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█▓▀▀ RELEASE INFORMATION for: ▀▀▓█
▓▒ Norma_Jean-All_Hail-WEB-2019-ENTiTLED ▒▓
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░ artist........ | Norma Jean ░
title......... | All Hail
label......... | Solid State Records
genre......... | Hardcore
rip date...... | 2019-10-24
retail date... | 2019-10-25
runtime....... | 45:32
tracks........ | 14
size.......... | 106.34MB
quality....... | 320kbps 44.1kHz
░ codec......... | MP3 (MPEG-2 Audio Layer III) ░
▒░ encoder....... | LAME ░▒
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▀▀█ · ·< t r a c k . l i s t >· · █▀▀
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█ 01 > Orphan Twin < 01:56 █
█ 02 > (Mind over Mind) < 02:38 █
█ 03 > Safety Last < 03:44 █
█ 04 > Volunteer Tooth Filing < 00:41 █
█ 05 > Landslide Defeater < 03:19 █
█ 06 > Full Circle in Under a Minute < 03:27 █
█ 07 > /with_errors < 04:00 █
█ 08 > Trace Levels of Dystopia < 03:24 █
█ 09 > Translational < 04:28 █
█ 10 > Extra Dimensional Palate Cleanser < 00:32 █
█ 11 > If (Loss) Then (Leader) < 04:28 █
█ 12 > Careen < 05:39 █
█ 13 > Anna < 05:22 █
█ 14 > The Mirror and the Second Veil < 01:54 █
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█▓▀ · ·< RELEASE NOTES >· · ▀▓█
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With their fifth full length studio disc and first for Razor & Tie,
Atlanta's post- hardcore giants Norma Jean have delivered what many
will come to regard as the heavy music album of 2010. Building on the
sonic bedlam that has already earned the group an ever- swelling and
tremendously loyal global following, Meridional is the aggressive,
artful follow up to 2008's widely acclaimed studio effort The Anti
Mother. Launched by the walloping opening track and advance digital
single "Leaderless and Self- Enlisted," Meridional isn't your typical
blasting material. It's a seamless song cycle - and a loose
acknowledgement of the heralded quintet's Southern roots - that
incorporates an array of dramatic, melodic and experimental surprises.
If the ferocity, velocity and weaving melody that steers that
aforementioned leading number incites and inspires, it's perhaps the
ideal representation of what Norma Jean has become known for -
unrelenting, innovative and exceptionally good songs. When pressed to
explain how the band keeps managing to up its game with each
successive studio effort, longtime lead vocalist and guitarist Cory
Brandan modestly addresses the peerless end product that is
Meridional. "We have all become very comfortable as a team of writers
and musicians," Brandan explains. "More and more as we continue to
create we become less of a band and more of an artistic
collaborative." "We started to write this one well over a year ago,
which really gave us time to sit with certain songs and ideas," adds
drummer Chris Raines. "We really took our time and so much was able to
happen. Songs got better, relationships got better, ideas came faster
- it really went great." That creative preparedness was essential in
rendering what can only be regarded Norma Jean's most diverse and
cohesive disc yet. From the sinister, percussion- driven standout
"Deathbed Atheist" - which highlights Raines' pummeling wares - to the
amazing, alluring hard rock anthem "Falling From The Sky: Day Seven"
Meridional reflects Norma Jean at its most accomplished and
adventurous. "We wanted to make something different, but something
that really flowed together," Raines says. "We didn't want to have our
record sound like 10 different bands." Although "Falling From The Sky"
and the stirring, memorable bruiser "High Noise Low Output" build
slightly on the melodic touches first surfaced on The Anti Mother,
these Ozzfest and Warped Tour vets are by no means pondering a radical
reinvention. "We all like different kinds of music and that is always
going to come through," Cory explains. "Besides they're hardly what I
would call hits - that wasn't the intention - but they are songs that
we feel are very important to keeping the record from being boring and
monotonous." On Meridional Norma Jean also sidestepped the same- old,
same- old by opting to work with producer Jeremy Griffith (a veteran
of records by Saosin and The Cartel) after two acclaimed discs (2006's
Redeemer and 2008's The Anti Mother) with esteemed metal guru Ross
Robinson. At Raines' suggestion - he has known Jeremy for a number of
years - the band and the rising producer tested the waters on a demo
of the song "Kill More Presidents." Although that track was ultimately
left off the album, the drummer says, "We loved the way Jeremy worked
and the sounds that he got. He is really picky about who he works with
and I really liked that about him. He totally gets the idea of a
"dark" record and he helped us accomplish that." "We really can't wait
for our fans to get the record and see the artwork that goes with the
theme and the title and interpret it on their own," Cory explains.
"Any concept is usually applied rather than calculated. We feel like
it all comes down to the listener. Just as one person may interpret a
painting differently than another person, we like that our fans may
get something different than what we originally intended." As for its
creative expansion, Norma Jean - who will head out this summer on the
Rockstar Energy Drink Mayhem Festival with Korn, Rob Zombie, Lamb of
God and "He's a really laid back guy," Brandan interjects. "He jumped
right into our vibe of writing and recording." In fact, Griffith - an
accomplished singer who also added backing vocals to Meridional -
brought a number of unique ideas to the band, which also counts co-
founding guitarists Scottie Henry and Chris Day, plus long time
bassist Jake Schultz. Simply put, Norma Jean elevates modern heavy
music to new heights on Meridional. Balancing the haunting interlude
of "Septentrional" against the brutal, careening mayhem of "Blood
Burner" the group offers an unexpected break from the intensity,
setting a distinct mood on Meridional that is rarely achieved in the
genre. "There are a few instances like that on the record and we tried
to keep them separated to keep a certain flow going," Cory says.
"Those tracks have something very special about them that will be a
fun discovery for fans." As is the case on the ferocious and
unforgettable anthem "The People That Surround You On A Regular
Basis," where Norma Jean asserts it can craft music that is equally
infectious and maniacal. Another highlight is "Anthem of the Angry
Brides." With its frantic guitar noodling, skull thrashing rhythms and
bark psychosis vocal delivery, the band knew it had a keeper. "We
basically just wanted the song to be ridiculous the entire way
through," Cory says. "It was a fun song to write." If its predecessor
was a bona fide concept record, Meridional takes a less stringent
stance. Teaming with provocative, renowned Starving Eyes artist Jason
Oda - who nailed the layout for Meridional - Norma Jean aspired to
integrate the theme of the record. Although this time out, the band is
hesitant to disclose the premise of the project, which developed
during the course of writing and recording. Atreyu - continues to dig
deeper and go further, a practice which first started with 2005's O
God, The Aftermath. Norma Jean's willingness to reset the bar with
each successive album isn't only admirable, it's what fuels Meridional
- a certain game changer in the world of hard music. When the members
of Norma Jean gathered together to hear the final, completed sequence
of Meridional. Raines says the band was elated. "Honestly, we felt
proud," the drummer says. "Proud of this band and everything we have
gone through in the last few years. We really did what we wanted to do
and it showed." "It's a very different Norma Jean on this record,"
Brandan decrees. "We definitely kept it heavy, but it's a new kind of
"Norma Jean" heavy."
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█ · ·< GREETINGS >· · █
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█▀ Shout out to all of those who keep the dream of the scene alive. ▀█
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█▀ Special thanks to those who have paved the way and parted. ▀█
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█▀ We miss you! ▀█
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