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░▒ Artist ............: Eels (With Strings)
░ Album .............: Live At Town Hall
░ Label .............: Vagrant
▄ Genre .............: Indie
Rip date ..........: Feb-14-2006
Street date .......: Feb-21-2006
Size ..............: 83,9 MB
Type ..............: Album
Time ..............: 63:25 min
Quality ...........: VBR kbps / 44.1kHz / Joint-Stereo
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01. Blinking Lights (For Me) [02:03]
02. Bride Of Theme From Blinking Lights [01:37]
03. Bus Stop Boxer [03:24]
04. Dirty Girl [02:53]
05. Trouble With Dreams [03:21]
06. The Only Thing I Care About [02:15]
07. My Beloved Monster [01:53]
08. Pretty Ballerina [02:35]
09. It's A Motherfucker [02:15]
10. Flyswatter [05:03]
11. Novocaine For The Soul [03:06]
12. Girl From North Country [02:49]
13. Railroad Man [02:28]
14. I Like Birds [02:30]
15. If You See Natalie [03:30]
16. Poor Side Of Town [02:44]
17. Spunky [03:04]
18. I'm Going To Stop Pretending That I Didn't [03:46]
Break Your Heart
19. Suicide Life [02:39]
20. Losing Streak [02:18]
21. Hey Man (Now You're Really Living) [02:18]
22. Things The Grandchildren Should Know [04:54]
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You never know what you'll get when you attend
an EELS concert. One year it's vocoders and
synthesizers, the next it's gritty garage rock.
None of this is designed for the sake of
versatility so much as it is for answering the
deep-rooted creative needs of EELS leader Mark
Oliver Everett, aka E.
"I'm not going to make a polka album just
because I can. It's not in me, not this year,
anyway, and I'm not doing different things to
try to dazzle the audience with my wide
horizons. There's just some stuff in me that
needs to come out," says the man The New Yorker
describes as "a hypertalented misfit."
Cut to April, 2005: Everett releases the highly
acclaimed EELS Blinking Lights and Other
Revelations double album and assembles his most
ambitious version of the EELS yet: a seven piece
band consisting of Everett backed by a string
quartet and two multi-instrumentalists juggling
lap steel, guitar, upright bass, mandolin,
musical saw, melodica, celeste, pump organ,
piano, and a trash can and suitcase percussion
set.
"After the last tour (2003's two-time
globe-circling Tour of Duty) I was exhausted and
didn't feel like touring anymore," Everett says.
"Sometime after finally finishing the Blinking
Lights album, I was smoking a cigar out in my
backyard one night, just sitting there with my
dog, Bobby, Jr., and looking up at the smoke I
was puffing up into the air. I started to
imagine an EELS concert that was unlike anything
I'd done before, one where I could smoke a cigar
during the show. Where there wasn't even a drum
set, and the nucleus of the band was a string
quartet. I saw lots of old, antique keyboards: a
celeste, pump organ, upright piano, melodica...
and a musical saw. Chet played some beautiful
saw parts on some of the Blinking Lights tracks.
Once I thought of the saw being on stage, I
started to get excited about the idea and
couldn't stop myself from making it happen."
Everett says the preparations and rehearsals
were by far the most difficult in EELS history.
"It was much harder than I had anticipated. We
have never been in a situation where band
members were reading written music. I can't even
read music! This wasn't a 'pick up your guitar,
plug in and see what happens' situation. There
is very little margin for error with this kind
of setup. There's no feedback, no cymbal wash to
hide behind when something goes wrong. You're
very naked and everyone can hear every little
thing very clearly."
"We simply didn't have enough time to prepare
and when we found ourselves at the first warm-up
show, I had to level with the audience and tell
them that we just weren't ready. That seemed to
relax everyone and, by some miracle, we ended up
having a great first night and it turned into
one of the funnest tours I've ever been on,
albeit a very demanding one. The sound checks
were relentless. There's seven of us up there
juggling about 20 instruments. Chet's sound
check alone was longer than any full band's
sound check should be. But he was playing enough
instruments to cover two bands of lesser men."
