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────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Manfred Mann's Earth Band
Title | Messin'
Genre | Progressive Rock Format | Album
Source | CD Time | 41:06
Label | Creature Music Store | 2016
Catalog | MMCD05 Rip | 2019
Bitrate | 734 kbps Size | 224.98 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Messin' 9:54
02. Buddah 7:02
03. Cloudy Eyes 5:36
04. Get Your Rocks Off 2:51
05. Sadjoy 5:17
06. Black And Blue 7:24
07. Mardi Gras Day 3:02
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
An R&B band that only played pop to get on the charts, Manfred Mann and its
various permutations ranked among the most adept British Invasion acts in
both styles. South African-born keyboardist Manfred Mann was originally an
aspiring jazz player, moving toward R&B when more blues-oriented sounds
became in vogue in England in the early '60s. Original Manfred Mann singer
Paul Jones was one of the best British Invasion singers, and his resonant
vocals were the best feature of their early R&B sides, which had a slightly
jazzier and smoother touch than the early work of the Rolling Stones and
Animals.
Opening with Mike Hugg's title track, which builds on Mick Rogers' intense
riffing and the killer vocals of Vicki Brown, Judith Powell, Liza Strike,
and Ruby James, "Messin" from 1973 is pretty intense and involving from its
very first bars. It's also damned topical and serious, for all of the
free-wheeling rock & roll spirits and the progressive rock complexities
that go into the playing. And the result is a spellbinding whole, featuring
some astonishing keyboard flourishes by Manfred Mann himself (who ventures
into Rick Wakeman and Keith Emerson territory on 'Buddah', even as the rest
of the band seems to be emulating Deep Purple) and killer guitar from Mick
Rogers, while Colin Pattenden and Chris Slade lay down the rhythm section
like a pair of articulate pile-drivers.
They pretty much stomp their way through their rendition of Bob Dylan's
"Get Your Rocks Off" and do a gorgeous high-wattage blues rendition of
"Black And Blue". The whole record comes out somewhere in the middle of art
rock and heavy metal, along with (amazingly enough) topical folk, and does
no violence to any of the genres - and the band even works in a
loose-limbed version of Dr. John's "Mardi Gras Day" as a finale.
In a way, it's surprising from hearing this record that it took this band
another two years, and an embrace of one of Bruce Springsteen's songs, for
Manfred Mann's Earth Band to become truly well known, because all of the
ingredients were in place, and their genre-bending sound was only the best,
most accessible kind.
┌────────┐
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└────────┘