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Chessmachine - Live in Los Angeles
Title : Live in Los Angeles
Artist : Chessmachine
Genre : Electronic
Year : 2005
BCC Rel Date : Nov-12-2005
Audio Bitrate : VBR kbps / Joint
Sample Rate : 44.1 kHz Stereo
Encoder : Lame
Tracks : 01
Label : Line
Ripped By : BCC Team
Source : CDDA
Length : 41:49 min
Size : 61,1 MB
01.live in los angeles [41:49]
-------
41:49 min
CHESSMACHINE is a collaborative art project
conceived by Richard Chartier (USA) and Ivan
Pavlov/COH (RUS). Geographical distance between
the two defines the shape of the collaboration
which is reminiscent of the distant chess games
from the past, when the players would exchange
their chess-moves using mail [some of these used
to take decades to complete]. In similar manner,
over two years the two players in this "game" have
been exchanging their music pieces or "moves,"
delivered by air mail, each trying to convey their
strategy to the opponent. After 16 moves the first
game was considered finished and the result
presented as a CD release on Mutek_Rec in
conjunction with the world premiere performance of
CHESSMACHINE live at the 5th annual edition of
noted electronic sound and technology MUTEK
(Montreal, Canada) to great audience and critical
response making it one on the most talked about
events at the festival.
A certain humor shapes the conceptual dialectics
of the CHESSMACHINE live experience. Their
interplay suggests the historical confrontation of
East and West; an austere and chilling tete-a-tete
over the chessboard that reconstructs the somber
milieu of a bygone Europe, even as it conveys a
kind of absurdist levity through the rehearsed
performance of these roles. The use of MAC and PC
computer operating systems by Chartier and Pavlov,
respectively, becomes the late-20th century
manifestation of classic Cold War combatants.
Through their engagement, a process of sonic and
aesthetic displacement unfolds, such that one
player's strategic manipulation of sound begins
slowly to affect and then determinatively shape
the compositional technique of the other.
CHESSMACHINE's live performances take place in
real time with color coded staging, uniforms,
lighting, and video projections designed by
Russian-American installation/video artists Evelyn
Domnitch and Dmitry Gelfand.
The CHESSMACHINE project concept was selected by
curators of Transmediale 05 [ Berlin, Germany] to
be presented in their exhibit "Basic Sound" at the
House of World Cultures, February 4-8, 2005. The
second sold out performance of CHESSMACHINE took
place on February 25, 2005 at REDCAT in Los
Angeles, presented by the Los Angeles Museum of
Contemporary Art (MOCA) as part of their Visual
Music: SEE HEAR NOW! series, an experimental music
series investigating the synaesthetic resonance
between contemporary music and visual art, and in
conjunction with their exhibit Visual Music.
A special limited edition live recording of the
Los Angeles performance was released in September
2005 on LINE [ US ].
http://www.3particles.com/chessmachine/
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