THIS IS NOT PIRACY
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░░ ░░░░ On 2019.10.30
░░░ WASHED UP SCENESTERS proudly promoted:
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▒▒░ Artist: Mad Caddies ▀░░▓▄
░░▀ Album.: Duck And Cover ░░
▄▀ Genre.: Ska ░░
▄ Label.: N/A ░▄▀
▒▓█ Cat. #: N/A ░░░░ ▒▒
░▒▓░ Lang. : English ░░░▄▄░▀▀ ▄■░░
░▀ Source: Cdda ▄▄ ░░ ▄▄▄▄▄░░▀▀▀ ▄▄▄▀▀▀ ▒░░
█ Size..: 70.50 MB ▀▀░░▄▄▄▄▄▄▄▄░░░░▄▄▄▄▄▄░░▀▀▀ ▒▒░░ ░░
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▀▀▀░░░▀▀ ▓▒ ▒ ░▓▄▄▀ ░▄██▄ ▀▒▄ *** of titan artcrew
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"Stand up for what you believe in, even if it means standing alone."
--old Viking proverb
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▀■ ▄ ▄ ■ Tried and tested rules ▀████▌
by the true MP3 scene! ▐██▀
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0.0 INDEX:
1.00.RELEASING STANDARDS.
2.00.TECHNICAL STANDARDS.
3.00.HOW TO PACKAGE.
4.00.WEB RELEASES.
5.00.LIVE RELEASES (BROADCAST).
6.00.FLASH RELEASES.
7.00.DVD/DVDA RELEASES.
8.00.HD RELEASES.
9.00.FIXING METHODOLOGY.
10.00.TIPS AND TRICKS.
11.00.DIRTAGS GLOSSARY.
1.00.RELEASING STANDARDS:
1.01.Dupechecking is performed at the release level (for example, a
complete album or EP), not at the level of individual tracks within
a release. A lone single track identical to that found on an
existing scene release is not accepted as a single new release.
A new release is not a dupe of an old release if the new
release has different or more tracks; this holds true even if some of
the individual tracks are identical between the two releases.
Examples of relevant differences include, but are not limited to:
remixes, refixes, edits, and remastered versions of tracks.
Examples:
This is not a dupe...
AC_DC-Blackout_Evolution-CDM-2015-GROUP
01-ac_dc-suey_radio-group.mp3
02-ac_dc-suey_remix-group.mp3
03-ac_dc-suey_instrumental-group.mp3
04-ac_dc-suey_hardcoremix-group.mp3
05-ac_dc-suey_vocal-group.mp3
...Even if these two similar releases were already pred:
AC_DC-Blackout_Evolution-CDS-2015-GROUP1
01-ac_dc-suey_radio-group1.mp3
02-ac_dc-suey_vocal-group1.mp3
03-ac_dc-suey_instrumental-group1.mp3
AC_DC-Blackout_Evolution-CDS_REMIX-2015-GROUP2
01-ac_dc-suey_remix-group2.mp3
02-ac_dc-suey_hardcoremix-group2.mp3
03-ac_dc-suey_housemix-group2.mp3
Similarly, a release that is a superset of previous releases is not a
dupe. Therefore you can release this...
Burial--Street_Halo_Kindred_(BRC320)-CD-2012-CMC
01-burial-street_halo-cmc.mp3 06:47
02-burial-nyc-cmc.mp3 07:40
03-burial-stolen_dog-cmc.mp3 06:23
04-burial-kindred-cmc.mp3 11:28
05-burial-loner-cmc.mp3 07:30
06-burial-ashtray_wasp-cmc.mp3 11:45
...Even if those two were already released :
Burial-Street_Halo_EP-(HDB013)-WEB-2011-MPX
01-burial-street_halo-mpx.mp3 06:44
02-burial-nyc-mpx.mp3 07:38
03-burial-stolen_dog-mpx.mp3 07:15
Burial_-_Kindred_EP-(HDB059)-WEB-2012-LiR
04-burial-kindred-lir.mp3 11:28
05-burial-loner-lir.mp3 07:30
06-burial-ashtray_wasp-lir.mp3 11:45
This is a dupe...