Seven members is an EELS band member record. The
ever evolving band's previous two tours were
four piece lineups. Multi-instrumentalist Chet
proved to be such a spotlight stealer in his
role as the star multitasking sideman during the
early EELS with strings shows, that he morphed
into The Chet, the name he is contractually
obliged to be referred to as from now on.
Upright bass player Big Al, no slouch himself,
also played celeste, pump organ, melodica,
piano, and the autoharp -- an instrument he
didn't even know he could play until E insisted
he play it.
"Anyone that has ever been in the EELS can tell
you that I had to push them into areas they
weren't used to or didn't know they could
handle: John Parish playing concert cymbals...
Lisa Germano playing timpani... Now we've got
The Chet playing melodica and Big Al playing
piano and autoharp, even though they came to me
as guitar and bass player, respectively. We
don't like to use the word "impossible" around
here, so I just have to push the musicians past
what they perceive as their limits until they
become the monsters I need."
The string quartet, first violinist Paloma,
second violinist Julie, violist Heather and
cellist Ana had never played together as a
quartet before EELS with strings. All seven band
members sang and played percussion at times
during the shows.
"One of the nice things about playing a show is
being able to go back to an old song and try to
get it right this time, in my mind, knowing what
I know now," says Everett. "It's painful to
listen to an old track. I hear all the things
I'd like to change. The beauty of a live
performance is that you CAN change it. And some
of these get changed to a pretty extreme degree.
Listen to "Bus Stop Boxer" from the Souljacker
album and then listen to the Town Hall version,
or "Dirty Girl" from the Shootenanny! album
compared to its Town Hall version. I treat the
concerts like they are a musical entity unto
themselves. It's never about trying to recreate
the latest studio album on stage. The concerts,
to me, are new albums in themselves, so it's
nice to document one, especially a special one
like this."
The EELS with strings tour began in May of 2005
with three warm up shows in the U.S. and then
went on extensive treks of Europe, the U.S.,
back through Europe again, Australia, and
concluded in October with a final performance at
the Saint James Theater in Auckland, New
Zealand. In London alone EELS with strings
played concerts at Royal Festival Hall, Queen
Elizabeth Hall, and Royal Albert Hall. The New
York Town Hall performance was filmed and
recorded at the end of the U.S. leg of the tour.
Recorded the evening of June 30th, 2005, after a
hectic day that found the EELS loading into Town
Hall at 6 a.m., having just played Boston's
Sommerville Theater the night before, and then
performing on The Late Show with David Letterman
the very afternoon of the Town Hall show, EELS
with strings Live at Town Hall is the first
properly released EELS live album (two earlier
limited edition live CDs were released through
the EELS website and are now sought-after
collectors items). Besides nineteen unique takes
on songs spanning the entire EELS catalogue,
Live at Town Hall also features EELS with
strings taking on Bob Dylan's "Girl From The
North Country," Johnny Rivers' "Poor Side Of
Town," and The Left Banke's "Pretty Ballerina."
The EELS with strings Live at Town Hall concert
film, being released on DVD simultaneously with
the CD, includes eight songs that are not
included on the CD, while the CD version of Live
at Town Hall includes four songs from the
evening's performance that are not in the
concert film.
Everett, who was born and raised in Virginia and
now lives in Los Angeles likens the experience
to one of the "Blinking Lights" he sings about
that make life worth living: "It was a tough
day, physically. We had a lot of pressure on us
to do what a lot of people were telling us was
either impossible, or would end in tears
somehow, but we did it. We drove straight from
our show in Boston the night before, loaded into
Town Hall ridiculously early, did our lengthy
sound check, got the cameras and recorders set
up for the show, went across town and played on
the David Letterman show, and got back just in
time to play our concert for the people, the
cameras and the tape."
"And the weird part is -- it all worked. Usually
when you record a show, it's always the wrong
one, it's always on a bad night. But when we
were done, we all agreed that it was a great
night and that we were glad we had captured it."
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FNT is more alive and kicking in 2005 than ever before, we stress
quality as our #1 issue and we're bringing you guys the best
new music from all genres. We have developed FNTx for everything
that doesn't fall into the usual FNT releases. We're not going
anywhere either .. lets make 2005 a good one!
─ Providing quality releases since June 3rd, 2002 ─
We are a CLOSED group. We are not accepting any new people, so
don't even bother.
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