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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Bill Callahan
Title | Shepherd In A Sheepskin Vest
Genre | Indie Format | Album
Source | CD Time | 63:35
Label | Drag City Store | 2019
Catalog | DC747CD Rip | 2019
Bitrate | 690 kbps Size | 332.73 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Shepherd's Welcome 2:22
02. Black Dog On The Beach 2:30
03. Angela 2:47
04. The Ballad Of The Hulk 4:04
05. Writing 3:06
06. Morning Is My Godmother 2:10
07. 747 3:26
08. Watch Me Get Married 3:10
09. Young Icarus 2:48
10. Released 2:22
11. What Comes After Certainty 3:42
12. Confederate Jasmine 3:40
13. Call Me Anything 2:26
14. Son Of The Sea 4:13
15. Camels 2:59
16. Circles 2:28
17. When We Let Go 2:17
18. Lonesome Valley 4:16
19. Tugboats And Tumbleweeds 4:12
20. The Beast 4:37
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
After releasing a string of critically acclaimed albums as Smog,
singer/songwriter Bill Callahan began making music under his own name in
2007. The switch reflected how much richer and deeper his music had become
over the years, both literally and figuratively: His songwriting, which
used the imagery of the American West in thoughtful yet rugged ways that
spoke to the present as well as the past, had become increasingly
contemplative, while the drawl he used to deliver them had grown lower and
slower over the years.
Callahan packed a lot of living into the years between "Dream River" and
"Shepherd In A Sheepskin Vest": He married in 2014, welcomed a son in 2015,
and lost his mother in 2018. These experiences couldn't help but inform his
music, and on his fifth solo album, he sounds like he's rediscovered the
wonders of life (and death) and is primed to share them in a way that feels
new to his lengthy career. Though "Shepherd" is over an hour long, its
songs are on a smaller, and more personal, scale than any of Callahan's
previous work - instead of panoramas, they're family snapshots.
These shorter tracks may or may not reflect how he balances being a
husband, father, and artist (though "Writing" and "Morning Is My Godmother"
sing the praises of sacred creative times), but they bring a riveting
directness to his music. Reflecting the growing wisdom of his songwriting,
Callahan begins the album by casting off the people and ideas that no
longer belong in his life. On the smoky, three-minute long "Angela," he
says a final goodbye to the kind of star-crossed relationship that, earlier
in his career, might have inspired an entire album. On "The Ballad of the
Hulk," he bids farewell to the suppressed anger and toxic masculinity of
his 'Bill Bixby days'.
From there, he marvels at the simplicity and complexity of life and death
with a refreshing and thought-provoking lightness. These songs float with a
free-flowing ease, turning what could be midlife crises into opportunities
to grow and reflect. Callahan's gentle musings on the nature of true love
on "What Comes After Certainty" find him at his most literal and most
spiritual (and, on asides like 'I got the woman of my dreams/And an
imitation Eames', at his wittiest).
Meanwhile, his reflections on his mother's death on "Circles" and loss in
general on "When We Let Go" reveal how the philosophical nature of his
music has ripened over the years in aching yet graceful ways. On each of
"Shepherd In A Sheepskin Vest" songs, Callahan does a masterful and moving
job of marrying real-life glimpses with storytelling on a grander level
that brings out the essential truths of both. He grounds the album's music
in allusions to Lead Belly ('Shepherd's Welcome') and the Carter Family
('Lonesome ValleyΣ), includes Icarus and the Four Horsemen of the
Apocalypse in its cast of characters along with his wife and son, and
envisions the cosmos among his wedding guests on "Watch Me Get Married".
Most of all, the album's songs are connected by joy, whether it's the
bustling domesticity of "Son Of The Sea," the existential gratitude of
"Call Me Anything" or the chance to tell his son when to wander and when to
put down roots on the charming "Tugboats and Tumbleweeds." Unassuming yet
frequently profound, Shepherd in a Sheepskin Vest is a gorgeous and
much-needed return from an artist whose powers have only grown during the
time he spent living his life.
Proper for: Bill_Callahan-Shepherd_In_A_Sheepskin_Vest-CD-FLAC-2019-FAiNT
which has skips on some tracks.
┌────────┐
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└────────┘