AC_DC-Blackout_Evolution-CDS-2015-GROUP1
01-ac_dc-suey_radio-group1.mp3
02-ac_dc-suey_vocal-group1.mp3
03-ac_dc-suey_instrumental-group1.mp3
...if this was already released :
AC_DC-Blackout_Evolution-CDM-2015-GROUP2
01-ac_dc-suey_radio-group2.mp3
02-ac_dc-suey_remix-group2.mp3
03-ac_dc-suey_instrumental-group2.mp3
04-ac_dc-suey_hardcoremix-group2.mp3
05-ac_dc-suey_vocal-group2.mp3
1.02.You are only allowed to create a higher quality duplicate release for
an existing release that had a source of lower quality.
The priority is: Data Format > Medium.
Data Format priority:
LPCM stereo > DD+ stereo or E-AC3 stereo > LPCM 3+ channels >
AC3 (dolby digital) stereo or DTS stereo > Dolby TrueHD >
AC3 (dolby digital) 3+ channels or DTS 3+ channels (DTS-HD) > MPG
Medium priority :
BD or DVD or DVDA or DVDS or HDVD or SACD > HDDVDR or BDR or DVDR >
CDA or CD or CDS or CDM or CDA or CDEP > CDR > VL > WEB >
CD BOOTLEG > TAPE
Example:
If an LPCM stereo source becomes available where the previous rip only
had an AC3 source, you may create a duplicate release from the LPCM
source. Keep in mind that although the original AC3 source may have
been a Bluray or other advanced format, a LPCM stereo CD source will
take priority.
1.03.Depending of the stage of creation of a medium, it can be called
either RETAIL, ADVANCE or PROMO. The appropriate Extra dirtag is
determined based upon such factors as the track numbering scheme, the
physical package and comparison of the MP3 bitrate with that obtained
for previous iterations of the release.
Advances are mastered versions of studio album that resemble the final
store version but that may have a slightly different sound or even
different tracks included.
A promotional recording, or -PROMO-, is typically given away free to
broadcasters, DJs and journalists prior to the commercial release of
the music being promoted. Promos rarely have detailed tracklists,
liner notes or graphic packaging. Proof scans for promos need not
contain tracklists if they are not present. Promos may yield lower
bitrates upon compression than a -ADVANCE- or a -RETAIL- version of the
same tracks. It is also possible that all tracks may not have the same
sound amplitude (See 3.17-3.23).
Additional tags include -REMASTERED-, which reflects a sonically new
or different version of a release which is thus not a dupe.
-REMASTERED- should never be confused with -REISSUE-, which simply
reflects a previously out-of-print or hard to find recording becoming
available in a new edition. If the out of print recording has already
had a release, then a release of the -REISSUE- count as a dupe, unless
it features some real differences from the original version, like bonus
tracks.
The priority is REMASTERED > REISSUE or RETAIL >= ADVANCE > PROMO
Exceptions:
If a RETAIL album has been released and you have a different edition of
the same album (foreign/promo/advance/preorder/..) then it's allowed to
just release the different tracks and label it as -BONUS_TRACKS-.
However you cannot re-release the entire recording 90 days after the
initial scene release except if:
A. It's a 1 disc release and more than 50% of the tracks of your
version are not on the previous "retail" version.
B. It's a multi disc release and either more than 50% of the tracks or
at least 6 tracks of your version are not on the previous "retail"
version.
Example:
The advance pressings of SpiritualizedÆs Ladies and Gentlemen, We Are
Floating in Space album included some Elvis lyrics in the titular
track. Due to legal threats, the retail version ended up with a
remixed version with different lyrics. Advances are early drafts of
final studio albums and can sometimes yield a very minor difference in
bitrate upon compression, compared to the final retail version or other
versions that may be available. If both -ADVANCE- and -RETAIL- prove
to contain the same content and length and the only difference is the
proof scan, then -ADVANCE- also counts as -RETAIL-.
1.04.The tracks of a release must all be from the same source and have the
same quality/cbr-bitrate/vbr-setting/encoder/setting (Exception: FLASH
releases and WEB with screenshots of purchase; these sources have
repeatedly been shown to contain files created by multiple encoders).
Taking tracks from other sources to release yourself is strictly
forbidden. This prohibition explicitly includes non-purchased lossless
sources; if you donÆt have access to the original media, then don't
bother releasing it as you canÆt release a fix if needed, and thatÆs
not acceptable.
