Bobby_Hebb-Thats_All_I_Wanna_Know-(Digipack-Import)-2005-OSC

Section
MP3/FLAC
Group
OSC
Size
56,78 MB
Files
13
Date
2006-03-10

NFO

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                                Presents:

                 Bobby Hebb - That's All I Wanna Know


            RiPPER..: Billy Cristal       GENRE......: R&B
            LABEL...: Tuition             SCENE DATE.: 03/10/2006
            bITRATE.: VBR/44,1Hz          STORE DATE.: 11/04/2005
            ENCODER.: Lame 3.903 APS      TRACKS.....: 13
            SiZE....: 56,8 MB             SOURCE.....: CDDA


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         - TRACKLIST

         01      Different Strokes                           02:36
         02      Cold Cold Night                             03:22
         03      A Satisfied Mind                            02:42
         04      Proud Woman                                 03:25
         05      Sunny (Duet with Astrid North)              03:34
         06      When Love Goes Wrong                        02:57
         07      Were Gonna Make it                          03:10
         08      Cold Cold Heart                             02:19
         09      Bound by Love                               03:22
         10      Willow Tree                                 02:43
         11      Dont Tear Me Down                           02:44
         12      Thats All I Wanna Know                      03:50
         13      Love Love Love                              04:07

                                             Total Playtime: 40:51

         - NOTES

         Die Entscheidung fⁿr das dritte eigene Album seit 1970 hat
         Rⁿdiger Ladwig dem Kⁿnstler abgenommen. Der Deutsche hatte
         bereits zwei Compilation-CDs mit Coveraufnahmen von Hebbs
         gr÷▀tem äSunnyô ver÷ffentlicht. Nun war es an der Zeit,
         den 66-JΣhrigen wieder ins Studio zu holen und seine alten
         Hits neu aufzunehmen.

         An seinen kⁿrzlich verstorbenen Freund Lou Rawls zollt
         Hebb mit dem Remake von äWhen Love Goes Wrongô Tribut.
         Hier holt die Musiker aus dem Versteck, verlangt Tempo und
         lΣsst sich zugleich ausreichend Zeit, jede Note bis zum
         letzten Ton auszuartikulieren. Welche 40 Jahre er bereits
         hinter sich hat, Jahre in denen er selbst nur zwei Alben
         unter seinem Namen ver÷ffentlichte, dafⁿr aber etliche
         Songs fⁿr andere Kⁿnstler schrieb, zeigt äSatisfied Mindô.
         Soviel Weisheit im Text, in der Stimme und im vorweislich
         funkigem Arrangement schafft sonst kein noch so
         engagierter Neo-Souler.

         Hebbs Musik ist generell schwer zu fassen. Er ist
         eindeutig dem Soul verschrieben, bedient sich instrumental
         aber gerne beim Jazz (Bound By Love) und besitzt die
         Ausdruckskraft eines wahren Blueser.

         Mittendrin versteckt, aber eigentlich ein Highlight des
         Albums ist die Neuaufnahme von äSunnyô. 1963 schrieb Hebb
         den Song als Reaktion auf den Tod Kennedys und die fast
         zeitgleiche Ermordung seines Bruders Harold. Damals noch
         im Alleingang, hat er das Lied nun mit Astrid North
         aufgenommen. Die SΣngerin von Bands wie Cultured Pearls
         und Soulounge ⁿbernimmt im Wechsel Strophen des Originals,
         Bobby verbⁿndet sich mit Ihr im Refrain und beide lassen
         den BlΣsern ihr minutenlanges Solo.

         äThat┤s All I Wanna Knowö ist mehr als eine Sammlung neu
         aufgenommener Hits. Die CD prΣsentiert das umfangreiche
         Werk Hebbs, seines Zeichens SΣnger UND Songwriter.

