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░█████▓█████▓██ ▌Artist__│ Ron Carter ██▓█████▓█████░
░████▓▓██▒██▓██ ▌Title___│ Pastels ██▓█████▓▓████░
░████▓███▒██▓██ ▌Label___│ Milestone ██▓██▒███▓████░
░████▓███▒██▓██ ▌Genre___│ Jazz ██▓██▒███▓████░
░████▓███▒██▓██ ▌Format__│ Album ██▓██▒███▓████░
░████▓███▒██▓██ ▌Year____│ 1976 ██▓██▒███▓████░
░░████▓█████▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓█████▓████░░
░░████▓█████▓██ ▌Time____│ 37:02 ██▓█████▓████░░
░░░████▓████▓██ ▌Size____│ 89.61 MB ██▓████▓████░░░
░░░░███▓▓███▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓███▓▓███░░░░
░░░░░███▓▓▓█▓██ ▌Source__│ Web Store ██▓█▓▓▓███░░░░░
░░░░░░████▓▓▓██ ▌Quality_│ 320 kbps ██▓▓▓████░░░░░░
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░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░ 01. Woolaphant 7:56
░░ 02. Ballad 8:43
░░ 03. One Bass Rag 7:28
░░ 04. Pastels 6:20
░░ 05. 12 + 12 6:35
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░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░ The epitome of class and elegance without the stuffiness, Ron Carter has
░░ been a world-class bassist and cellist since the '60s. He's among the
░░ greatest accompanists of all time, and has made many albums exhibiting
░░ his prodigious technique. Carter is a brilliant rhythmic and melodic
░░ player who uses everything in his bass and cello arsenal: walking lines;
░░ thick, full, prominent notes and tones; drones and strumming effects; and
░░ melody snippets. His bowed solos are almost as impressive as those done
░░ with his fingers. Carter has been featured in clothing, instrument, and
░░ pipe advertisements; he's close to being the bass equivalent of a Duke
░░ Ellington in his mix of musical and extra-musical interests. Carter is
░░ nearly as accomplished in classical music as jazz, and has performed with
░░ symphony orchestras all over the world. He's almost exclusively an
░░ acoustic player; he did play electric for a short time in the late '60s
░░ and early '70s, but he didn't use it for many, many years. Famously, he
░░ was a member of Miles Davis' second great quintet of the '60s, but he has
░░ regularly issued his own eclectic albums like 1978's A Song for You with
░░ four cellos, 1995's Mr. Bow-Tie, and 2011's Ron Carter's Great Big Band.
░░ Carter has also joined other musicians on a number of engaging duet and
░░ trio recordings, including a classic 1972 session with Jim Hall, Alone
░░ Together, 1989's Duets with Helen Merrill, 2002's Dialogues with Houston
░░ Person, and 2016's The Purity of Turf with Ethan Iverson, among others.
░░
░░ Carter began playing cello at ten; however, when his family moved from
░░ Ferndale to Detroit, Michigan, Carter ran into problems with racial
░░ stereotypes regarding the cello and switched to bass. He played in the
░░ Eastman School's Philharmonic Orchestra, and gained his degree in 1959.
░░ He moved to New York and played in Chico Hamilton's quintet with Eric
░░ Dolphy, while also enrolling at the Manhattan School of Music. He made
░░ some of his earliest recordings during this period, including playing on
░░ Dolphy's Far Cry. Carter earned his master's degree in 1961. After
░░ Hamilton returned to the West Coast in 1960, Carter stayed in New York
░░ and played with Dolphy and Don Ellis, cutting his first records with
░░ them. He worked with Randy Weston and Thelonious Monk while playing and
░░ recording with Jaki Byard in the early '60s. Carter also toured and
░░ recorded with Bobby Timmons' trio and played with Cannonball Adderley. He
░░ joined Art Farmer's group for a short time in 1963 before he was tapped
░░ to become a member of Miles Davis' band.
░░
░░ Carter remained with Davis until 1968, teaming with bandmates Herbie
░░ Hancock and Tony Williams to craft a new, freer rhythm-section sound.
░░ Together, they appeared on every one of the trumpeter's crucial mid-'60s
░░ recordings including E.S.P., Miles Smiles, Nefertiti, and others. The
░░ high-profile job led to the reputation that's seen Carter become possibly
░░ the most recorded bassist in jazz history. He's been heard on an
░░ unprecedented number of recordings; some sources claim 500, others have
░░ estimated it to be as many as 1,000. The list of people he's played with
░░ is simply too great to be accurately and completely cited. Carter has
░░ been a member of the New York Jazz Sextet and New York Jazz Quartet,
░░ V.S.O.P. Tour, and Milestone Jazzstars, and was in one of the groups
░░ featured in the film Round Midnight in 1986.
░░
░░ Carter has led his own bands at various intervals since 1972, using a
░░ second bassist to keep time and establish harmony so he's free to provide
░░ solos. Carter even invented his own instrument, a piccolo bass, which he
░░ featured on 1977's Piccolo. He has contributed many arrangements and
░░ compositions to both his groups and other bands, and made duo recordings
░░ with Cedar Walton, Jim Hall, and others. In 1987, he won a Grammy Award
░░ for Best Instrumental Composition for the song "Call Sheet Blues," from
░░ the soundtrack album The Other Side of Round Midnight. Carter picked up a
░░ second Grammy Award in 1994 for his contributions to the reunion album A
░░ Tribute to Miles. He has recorded for Embryo/Atlantic, CTI, Milestone,
░░ Timeless, EmArcy, Galaxy, Elektra, and Concord, and eventually landed at
░░ Blue Note for LPs including 1997's The Bass and I, 1998's So What, and
░░ 1999's Orfeu.
░░
░░ At the dawn of the new millennium, Carter remained an active, in-demand
░░ artist, releasing a steady stream of albums and keeping a busy live
░░ schedule. When Skies Are Grey surfaced in early 2001, followed in 2002 by
░░ Stardust, Carter's tribute to the late bassist Oscar Pettiford. That same
░░ year, he joined saxophonist Houston Person for the duo's third album of
░░ standards, Dialogues. In 2006, another tribute album was released, Dear
░░ Miles, dedicated to Miles Davis, also on Blue Note. Several more small
░░ group solo albums followed including 2007's Japan-only It's the Time and
░░ 2008's Jazz and Bossa.
░░
░░ In 2011, Carter delivered his first effort with big-band music, Ron
░░ Carter's Great Big Band, featuring arrangements by conductor Robert M.
░░ Freedman and a bevy of name players including pianist Mulgrew Miller and
░░ drummer Lewis Nash. The following year, he was inducted into the DownBeat
░░ Jazz Hall of Fame. He then joined drummer Gerry Gibbs for two albums,
░░ 2013's Thrasher Dream Trio and 2014's We're Back. Also in 2014, Carter
░░ was backed by the WDR Big Band on My Personal Songbook. In 2016, the
░░ bassist once again paired with saxophonist Person for the duo album
░░ Chemistry. That same year, he also joined pianist Ethan Iverson on the
░░ trio date The Purity of Turf. Another Person collaboration, Remember
░░ Love, arrived in 2018. The following year, Carter paired with novelist,
░░ poet, and painter Danny Simmons for the Brooklyn multimedia concert The
░░ Brown Beatnik Tomes: Live at BRIC House.
░░
░░ https://play.google.com/store/music/album?id=Blutw3xzzpjbneuyrbpnvrtwhei
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░░░██ ███ ░| shouts 2 all the groups |░
░░░░██ ████ ░| putting out |░
░░░░░██ █████ ░| quality music |░
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