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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Grateful Dead
Title | Ready Or Not
Genre | Psychedelic Rock Format | Album
Source | CD Time | 79:47
Label | Rhino Records Store | 2019
Catalog | R2 596008 Rip | 2019
Bitrate | 797 kbps Size | 478.54 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Liberty (Madison Square Garden, New York, NY, 10/14/1994) 6:16
02. Eternity (The Pyramid, Memphis, TN, 4/2/1995) 10:12
03. Lazy River Road (Dean Smith Center, University of North 6:55
Carolina, Chapel Hill, NC 3/25/1993)
04. Samba In The Rain (The Omni, Atlanta, GA, 3/30/1995) 6:46
05. So Many Roads (Star Lake Amphitheatre, Burgettstown, PA, 7:36
6/23/1992)
06. Way To Go Home (Deer Creek Music Center, Noblesville, IN, 6:05
6/28/1992)
07. Corrina (Madison Square Garden, New York, NY, 10/14/1994) 15:29
08. Easy Answers (Spectrum, Philadelphia, PA, 9/13/1993) 7:02
09. Days Between (Oakland-Alameda County Coliseum, Oakland, 13:26
CA, 12/11/1994)
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Rock's longest, strangest trip, the Grateful Dead were the psychedelic
era's most beloved musical ambassadors as well as its most enduring
survivors, spreading their message of peace, love, and mind expansion
across the globe throughout the better part of three decades. The object of
adoration for popular music's most fervent and celebrated fan following -
the Deadheads, their numbers and devotion legendary in their own right -
they were the ultimate cult band, creating a self-styled universe all their
own; for the better part of their career orbiting well outside of the
mainstream, the Dead became superstars solely on their own terms, tie-dyed
pied pipers whose epic, free-form live shows were rites of passage for an
extended family of listeners who knew no cultural boundaries.
A perennial live experience, the Grateful Dead's studio output was usually
overshadowed by their legendary endless touring and the multitudes of live
recordings it produced. After a prolific '70s, their studio output slowed
dramatically during the '80s. The band focused on touring, with their final
studio album, Built to Last, coming out seven years before Jerry Garcia's
death in 1995. The Dead hadn't completely disavowed the studio, however,
and were introducing new songs into their live repertoire throughout the
early '90s.
Ready or Not collects select concert performances of nine songs the group
were workshopping for what would have been their 14th studio album. Played
only a handful of times in 1992 and 1993, the material falls into the
classic, drifting sway of live Grateful Dead meandering but holds glimpses
of the core songwriting strengths the band built their empire on. The
reflective mid-tempo composition "So Many Roads" is perhaps the best
example of this. The dusty and nostalgic tune could fit in almost anywhere
in the group's discography, with this seven-plus-minute version making
plenty of space for Garcia's signature guitar soloing.
"Eternity" is a more boogie-oriented number, but the wiggly and mystical
Bob Weir-led song could also fit in as a bonus cut on Wake of the Flood or
Terrapin Station. Some of the material suffers from the band's cornier
early-'90s tendencies. "Way to Go Home" is a tedious would-be rave-up that
never really gets off the ground, and the faux horns and late-night talk
show groove of "Easy Answers" didn't age well. The good coming hand in hand
with the bad is just part of the unspoken contract fans make with the
Grateful Dead, however. Around the corner from every dud is a beautiful
moment like "Days Between."
Ready or Not indeed offers a glimpse of what another studio album from what
turned out to be the group's later phase would have sounded like, only with
the buffer of comfort that comes from them working out the songs on-stage.
It's a document not quite like any of the Dead's hundreds of other archival
releases, zeroing in on unfamiliar and exciting material. There's a
bittersweetness in knowing that this is as much of an idea as we'll ever
get for what was next on the agenda for the band when their time ran out.
┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
└────────┘