         *

         About Bobby Hebb:

         Bobby Hebb made his stage debut on his third birthday,
         July 26, 1941, when tap dancer Hal Hebb introduced his
         little brother to show business at The Bijou Theater. This
         was an appearance on The Jerry Jackson Revue of 1942 even
         though it was 1941, "that was how Jerry, a big man in
         vaudeville in the '30s, '40s, and '50s, did things" noted
         the singer. Harold Hebb was nine years of age at the time
         and the young brothers worked quite a few nightclubs
         before Bobby Hebb entered first grade. Nashville
         establishments like The Hollywood Palm, Eva Thompson Jones
         Dance Studio, The Paradise Club, and the basement bar in
         Prentice Alley as well as the aforementioned Bijou Theater
         found Bobby and Hal dancing and singing tunes like "Lady
         B. Good," "Let's Do the Boogie Woogie," "Lay That Pistol
         Down Babe," and other titles that were popular at that
         time. Hebb's father, William Hebb, played trombone and
         guitar, his mother, Ovalla Hebb, played piano and guitar,
         while his grandfather was a chef/cook on the Dixie Flyer,
         an express train on the L&N -- Louisville & Nashville
         railroad. Brother Harold Hebb would eventually join
         Excello recording artists the Marigolds, documented in Jay
         Warner's biography of singer Johnny Bragg, the book Just
         Walkin' in the Rain; while Bobby Hebb, with so much
         musical influence and inspiration, would go on to pen
         hundreds upon hundreds of tunes, among them, BMI's number
         25 most played song on their website in 2000, the classic
         "Sunny."

         Georgie Fame and Cher, charted with the title in England,
         but it was the Bobby Hebb original which reached the
         highest on charts in Europe and America. Covers by Frank
         Sinatra with Duke Ellington, Ella Fitzgerald, Stevie
         Wonder, Frankie Valli, Nancy Wilson, the Four Tops, Wilson
         Pickett, Dusty Springfield, and so many others, insured
         the song would reach audiences outside of those who heard
         and continue to hear it on Top 40 and "oldies" stations.
         But the song reached out beyond Top 40, climbing the
         country and R&B charts as well. Kal Rudman calls this a
         rare industry "hat trick" in the liner notes on the 1966
         Phillips' album, but what no one could predict is how the
         song would find versions by Boney M. and Yambu bringing it
         to dance clubs, while jazz musicians explored the nuances
         of this amazing composition in their world. Hebb himself,
         in 2001, has performed the title with the Kubato Power
         Jazz Unit and Michael Shea Trio, the latter band featuring
         Thomas Hebb, Bobby's nephew, on bass. Noted author James
         Isaacs, whose liner note essays appear in some of the
         Sinatra boxed sets, provided a list of jazz musicians who
         have covered Hebb's signature tune: guitarist Pat Martino,
         singers Ernestine Anderson, Bill Henderson, Anita O'Day,
         organist Joey DeFrancesco, drummer Don Houge, pianists Joe
         Bonner and Hampton Hawes, trumpeter/flugelhornist Marvin
         Stamm, alto saxophonist Sonny Criss, and guitarist Stanley
         Jordan, among others.

         Bobby Hebb's influence goes far beyond "Sunny." When he
         joined Roy Acuff's Smokey Mountain Boys around 1952 in
         Nashville, he was one of the first African American
         artists to perform on The Grand Ole Opry before Charley
         Pride. Hebb moved to Chicago in 1954: "I wanted to play
         some music, and I wanted to advance my career, I didn't
         find the jazz I was looking for, but I ran into a lot of
         blues...I worked with Bo Diddley, maybe on an early Ellis
         McDaniels album." The song was "Diddly Diddly Diddly
         Daddy" with the Moonglows and Little Walter, recorded at
         Leonard Chess' studio in the back of his record shop on
         Cottage Grove Ave, "Leonard was the engineer," Hebb noted
         while telling this part of his rich history.

         Hebb joined the navy in 1955, playing the trumpet: "I
         learned West Coast jazz in the navy." The navy band was
         the USS Pine Island Pirates and they played "the whole
         time we were on board," including Hong Kong, performing
         for Madame Chiang Kai-shek (Sooong Mel-llng) at an event.
         The band got to meet Chiang Kai-shek as well.

         Around 1958 Bobby Hebb tracked "Night Train to Memphis," a
         song written by Owen Bradley for Roy Acuff's Smokey
         Mountain Boys. The tune was re-released in 1998 on a
         Warner Bros. box set, From Where I Stand, which also
         included "A Satisfied Mind" from the 1966 Sunny album.
         After that Hebb worked with Dr. John and left Nashville
         for New York. Disc jockey John "R" Richbourg, owner of
         Rich Records, which had released "Night Train to Memphis,"
         got Hebb a gig at Sylvia Robinson's Blue Morocco Club. "I
         went for two weeks and stayed two years. The first two
         weeks I opened up with a Bobby Blue Bland song "Farther on
         Up the Road." The band playing behind me was Jimmy Castor,
         later on Bernard Purdie had just come to New York from
         Baltimore with Jewel Page." Hebb eventually replaced
         Mickey in Sylvia Robinson's group Mickey & Sylvia, who
         originally hit with "Love Is Strange." The duo became
         Bobby & Sylvia after Mickey left for Paris.

