sweet music releases
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a s u b d i v i s i o n o f s o u r
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│ » Release No: 0256 » Rating » │ 0 ██ │
├──── ── ─ ─ ── ────────────┤ 9 ██ │
│ » Artist: VA │ 8 ██ │
│ » Title: The Best Of Nu Groove Records Volume 2 │ 7 ██ │
│ » Record label: Hot Productions (HTCD9701-2) │ 6 ██ │
│ » Genre: Techno │ 5 ██ │
│ » Release date: 2006/02/19 │ 4 ██ │
│ » Street date: 1995/04/?? │ 3 ██ │
│ │ 2 ██ │
│ » Media type: vinyl [ ] tape [ ] cd [x] radio [ ] │ 1 ██ │
│ cover [x] sfv [x] m3u [x] cue [ ] └──────┤
│ │
│ [15 tracks] [1:10:57 h] [ 99,7 mb] │
│ │
└─────────────────────────────────────────────────────────────────────────┘
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│ ## │ Time │ Artist - Title │
├────┴───────┴────────────────────────────────────────────────────────────┤
│ 01 0:48 Legends - Intro │
│ 02 4:26 Looney Tunes 2 - Is Rhythm Rhythm? │
│ 03 4:16 Sound Vandals - Ecstasy What Is It │
│ 04 4:53 Code 6 - C.O.D.E.S. │
│ 05 4:44 Project 86 - Industrial Bass │
│ 06 6:55 Critical Rhythm - Kemo Therapy │
│ 07 3:05 Assylum - Instrumental Ward │
│ 08 6:20 Lost Entity - Bring That Back │
│ 09 4:25 Summer Slams - Rock Hard │
│ 10 4:12 Looney Tunes - Another Place Another Time │
│ 11 5:35 Jimmy Crash - Crash Course │
│ 12 5:31 New Grooves II - 2 AM │
│ 13 5:24 Lake Eerie - Sex 4 Daze │
│ 14 5:12 Major Problems - Flashback │
│ 15 5:11 New Your House N' Authority - Fort Greene House │
└─────────────────────────────────────────────────────────────────────────┘
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│ └┴┘════════════════════════ │
│ │
│ Winter 1989. It was the beginning of a new │
│ era, cramped in a tiny bedroom in Brooklyn, │
│ we all had a common purpose, to ignite the │
│ new found dance floors of England. The U.K. │
│ House scene had blown up and we all had a │
│ jump-start of something that changed every │
│ one of us. Welcome to Volume 2 from the Nu │
│ Groove vault. From the original masters I │
│ have selected and sequenced the best "trax" │
│ that helped shape a new generation of people │
│ dancing to a House groove till early morning. │
│ The rave scene was out of control with many │
│ events drawing up to 30,000 people in fields │
│ outside of London. This compilation │
│ represents how all the producers on this CD │
│ made our own style of underground music, how │
│ we embraced the dance floors of Europe, and │
│ we all pioneered the early Techno-House │
│ sound. These tracks were very experimental │
│ for the American dance floor in 89/90 but │
│ wound up shaping the future for DJs │
│ worldwide. Nu Groove will always be │
│ remembered for putting out excellent N.Y. │
│ House music but you will see after listening │
│ that there was a lot of sounds that were │
│ brand new when they were released. These │
│ tracks followed no formula which makes them │
│ very special. I'm glad that I was part of it │
│ all and that Hot Productions gave me the │
│ chance to take the past, and reshape the │
│ future all over again. I had the time of my │
│ life during these days as did many who appear │
│ on this compilation and a lot has happened │
│ since then. Nu Groove paved the way for the │
│ underground producers and shaped the mold for │
│ labels like Strictly Rhythm and Nervous, │
│ which have taken over the American market. │
│ Call it Techno, call it House but whatever │
│ you call it remember that every track was │
│ what slowly, but surely evolved into what │
│ your dancing... today. Keep dancing and I'll │
│ see you when the ball drops in the year 2000. │
│ │
│ -- Frankie Bones │
│ │
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│ └───┘═════════════════ │
│ │
│ This release may contain copyrighted material, however SWEET guarantees │
│ that this material was at least available to one person "on the street" │
│ and that the possession of this material is in no way privileged. │
│ │
│ SOUR has been releasing good quality drum'n'bass, jungle & oldskool │
│ rips to the internet drum'n'bass public since summer 1999. Originally a │
│ small operation, we have now reached levels of international acclaim. │
│ │
│ SWEET is our most recent offspring dedicated to bring you quality │
│ breakbeat music that is not included in SOURs regular genre list. │
│ │
│ SWEET is dedicated to both the availability and promotion of music to │
│ the public, and our rips are intended to reflect these ideals. │
│ │
│ Specifically: │
│ │
│ . SWEET is dedicated to the promotion of new music that is currently │
│ available to buy. If you like something you hear, you are obliged to │
│ attempt to purchase an original copy. │
│ │
│ . SWEET is dedicated to the promotion of old music that may no longer │
│ be available to buy. │
│ │
│ . SWEET is dedicated to the expansion and infiltration of breakbeat │
│ music worldwide! We provide a service where none is available, │
│ specifically in many remote countries where traditional distributors │
│ can not afford to target. Also, the availability of breakbeat music │
│ in an easily accessible form expands the potential for real world │
│ sales to people who may not otherwise have considered buying this │
│ kind of music. │
│ │
│ . SWEET is dedicated to the expansion of the online and offline real │
│ world scenes. With more listeners enjoying what they hear, clubs and │
│ venues can only expect MORE people to attend events; DJ's can only │
│ expect MORE people to pay to see THEM. │
│ │
│ By accident of today's current real world distribution arrangements, │
│ many artists will find that SWEET releases IMPROVE their real world │
│ sales; especially for items only on vinyl. This is the basis upon │
│ which SWEET operates. │
├─────────────────────────────────────────────────────────────────────────┤
│ Logo 2002 by ave/bm, Nfo-Design 2002 by seQ & acryl │
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