Oskar_Sala--Subharmonische_Mixturen-(Erdenklang)-CD-1997-mbs

Section
MP3/FLAC
Group
mbs
Size
98,14 MB
Files
9
Date
2006-01-22

NFO


   ┌───┌┐───┐
   │┌──┤└┬─+│
   │││││││└┤│
   ││││││├┐││ ─────────────────────────────────────── music for body and soul
   │└┴┴┴─┴─┘│
   └┐└──────┘                                         12.01.2006
    │play in.

        artist: Oskar Sala
         album: Subharmonische Mixturen
         label: Erdenklang
           cat: 70962
          year: 1997
         genre: Avantgarde

        source: Cdda
       grabber: Eac
       encoder: LAME 3.90.3 --Alt-Preset Standard
       quality: VBRkbps / 44,1kHz / Joint-Stereo
          size: 98,1 MB

          link: n/a

   ─┐└───────────────────────────────────────────────────────────────────────
    │tracklist.

     no. time   track title

     01  05:29  Langsames Stuck und Rondo Fur Trautonium
     02  05:10  Caprice Rubato I
     03  12:35  Canon Caprice II
     04  08:57  Subharmonische Mixturen III
     05  04:35  Glissando Caprice IV
     06  06:58  Klangfarben Caprice V
     07  06:46  Caprice Agitato, Lamentoso, Furioso VI
     08  07:42  Chaconne Electronique
     09  12:34  Der Wurger Von Schlob Blackmoor


                total time: 70:46 min

   ─┐└───────────────────────────────────────────────────────────────────────
    │release notes.

     Every morning Oskar Sala, born in 1910, walks to his small studio
     in Charlottenburg, Berlin where he composes. Here exists the only
     functioning Mixturtrautonium in the whole world, securely protected
     by an alarm system. At the beginning of the 1930s Sala made it his
     task to master and develop this unique instrument.

     Its a long way from being a young pianist, who is forced to watch
     his teacher, Paul Hindemith, being condemned and banished by the
     Nazis, to being a celebrated film composer for Hitchcocks "The
     Birds".

     During the "Third Reich", the musical and at the same time handy
     virtuoso Sala studied the instrument in detail. He worked through
     long nights in the basement of the music academy improving the
     Trautonium, the invention of Professor Trautwein, his professor.
     Sala played it on radio and under the direction of Karl Bo"hm and
     Richard Strauss. He invested 10 years of his life to master the
     instrument.

     Telefunken tried to bring a "Volkstrautonium" into the market as
     the first electronic instrument to be produced as a series, but war
     equipment production got in the way. In 1944 Sala was called to the
     EAST Front. By the end of the war he had suffered rather heavy
     injuries. At the beginning of the 50s Sala had further developed
     his instrument into the Mixturtrautonium. Without a keyboard but
     played instead with two electronic string manuals, the
     Mixturtrautonium was not limited to the 12 halftones of the octave
     or to tempered sound as is necessary with keyboard instruments.

     This instrument offered continuous variability: pitch, tone colour,
     volume, and with maximum ease and sensitiveness. Sala began a
     second career as a film composer and quickly won awards and praise.
     The breakthrough came with the nerve-racking electronic bird
     twittering for Hitchcockæs thriller "The Birds". Oskar Sala,
     world-famous inventor and pioneer, holder of several patents,
     bearer of the Bundesverdienstkreuz (Federal Service Cross) and
     awarded with the "Filmband in Gold" (Golden Filmtape), is one of
     the most important representatives of electronic music and its most
     important contemporary witness.

     The new CD embraces the entire life of a musician. It contains many
     wonderful electronic musical surprises. It begins immediately with
     Paul Hindemithæs composition, "Slow Piece and Rondo", written for
     Sala, the first piece for Trautonium Solo composed in 1935! Salaæs
     own "6 Caprices for Mixturtrautonium Solo" were specially composed
     for his new microelectronic Mixturtrautonium built by the
     Postprofessors.

     They are exceptionally virtuosic electronic sound creations with
     difficult interpretational tasks. Then there is another piece, that
     the composer himself describes as "wild" and gives reasons for, as
     well as the soundtrack from the Edgar Wallace (?) film "The
     Strangler from Blackmoor Castle", filmed in 1963.
     1996 Viktor Pavel, Translated by Ieva Gaidulis

   ──────────────────────────────────────────────────────────────────────────

     mbs is a free music's lover association on the net.
     we only share the music we love, with the people we like.
     keep your mind, your body and your soul open...

                                                    peace.

   ──────────────────────────────────────────────────────────────────────────
   nfo materialized by gucci!                                        *nov2OO5

Files

PathSize
01-oskar_sala--langsames_stuck_und_rondo_fur_trautonium-mbs.mp37,90 MB
02-oskar_sala--caprice_rubato_i-mbs.mp35,60 MB
03-oskar_sala--canon_caprice_ii-mbs.mp318,06 MB
04-oskar_sala--subharmonische_mixturen_iii-mbs.mp312,22 MB
05-oskar_sala--glissando_caprice_iv-mbs.mp36,47 MB
06-oskar_sala--klangfarben_caprice_v-mbs.mp39,44 MB
07-oskar_sala--caprice_agitato_lamentoso_furioso_vi-mbs.mp39,19 MB
08-oskar_sala--chaconne_electronique-mbs.mp311,46 MB
09-oskar_sala--der_wurger_von_schlob_blackmoor-mbs.mp317,79 MB