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█▒ Artist - Sweathog ▒█
█▒ Title - Sweathog ▒█
█▒ ▒█
█▒ Genre - Rock Year - 1971 ▒█
█▒ Format - Album Time - 33:17 ▒█
█▒ Label - Akarma Source - Web Store ▒█
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▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐
▌░ ▒▒▒│ tracklist │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐
▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ 01. Nonbeliever 3:37 ░▐
▌░ 02. All I Ever Do 3:33 ░▐
▌░ 03. Still on the Road 2:16 ░▐
▌░ 04. Burned 5:48 ░▐
▌░ 05. Things Yet to Come 4:01 ░▐
▌░ 06. Runneth Over 3:15 ░▐
▌░ 07. You Just Took the Ride 4:43 ░▐
▌░ 08. Lock Up My Body 2:57 ░▐
▌░ 09. Layed Back by the River 3:07 ░▐
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▌░ ░▐
▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐
▌░ ▒▒▒│ rip notes │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐
▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ seems google cleaned up the cover ;) ░▐
▌░ ░▐
▌░ Sweathog was a San Francisco-based quartet whose sound was ░▐
▌░ fairly far removed from the music normally associated with ░▐
▌░ that city. They were a powerful ensemble instrumentally, ░▐
▌░ keyboardist/singer Lenny Lee (aka Lenny Lee Goldsmith), ░▐
▌░ guitarist/singer Bob Jones, bassist/singer Dave Johnson, and ░▐
▌░ drummer Frosty (aka Barry Smith, aka Bartholomew Smith) all ░▐
▌░ top players in their field -- Frosty had played with Lee ░▐
▌░ Michaels on his third and fourth albums, while Jones had ░▐
▌░ played on Harvey Mandel's Cristo Redentor and Righteous in ░▐
▌░ the late '60s, and Goldsmith was an ex-member of the Five ░▐
▌░ Americans. They were not bad as singers, either, with ░▐
▌░ Goldsmith handling the leads. Their music was a mix of ░▐
▌░ Southern-style soul, early-'70s funk, and blues, all wrapped ░▐
▌░ around a virtuoso rock sound. ░▐
▌░ ░▐
▌░ The group was signed to Columbia Records at the time of that ░▐
▌░ label's fixation on West Coast acts, under Clive Davis's ░▐
▌░ regime -- they were always looking for another Big Brother & ░▐
▌░ the Holding Company, or something to take the place of that ░▐
▌░ act on their roster. The group's self-titled debut album ░▐
▌░ passed mostly without a musical trace, without an AM radio ░▐
▌░ hit to drive sales, though its cover image of bare buttocks ░▐
▌░ was censored in various countries. ░▐
▌░ ░▐
▌░ In 1972, they seemed to hit paydirt with their single ░▐
▌░ "Hallelujah," a driving piece of explosive Southern-fried ░▐
▌░ rock & roll with a soul edge that was a killer showcase for ░▐
▌░ all four players (especially Frosty). It got to number 33 on ░▐
▌░ the national charts, but that relatively modest performance ░▐
▌░ doesn't indicate how popular it was on the radio, where it ░▐
▌░ got airplay closer to that of a Top 20 hit. The song got the ░▐
▌░ album (also titled Hallelujah) into stores, at least, but it ░▐
▌░ never sold in huge numbers, despite a respectable promotion ░▐
▌░ effort and a lot of exposure for the band, touring behind ░▐
▌░ Black Sabbath, among other top acts of the period. They broke ░▐
▌░ up in 1973, and Goldsmith later played on Martha Reeves' ░▐
▌░ first post-Motown solo album before joining Stoneground. ░▐
▌░ ░▐
▌░ Fantastic short lived band that could have been superstars in ░▐
▌░ my opinion. Both albums rock with Hallelujah being the better ░▐
▌░ of the two, but not by much. They toured with Black Sabbath, ░▐
▌░ Grand Funk, J. Geils, Edgar Winter and others. Dave Johnson ░▐
▌░ played with Dr. John & The Beach Boys, Bartholomew Eugene ░▐
▌░ Smith-Frost also known as "Frosty" played with Lee Michaels ░▐
▌░ (one of my favorites) they mostly hailed from Northern ░▐
▌░ California and played at all the Bay Area venues. ░▐
▌░ ░▐
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▌░ └─────────────┘ ░▐
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▌░ chamber . noise . c-86 . college . goth . post . kraut ░▐
▌░ darkwave . alternative . lo-fi . country . americana ░▐
▌░ folk . folk/rock . psychedelic . progressive . metal ░▐
▌░ heavy . hair . math . grunge . classic . southern . aor ░▐
▌░ west coast . punk . garage . avantgarde . classical ░▐
▌░ electronic . ambient ░▐
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https://play.google.com/store/music/album?id=B5gbxybntae6y5ztn3axiuksigi