ARTIST...: Hessel Veldman / Enno Velthuys
TITLE....: Boezem Ballet / In IJle Lucht
YEAR.....: 2019
LABEL....: STROOM 〰
CAT.NO...: STR7-031
GENRE....: Synthpop
TIME.....: 09:43
SIZE.....: 17.23 MB
QUALITY..: 247kbps/44.1kHz/Joint Stereo
ENCODER..: LAME
SOURCE...: WEB
RLS.DATE.: 2019/09/08
WEBSITE..: https://stroomtv.bandcamp.com/album/boezem-ballet-in-ijle-lucht
TRACKLIST
01) (05:22) Hessel Veldman - Boezem Ballet
02) (04:21) Enno Velthuys - In IJle Lucht
In the Netherlands, Fluxus artist Willem de Ridder — magazine editor, radio producer,
‘ storyteller and activist — was a key figure in the Dutch arts and music scene. One
of his many projects was the ‘Radiola Improvisation Salon’, made for the Dutch
national VPRO radio, broadcasted from a castle-turned-music institute. De Ridder
played music cassettes he received from visitors of the live show or from people who
sent tapes by mail, without listening to them beforehand. He was the first to air
Enno Velthuys’ music. Several home-tapers and close friends of de Ridder were present
and they all fell silent in astonishment. Among them Rob Smit from Kubus Kassettes.
He visited synthesizer artist Velthuys at his mom’s and convinced him of releasing
‘Ontmoeting’ (1982) and later on ‘Landscapes In Thin Air’ (1985).
Also in the room that day was Hessel Veldman who already had released his first tape
through de Ridder and the VPRO. After that, he felt the urge to bring out his own
cassettes. Together with Nicole Veldman he created the Exart label. Veldman was a DIY
experimental music pioneer from the late seventies. He started out with a tape
recorder, cassette deck, an antique tube amplifier he broke off a wooden console
radio, an electric guitar and a 1967 Philips Philicorda organ. Everything was
consistently recorded onto cassette: the tape recorder was a main instrument as well
as other recording equipment. Inspired by punk, dub-reggae and German electronic
music and under many guises (Gorgonzola Legs, FNTC, Y Create,...) Veldman created the
most extraordinary pieces. Fluxus was of great influence to him and brought him to
experiment more and more: “New concepts emerged during improvisation and recording:
mistakes became sound design”.
Willem de Ridder had a Fluxus postal order company and also Veldman was part of this
cassette network: “When it came to mail art, we send out and exchanged tapes all over
the world”. The home-made tape scene was one filled with fanatics, who never stopping
recording, creating an infinite amount of “unfinished and uncomfortable” sound
experiments. Both Veldman and Velthuys featured on the All Chemix Radio broadcast
series, brainchild of de Ridder, which consisted of several thirty minute plays,
naturally also recorded on cassette tape. Until today, Willem de Ridder administers a
huge cassette archive. After Robert Smit quit Kubus Kassettes – due to declining
public interest with the upcoming compact disc and DAT – Hessel Veldman asked
Velthuys to release on Exart. Between 1982 and 1987 they issued ‘A Glimpse Of Light’
and ‘Different Places’ together.
Velthuys was a hermit, creating straightforward but beautiful, melodic ambient in the
bedroom of his mother’s apartment. “Enno was specific in encountering music. He
couldn't deal with strange and dissonant sounds. His mind could only handle harmonic,
soft ‘kitsch-like’ music.” Not much is known about him, except in the sixties he was
a gifted musician who played in several bands. The drug-filled rock scene of that
time left permanent mental scars. He came to mistrust the mail art network and
sharing of tapes, after some of his work got issued without consent or communication
and in poor sound quality. Velthuys always stayed in touch with Willem de Ridder
though, creating background music for his story-telling radio programmes. He
eventually died of cancer in 2009 after spending his last years in a secluded mental
institution.
* www.furious.com/perfect/ennovelthuys.html
released August 20, 2019
Boezem Ballet
Composed by Hessel Veldman.
Featured on the Exart cassette issue ‘Far from the He(a)rd’ (1984).
Featured live, during the Holland Festival (1983) at Theater Bellevue in Amsterdam.
Performance by Veronica Vera, performing Annie Sprinkle’s Bosom Ballet.
Cover print: Bosom Ballet by Annie Sprinkle.
In IJle Lucht
Composed by Enno Velthuys.
Previously unreleased.
Cover print: from the private cassette collection of Willem de Ridder, with a
handmade cover by Enno Velthuys, called ‘In IJle Lucht’.
Graphic Design by Nana Ese
Mastering by Mathieu Saveny
Selection By Ziggy Devriendt
Text by Stefanie Vanrompaey & Hessel Veldman and party from
www.furious.com/perfect/ennovelthuys.html
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