         After Bobby & Sylvia, Hebb was represented by Buster
         Newman, the man who "got "Sunny" happening in a lot of
         different ways." All the publishers they went to turned
         the song down! Newman's partner was Lloyd Greenfield, who
         managed Tom Jones and Engelbert Humperdinck, adding to his
         roster Bobby Hebb. While other groups in 1966 like Remains
         and the Ronnie Spector-less Ronettes opened for the
         Beatles, Bobby Hebb was headlining the tour with the
         Beatles, a fact that seems to have gotten lost in the
         overwhelming history of the Fab Four. After this, Hebb met
         comedian/composer Sandy Baron and the two got busy writing
         a Broadway show that never made it to Broadway. However,
         two of the songs -- "A Natural Man" and a tune they were
         writing about Marvin Gaye, "His Song Shall Be Sung" --
         were picked up by Lou Rawls and released on MGM. "A
         Natural Man" the pair had actually rejected from their
         Broadway play. The original title of the song was "Natural
         Resource," but they doctored it up and gave it a different
         groove after Sandy Baron got Rawls interested in what
         became a huge hit for him. In 2001, the song will be the
         title track of a best-of Universal released on Lou Rawls.
         Sadly, Baron passed away in 2001, the year that saw the
         release of Roof Music's 16-track compilation of artists
         covering "Sunny," and interest in Europe for the song and
         the man who wrote and sang the definitive version. On July
         28, 2001, two days after Hebb's 63rd birthday, this writer
         phoned Bernard Purdie at The House of Blues in Cambridge,
         MA, where Pretty Purdie was performing that night with
         Masters of Groove and for the first time in over three
         decades, Bobby Hebb and Bernard Purdie spoke on the phone
         and got to see each other at the show that evening. Bobby
         Hebb performed in June of 2001 at the opening of the
         Martini & Rossi 100 Years photo exhibit in Boston, shortly
         after graduating mini-med school.

         -- Joe Viglione (AMG)

         *

         Another Quality Release from OSC!!

         Enjoy!!


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       ▀               ▀▀  .  ░▓█▄█▀▀ █▓▒░▓█ ▀▀  ▀   ░▀ .     ▀▄
                           ░█   ██▄▄██▄▀▄▄▀▄█▀▀▄ ▄▓▄
                            ░▀▄▀▄▀█▓█▓░██▀█▓▒░ ░█ ▀
                               ░   ▀▄▄▀▄█▀█▀▄▄▄▀
                                      ██▓▒░█░
                                      ▀██▓▄▀
                                        ▀▀
         -NEWS


         OSC is still holding it down after more than 2 years in
         tha scene. Our dedication to bringing you the best in
         ol skool classics is, and always will be, our driving
         force. Quality over quantity.

         "It's all about the music, fuck the other ish." - OSC

         Because of this motto we strive to continue bringing you
         releases in the highest possible quality, whether it be
         urban, house, latin or any other genre.






                     ASCII BY CACIQ^ACL #ascii.cl

Files

PathSize
01-bobby_hebb-different_strokes-osc.mp33,64 MB
02-bobby_hebb-cold_cold_night-osc.mp34,76 MB
03-bobby_hebb-a_satisfied_mind-osc.mp33,72 MB
04-bobby_hebb-proud_woman-osc.mp34,53 MB
05-bobby_hebb-sunny_(duet_with_astrid_north)-osc.mp35,18 MB
06-bobby_hebb-when_love_goes_wrong-osc.mp34,06 MB
07-bobby_hebb-were_gonna_make_it-osc.mp34,07 MB
08-bobby_hebb-cold_cold_heart-osc.mp33,13 MB
09-bobby_hebb-bound_by_love-osc.mp35,08 MB
10-bobby_hebb-willow_tree-osc.mp33,90 MB
11-bobby_hebb-dont_tear_me_down-osc.mp33,91 MB
12-bobby_hebb-thats_all_i_wanna_know-osc.mp35,00 MB
13-bobby_hebb-love_love_love-osc.mp35,82 MB