us. We played stuff for people. We never
used to before. We'd play a little mixing and things like that. We
were too shy." Creating this kind of social, nurturing atmosphere
added levity and accountability, and kept everyone in the band
grounded. "Doing this in front of people is so much more enlightening,
and really helps you focus on things," Aubert says. "We were exposed.
I see how that can be scary to people, but for us we really thrived on
that."Widow's Weeds ends up being about rebirth and renewal, facing
darker elements of the soul (or society) head-on, and choosing to
either engage--or leave them behind. This shift toward blunt candor
wasn't lost on Lester. "I feel Brian's lyrics have gotten more direct
over the last couple of records. He's much more open and less coy
about what he's singing about. There's less trying to put Vaseline on
the lens."Over the years, Silversun Pickups have racked up 210 million
worldwide streams and 10 Top 20 hits on Billboard's Alternative Songs
chart, led by 2009's ferocious chart-topper "Panic Switch." Nearly 20
years after the band formed, it's not lost on Monninger that they're
one of the few groups they've grown up with who have sustained a
career. "I don't know many bands that have lasted that long," she
says. "But we started as friends first, and we care about each other--
you know, this is our second family. We really believe in what we're
doing. We're going to take it as far as we can."For Aubert, moving
forward involves staying connected to his own self (and remembering to
prioritize self-care) and being attuned to creative impulses when they
arise. If that means going outside of his comfort zone, so be it.
"This album feels the most naked out of all of them," Aubert says.
"That's scary at first. But that goes into my whole headspace. That
goes into how things went down. It was like, 'Hey man, you were so
unaware of the things you needed, and so closed off. Just do it. Stop
hiding. It was crushing you. Don't be afraid.'
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█ · ·< GREETINGS >· · █
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█▀ Shout out to all of those who keep the dream of the scene alive. ▀█
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█▀ Special thanks to those who have paved the way and parted. ▀█
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█▀ We miss you! ▀█
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