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▓▒ Volbeat-Rewind_Replay_Rebound-DELUXE_EDITION-WEB-2019-ENTiTLED ▒▓
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░ artist........ | Volbeat ░
title......... | Rewind, Replay, Rebound
label......... | VOLBEAT
genre......... | Metal
rip date...... | 2019-08-01
retail date... | 2019-08-02
runtime....... | 1:31:43
tracks........ | 22
size.......... | 213.79MB
quality....... | 320kbps 44.1kHz
░ codec......... | MP3 (MPEG-2 Audio Layer III) ░
▒░ encoder....... | LAME ░▒
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▄▀▀▀ ------------------------------------------- ▀▀▀▄
▀▀█ · ·< t r a c k . l i s t >· · █▀▀
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█ 01 > Last Day Under The Sun < 04:47 █
█ 02 > Pelvis On Fire < 03:05 █
█ 03 > Rewind The Exit < 04:14 █
█ 04 > Die To Live < 03:02 █
█ 05 > When We Were Kids < 04:36 █
█ 06 > Sorry Sack Of Bones < 03:48 █
█ 07 > Cloud 9 < 04:57 █
█ 08 > Cheapside Sloggers < 03:52 █
█ 09 > Maybe I Believe < 04:58 █
█ 10 > Parasite < 00:37 █
█ 11 > Leviathan < 04:35 █
█ 12 > The Awakening Of Bonnie Parker < 04:18 █
█ 13 > The Everlasting < 05:50 █
█ 14 > 7:24 < 04:10 █
█ 15 > Under The Influence < 04:32 █
█ 16 > Immortal But Destructible < 04:35 █
█ 17 > Die To Live < 03:02 █
█ 18 > Last Day Under The Sun (Demo) < 04:37 █
█ 19 > Rewind The Exit (Demo) < 04:14 █
█ 20 > When We Were Kids (Demo) < 04:27 █
█ 21 > Maybe I Believe (Demo) < 04:57 █
█ 22 > Leviathan (Demo) < 04:30 █
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█▓▀ · ·< RELEASE NOTES >· · ▀▓█
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For much of their career, Grammy-nominated Danish rock band Volbeat
(est. 2001) have been critically celebrated and commercially rewarded
for their unique and inimitable fusion of classic rock 'n' roll, heavy
metal, and rockabilly. The band distilled its disparate influences
--everyone from Johnny Cash to Elvis Presley to Metallica to Slayer
into a fresh, thrilling sound that quickly separated itself from the
pack and from peers. The patented formula, which is actually anything
but formulaic, lead to five No. 1 singles at the Active Rock format
and 2010's Beyond Hell/Above Heaven being certified Gold in the United
States. The most memorable rock music functions best and resonates
most fervently with fans when there is an authentic, fully beating
heart at its core and pumping blood and adrenaline through its veins.
That has always been the case with Volbeat and such remains true with
their sixth album Seal the Deal & Let's Boogie.The album is
frontloaded with groove-centric, stadium-sized riffers that invoke
emotion and inspire singing along. Volbeat's sound is distinct as DNA
--you hear a vocal line or a sonorous riff and you know it's Volbeat--
and it remains flawlessly executed. Overall, the songs crackle with
catchy melodic Rock imbued with Volbeat's signature sound. The album
is also fully immersive, inviting listeners along for the sonic
journey via an intricate labyrinth of characters and deftly
established storylines featuring characters from New Orleans' turn-of-
the-century voodoo scene. The album stimulates every sense, be it base
or highly evolved. Therefore, Seal the Deal & Let's Boogiedefies
categorization.Singer/guitarist and main song writer Michael Poulsen
is thoroughly excited about how the album demonstrates the progress
and development of the Volbeat sound, which the band has been
perfecting for over a dozen years. Yet he is quick to note the album's
tone and theme is "spiritual with sarcasm" and he invites fans to read
between the lines when it comes to processing that lyrical skew.