1.05.Every scene releases must be allowed to be spread on scene sites and
to get indexed in dupechecks. Groups that dont allow their affils to
spread the releases are allowed to be duped without nuke.It is
however not allowed to repackage the original site-restricted invalid
release and claim it as yours.
1.06.Self-made(*) is not allowed.
*=A self-made is when you select tracks from various different sources
and release them as new.
2.00.TECHNICAL STANDARDS:
2.01.For ALL sources which need encoding you should use LAME v3.99.5 with
preset V0 ("-V0") only, because encoding with older versions of LAME do
not result in the best quality possible. However, if you choose to
encode with an inferior version of LAME, then you must use LAME v3.98.4
with preset V0 ("-V0") (not recommended).
2.02.A proper LAME header is required for retail mediums.
Example:
http://gabriel.mp3-tech.org/mp3infotag.html
2.03.The source sampling rate must either be of 44.1KHz or 48KHz and no
upsampling or downsampling is allowed.
2.04.ID3 headers shall have no images inserted in them.
2.05.All MP3 files need both an ID3 v1.1 and v2 tags. ID3 tags must
include the Artist, the Title and the Album. It is not allowed to use
"VA" as the Artist name, except for one track mixes. The fields "Year",
"Genre" and "Tracknumber" must also be filled but a release may not
be nuked if those are filled incorrectly.
2.06.Multi channel audio is not allowed and you need to downmix the source
tracks to stereo (2 channels). It is good form, but not required, to
give some details about the downmixing process in the releaseÆs .NFO.
Groups are encouraged to release AC3 multichannel rips as INTs where
there is a compelling musical interest to do so (for example, 5.1 mixed
versions of albums from the Flaming Lips, Beatles, Meat Beat Manifesto
or the live 5.1 mix from NINÆs Beside You In Time Blu-ray).
3.00.HOW TO PACKAGE:
3.01.Both an .SFV and an .NFO file are required for every release.
3.02.Maximum directory+filename-length is 255 characters.
3.03.Allowed characters are a-z A-Z 0-9 _ . - ()
3.04.Directory name must, at minimum, contain:
Artist - Title - Source - Published Year
3.05.Directory names can contain:
Artist - Title - Special(*) - Additional Comments (**) - Cat Nr -
Source(***) - Language - Radio Station - Published Year - Group
*=ADVANCE, AUDIOBOOK, BONUS, BONUS_TRACK, BOOTLEG, CLEAN, CUE_FIX, DEMO,
DELUXE, DIRFIX, EDITION, EXTRA, FANCLUB, LIMITED, LIVE, MAG, MAXI,
NFOFIX, PROMO, PROPER, PROOFFIX, READ_NFO, REISSUE, REMASTERED,
REPACK, RERIP, RETAIL, SPLIT, SAMPLER, SNIPPET, TRACKFIX. This list
is not exclusive.
**=Any extra information about the release.
You can only use ONE Source per directory name.
Examples:
AC-DC-Blackout_Evolution-RETAIL-CD-2015-GROUP
AC_DC-Blackout_Evolution-CDS-2015-GROUP2
AC_DC-Blackout_Evolution-SAT-2015-GROUP3
AC_DC-Blackout_Evolution-PROMO-CDR-2015-GROUP4
AC_DC-Blackout_Evolution-PROMO-EXTRA-K7-2015-GROUP5
***=AM, AUD, BD, BDR, BONUS_CD, CABLE, CD, CDA, CDEP, CDM, CDR, CDS, DAB,
DAT, DLC, DVBC, DVBS, DVBT, DVD, DVDA, DVDR, DVDS, FLASH, FM, HDDVD,
HDDVDR, K7, LINE, LP, MCD, MD, MLP, SACD, SAT, SBD, TAPE, VINYL, VLS,
VL, WEB (See 11.0).
3.06.If any extra packaged material that came bundled with any medium
is released it should be released as is and untouched, unless it is a
lossless music format, in which case it must be encoded using the
official standard. Extra packaged material must be tagged as either
-BONUS-, -EXTRA- or -DLC-, be compressed in .RAR and contain a .SFV.
3.07.All bootleg(*) and mixtape releases must be tagged as -BOOTLEG-.
*=A bootleg recording is any medium that was not officially released by
the person/company owning the rights to do so. Bootlegs in the classic
sense of being recorded live at a concert need a