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▓▒ Fink-Bloom_Innocent-WEB-2019-ENTiTLED ▒▓
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░ artist........ | Fink ░
title......... | Bloom Innocent
label......... | R'COUP'D
genre......... | Rock
rip date...... | 2019-10-24
retail date... | 2019-10-25
runtime....... | 52:43
tracks........ | 8
size.......... | 122.75MB
quality....... | 320kbps 44.1kHz
░ codec......... | MP3 (MPEG-2 Audio Layer III) ░
▒░ encoder....... | LAME ░▒
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▀▀█ · ·< t r a c k . l i s t >· · █▀▀
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█ 01 > Bloom Innocent < 06:56 █
█ 02 > We Watch The Stars < 08:04 █
█ 03 > Once You Get A Taste < 05:58 █
█ 04 > Out Loud < 06:20 █
█ 05 > That's How I See You Now < 05:54 █
█ 06 > I Just Want A Yes < 06:39 █
█ 07 > Rocking Chair < 06:02 █
█ 08 > My Love's Already There < 06:50 █
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█▓▀ · ·< RELEASE NOTES >· · ▀▓█
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"A life in music is all about little victories - the first record, the
first sell-out show, the first 'bus' tour... if you get through these
challenges, new benchmarks always appear." Fink Resurgam - meaning "I
Shall Rise Again" - is the brand new album from Fink: UK-born, Berlin-
based founding singer-songwriter/musician Fin Greenall, alongside
bandmates Tim Thornton (drums, guitar) and Guy Whittaker (bass). Its
title is taken from the Latin inscription on a chapel painting in
Greenall's native Cornwall; its tone embodies the irrepressible spirit
of these latest tracks. Recorded with pioneering producer Flood (PJ
Harvey, U2, Foals, Warpaint, The Killers) at his Assault & Battery
studios in London, Resurgam represents another vital benchmark for an
outfit who have always been intrepid in their musical scope,
international in their reach (including their hugely celebrated,
innovative live tours), and soulful at their core. "As soon as
Flood's name came into the mix, it gave us new impetus to raise our
game again," says Greenall. "Sonically, what he does is crazy, and
there's no such thing as a demo; every moment could work. So you play
right to the edge, until it's time to go." This also marks Fink's
latest release on the R'COUP'D imprint created with the support of
Ninja Tune: a label whose creative bond with Fink has continually
flourished since the release of the turntable-fuelled Fresh Produce
(2000), and their debut album as a band, Biscuits For Breakfast,
(2006). Resurgam forms a distinctly bold contrast from its
predecessors: Fink's richly multi-layered studio albums have included
Distance And Time (2007), Sort Of Revolution (2009), Perfect Darkness
(2011) and Hard Believer (2014), in addition to fruitful side-
projects: the electronic reinventions of Horizontalism (2015), and the
rootsier road trip of Fink's Sunday Night Blues Club, Vol.1, out
earlier this year. At the same time, Resurgam's sinewy funk and deep
reflections build beautifully from the immersive flow of Fink's
catalogue: "My experience with the blues record allowed me to retool
everything as a singer, player and producer," explains Greenall. "With
Resurgam, there's loads more performance-based stuff, and loads more
feeling over technical ability. You really harness what you're trying
to say. The tracks have a journey and a confidence that we've been
building up to for a while. The concept of 'I'll rise again, I'll be
back' fitted the whole vibe of this record." Resurgam's title track
(and opening number) sounds like a statement of intent; Greenall's
vocals are characteristically strong, tender and persuasive, while the
intimacy and bass-heavy attitude sets the tone for an album that he
says is "very assertive and more front-footed than anything we've done
before". The track also summons a physical setting that has recurred
throughout Greenall's own life: "When I was writing the song, I kept
thinking of this little church next to the beach in Cornwall, where I
grew up," he says. "I've always loved its environment; it's about 900
years old and very romantic, and there's a big painting on the wall of
this beautiful little chapel, with the inscription: 'Resurgam'. "When
you travel a lot, you're freed from the constraints of your own
territory. But you also tend to collect these places that you go back
to." Greenall's musical passions are deep-rooted and exceptionally
far-ranging; he spent formative years playing around with his family's
record collection and his father's four-track recorder, before
secretly teaching himself to play guitar (and later, putting his
student loan towards synths and a sampler). Having made his mark as an
independent spirit, he has also proved an inspirational collaborator,
whether co-writing and producing for a teenage Amy Winehouse (one of
their tracks, the Salaam Remi-produced 'Half-Time', appears on
Winehouse's posthumous collection, Lioness: Hidden Treasures), or
working alongside US soul star John Legend (on Legend's 2008 album
Evolver, as well as the soundtrack album to the Oscar-winning film 12
Years A Slave). Fink's cinematic work elsewhere also reflects his
strength for superlative storytelling and vivid delivery; take tracks
such as the beautifully brooding 'Yesterday Was Hard On All Of Us'
(taken from Fink's 2011 album Perfect Darkness, and memorably used in
Ava DuVernay's Martin Luther King biopic, Selma), or Fink's music for
William H Macy's 2014 movie Rudderless. When Fink are not on the road
- and they will be again soon, with a European tour of more than 60
dates already booked for Resurgam this year, reaching more than 65,000
people across 19 countries - Greenall is now based in Berlin. Distance
has never kept him apart from long-time friends and bandmates Thornton
and Whittaker: fellow musical visionaries, who have also become
integral players in Fink's songwriting and creative process. The trio
form a tight creative unit with a fearless approach, whether they're
experimenting with conceptual stage design (for 2011's Perfect
Darkness tour), or performing classical reworkings in concert with
Amsterdam's renowned Royal Concertgebouw Orchestra (which yielded a
live album, Fink Meets The Royal Concertgebouw Orchestra, on Ninja
Tune in 2013). Since Fink's first ever gig, at London's ICA in 2005,
there have been well over 500 acclaimed live shows, across an
incredible range of settings, from a bingo hall to the BBC Proms. For
their 2017 tour dates, Fink will feature a dynamic expanded line-up,
including an additional drummer/percussionist."I think that with all
bands that have been together a while, a certain type of telepathy
arrives - and we certainly use it onstage," says Greenall. "We also
all have radically different tastes in music, and that keeps us all
together in a really healthy way. There is a lot of loyalty in the
Fink camp; we like to build a team, and then it's like family." On
Resurgam, nothing is set in stone, and the possibilities feel
exhilarating. The album's ten songs were created over two months, a
relatively luxurious stretch of time for Fink, with each atmospheric
track given breathing space to unfold. A sense of conviction underpins
everything, whether Greenall is laying his soul bare on the lead
single 'Cracks Appear', or expressing optimism against the odds: on
'Day 22's tussle with sobriety and temptation (where he sings: "The
blood, sweat, tears taste so good"), or the end of the affair evoked
in piano ballad 'Word To The Wise'. "I really don't see 'Word To
The Wise' as a sad song," insists Greenall. "I see it as a reflection
of the fact that when you know that something is going to end, then
every second is extra sweet." Fink's expressions have a resonance that
remains with you, even after the final note has faded. On Resurgam,
that energy keeps rising up and pushing things further.
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█ · ·< GREETINGS >· · █
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█▀ Shout out to all of those who keep the dream of the scene alive. ▀█
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█▀ Special thanks to those who have paved the way and parted. ▀█
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█▀ We miss you! ▀█
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