Sonically, he points to melodies that are more upfront while still
distinctly Volbeat and it's as though each prior album was the
launchpad to get to this point.The frontman said, "[The album] is
Volbeat. But there is progress, too, when it comes to songwriting with
huge melodies. It has the songs I have been trying to write for years
and it seems like I was in the right spot to gather all the
pieces."Volbeat were able to fully execute their musical plan with
former Anthrax guitarist and producer Rob Caggiano now firmly
installed in his role as Volbeat guitarist, co-producer, and co-writer
of some of the songs. Caggiano joined Volbeat after realizing he
wanted a career shift and due to his desire to step outside of his
comfort zones and challenge himself. The addition of Caggiano added an
adrenalized boost to Volbeat's previously existing desire to further
evolve. The chemistry has been cemented and as Caggiano succinctly put
it -- "it just feels right." Therefore, the Volbeat chassis is more
stable and sturdy than ever, as the album also finds the band changing
lanes, without drifting too far from the core or patented Volbeat
sound.For the song "Goodbye Forever," Volbeat invited the Harlem
Gospel Choir to perform with them, something Poulsen has wanted to do
since the band's third album. "I have long wanted to bring in a gospel
choir in, but I did not have the right idea. This? It just came
naturally." With an assist from the choir, the song explores the idea
of global karma. "You have to be thankful for air we breathe and
remember that Mother Nature will always be the boss," Poulsen mused.
"I am trying to wake up everyone who thinks they are here forever. Do
not expect tomorrow to be there. Think about what you do before you
wake up or go to bed. Say what you need to to your loved ones.The band
recruited Danko Jones for the song "Black Rose" and drafted Danish
singer/songwriter Mia Maja to contribute backing vocals on several of
the songs. She was mined from the underground, as Poulsen was blown
away after discovering her performing in a bar. This vocal addition
allowed the band to layer its sound in a new way. Poulsen said, "I did
all of the 'oohs' and the 'aahs' before. But this time, it seemed
right to have a female voice doing those parts. I knew that the songs
needed backing tones from a female, so we called her up. She was
surprised and thought it was a joke, like she was Candid Camera or
something, since she just played small bars. But she was into
it."Another way Volbeat upped the ante on Seal the Deal & Let's Boogie
was by employing the bagpipes. Poulsen acknowledged that they are a
"special instrument that you either love or hate." Volbeat recruited
one of Poulsen's best friends from his school days to play the
bagpipes on "The Loa's Crossroad," which is about the gatekeepers of
the spiritual world. It may indeed be a polarizing instrument, but it
gets a reaction and you can't argue with the result.With the band
taking musical risks that lead to great rewards, they were also free
to push the boundaries with the subject matter. While not a concept
album, Seal the Deal & Let's Boogie is spiritual, as mentioned. But
Volbeat's definition of spiritual differs greatly from the traditional
interpretation of the word. "When I say spiritual, I don't mean a
believer," the singer said. "It's not religious, since I don't believe
in God or the devil. But I do believe in the spiritual world and the
songs have that voodoo element. It's not a concept but the songs are
connected. It's not so much a theme, but rather using real characters
who were strong in their belief about their contact with the spiritual
world, with additional input from me, where I try and connect what
once was and what is now."On "The Devil's Bleeding Crown," he perverts
the usual cliches surrounding the devil and offers a very unique take
on his enduring mythos. "How many times do we need to wake up the
devil in heavy metal?," Poulsen asked with a laugh. " He had fun
pissing off religion for the longest time and now he has to run from
the crazy people who are his followers. He is retiring, since he is
getting old. He had been partying way too long. But his son cannot be
humanized, so he is fighting to find the crown and to give it to his
son. You'll have to wait and see what he does."The rhythmically
anthemic "Marie Laveau" explores the tale of one of NOLA's infamous
voodoo queens, but with a modern day twist. "I am trying to wake her
up from the dead and use her as an instrument to get in contact with
my dead father," Poulsen explains. Meanwhile, "Gates of Babylon"
explores the idea of a goddess who never made peace with her sister
and therefore uses the song's protagonist as the conduit to locate her
sibling in the underworld.Clearly, Volbeat go deep enough to reach
marrow with the lyrical material that comprises Seal the Deal & Let's
Boogie. It satisfies the listener's desire to rock hard and loud,
thanks to a potent cocktail of grooves and riffs. Essentially, Volbeat
and their new album slay all.
Rewind, Replay, Rebound is the seventh studio album by Danish rock
band Volbeat. The album is expected to release on 2 August 2019. This
marks the first studio album with Kaspar Boye Larsen on bass.
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