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────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Chrissie Hynde with The Valve Bone Woe Ensemble
Title | Valve Bone Woe
Genre | Jazz Format | Album
Source | CD Time | 65:56
Label | BMG Store | 2019
Catalog | 538504482 Rip | 2019
Bitrate | 853 kbps Size | 422.70 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. How Glad I Am 4:38
02. Caroline, No 4:53
03. I'm A Fool To Want You 5:57
04. I Get Along Without You Very Well (Except Sometimes) 2:59
05. Meditiation On A Pair Of Wirecutters 3:20
06. Once I Loved 4:18
07. Wild Is The Wind 5:46
08. You Don't Know What Love Is 4:49
09. River Man 4:37
10. Absent Minded Me 5:51
11. Naima 5:20
12. Hello, Young Lovers 4:29
13. No Return 4:17
14. Que Reste-T-Il De Nos Amours 4:42
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Separating Chrissie Hynde from The Pretenders is an impossibility.
From the start, Hynde was the undisputed leader of the band - its
lead singer and songwriter, its heart and soul - but as the group
started to lose members to a variety of tragedies, her name and face
became synonymous with the group, the one constant over the decades.
She'd occasionally step outside of the confines of the band - she
sang with UB40 on a pair of hit covers in the 80's - but The
Pretenders were her calling. It wasn't until the new millennium when
she started to toy with the idea of a solo album, first with the
2010 collaboration with JP Jones called "Fidelity" and then with
2014's "Stockholm", her official solo debut.
The notion of Hynde recording a jazz album initially seems odd, even
incongruous. Hynde admitted as much in the promotional cycle for the
release of "Valve Bone Woe" in 2019, calling herself a 'devout rock
singer', but revealing that the idea of a jazz album appealed to her
because she has a 'penchant for cover songs'. That much is true.
Ever since the first Pretenders album, she's managed to sneak other
people's songs into LPs and set lists, but "Valve Bone Woe" is her
first collection primarily devoted to covers. If its existence is a
bit of a surprise, it is, perhaps, less of a shock that "Valve Bone
Woe" isn't strictly jazz.
Hynde weaves covers of the Beach Boys ('Caroline, No'), Nick Drake
('River Man'), and The Kinks ('No Return') among versions of songs
by Frank Sinatra ('Hello, Young Lovers'), John Coltrane ('Naima'),
and Charles Mingus ('Meditation On A Pair Of Wire Cutter'). Hynde's
throughlines are strong melodies and warm arrangements that evoke
the height of mid-20th century sophistication. Most of "Valve Bone
Woe" sways to a soft, gentle beat and is dressed in elegant strings,
keyboards, and other jazzy accouterments, but beneath this lush
exterior lies some modern flair.
Hints of studio trickery are peppered throughout the record, most
evident in elongated electronic echoes, and far from seeming out of
place, they lend the album a certain sense of hipness; Hynde isn't
shutting out the modern world, she's ushering the past into the
present. The vibe is appealing and so is Hynde's performance.
Unhurried and nuanced, she eases herself into songs she clearly
loves, and that sense of warmth lingers long after the album's last
notes fade away.
┌────────┐
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└────────┘