Bill_Callahan-Apocalypse-CD-FLAC-2011-THEVOiD

Section
MP3/FLAC
Group
THEVOiD
Size
212,95 MB
Files
11
Date
2019-12-07

NFO

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▀▀▀▀▀     ▀▀     ▀▀▀      █████   █▓▓▓█  ███▀▀▀▀▀   ▀      DRIFT INTO THE VOID
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ █████▄▄████▀▀      ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀
                          ██████▀▀
    ┌────────┐            ██▀▀
────┤ Info   ├─────────────────────────────────────────────────────────────────
    └────────┘

     Artist  | Bill Callahan
     Title   | Apocalypse

     Genre   | Indie                                Format  | Album
     Source  | CD                                   Time    | 40:23

     Label   | Drag City                            Store   | 2011
     Catalog | DC450CD                              Rip     | 2019

     Bitrate | 744 kbps                             Size    | 222.94 MB
     Freq    | 44.1 kHz                             Encoder | FLAC 1.3.1

    ┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
    └────────┘

     01. Drover                                                      5:24
     02. Baby's Breath                                               5:30
     03. America!                                                    5:33
     04. Universal Applicant                                         5:53
     05. Riding For The Feeling                                      6:05
     06. Free's                                                      3:13
     07. One Fine Morning                                            8:45

    ┌────────┐
────┤ Notes  ├─────────────────────────────────────────────────────────────────
    └────────┘

     After releasing a string of critically acclaimed albums as Smog,
     singer/songwriter Bill Callahan began making music under his own name in
     2007. The switch reflected how much richer and deeper his music had become
     over the years, both literally and figuratively: His songwriting, which
     used the imagery of the American West in thoughtful yet rugged ways that
     spoke to the present as well as the past, had become increasingly
     contemplative, while the drawl he used to deliver them had grown lower and
     slower over the years.

     Those looking for a logical musical follow-up to Callahan's surprisingly
     accessible "Sometimes I Wish I Were An Eagle" from 2009 might scratch their
     heads at the sound on "Apocalypse". The musical reference point in his
     catalog is, perhaps, "A River Ain't Too Much To Love", under the Smog
     moniker. It's not that this recording resembles that one musically, so much
     as it employs outsider takes on American roots traditions to get its seven
     songs across. "Apocalypse" is a song cycle that places the usually
     extremely inward-looking Callahan in the unlikely role of observer and
     interpreter of various American myths.

     Myths both externally held and culturally self-referential, that inform the
     interior world of the protagonist. Recorded and mixed in Texas and adorned
     by Paul Ryan's iconic painting "Apocalypse" at Mule Ears Peak, Big Bend
     National Park in West Texas, the album portrays America in all its
     complexity from the vantage point of an empathic yet wryly humorous
     narrator. On album-opener "Drover," Callahan plays a minor-key, two-chord
     vamp on a nylon-string guitar, offering a fragmented narrative on a cattle
     drive. Backed by a full-on rock band led by Matt Kinsey's reverb-laden
     electric guitar, and colored by Gordon Butler's fiddle, it begs the
     question: do these cattle actually exist or are they metaphorical elements
     in the protagonist's psyche?

     The chorus is the hint as it introduces a lovely second melody and turns
     the song back on the listener as Callahan sings: 'One thing about this
     wild, wild country/It takes a strong, strong it breaks a strong, strong
     mind'. "Baby's Breath" is more fractured and rockist, with a taut balance
     of acoustic and knife-edged electric guitars populating the musical space.
     Callahan's protagonist found the right place, the right woman, and lost the
     latter. He has questions but no answers. "America" is the set's hinge
     piece. A repetitive, electric, pulsing, hypontic distorted blues a la R.L.
     Burnside - that examines America's mythical past and its tarnished present.

     Callahan name checks songwriting heroes - Kris Kristofferson, Mickey
     Newbury, George Jones, and Johnny Cash - by their actual ranks and branches
     in the armed forces while admitting he's never served, as if that might be
     the problem; then amid the din to make things more complex, he names our
     greatest national failures and dirty conquests. The album's most melodic
     and utterly beautiful song is the confessional waltz "Riding for the
     Feeling," with glistening electric piano and Wurlitzer played by Jonathan
     Meiburg.

     Closer "One Fine Morning" is a nearly nine-minute, lilting ballad that
     turns on a couple of chords, some pastoral yet jarring lyrics, and a gospel
     piano atop strummed guitars, which transmute the listener to another place
     and time. "Apocalypse" is a deceptively complex gem.

    ┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
    └────────┘

Files

PathSize
00-bill_callahan-apocalypse-cd-flac-2011-thevoid.jpg332,54 KB
00-bill_callahan-apocalypse-cd-flac-2011-thevoid.m3u304 B
00-bill_callahan-apocalypse-cd-flac-2011-thevoid.nfo10,01 KB
00-bill_callahan-apocalypse-cd-flac-2011-thevoid.sfv374 B
01-bill_callahan-drover-thevoid.flac31,46 MB
02-bill_callahan-babys_breath-thevoid.flac26,30 MB
03-bill_callahan-america-thevoid.flac29,51 MB
04-bill_callahan-universal_applicant-thevoid.flac31,82 MB
05-bill_callahan-riding_for_the_feeling-thevoid.flac31,48 MB
06-bill_callahan-frees-thevoid.flac19,23 MB
07-bill_callahan-one_fine_morning-thevoid.flac42,82 MB