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▀▄ John Lennon And The Plastic Ono Band - Sometime In New York City ▄▀
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▀ ▄▄ ████▀ Date :::::::::::::::::::::::: 12/17/2005 ▀████ ▄▄ ▀
▄██▓▒▌▀ ▄▄▓ Ripper :::::::::::::::::::::: Big J Diezel ▓▄▄ ▀▐▓▓██▄
▄▄ ▀█▀▄▀▓▀ Genre ::::::::::::::::::::::: Rock ▀▓▀▄█▀▀ ▄▄
▄▄▀▒■ ▄▀ Label ::::::::::::::::::::::: Capitol Records ▄▀ ■▒ ▄▄
▐▓▓▀ ■ ▀▄ Size :::::::::::::::::::::::: 103,8 MB ▀ ▀▒▓▌
▄█▄ Bitrate ::::::::::::::::::::: VBR/44.1 ▄█▄
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▐█▓▓ ▄▓▄ ▀▓▓▄▄▄▄ Another quality release ▄▄▄▄▓▓▀ ▄▓▄ ▓▓█▌
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▐█▓▌ ▓▓▓▌ ▀▀▀█ R E L E A S E N O T E S █▀▀▀ ▐▓▓▓ ▐▓█▌
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If John Lennon had only been one of the four members
of the Beatles, his artistic immortality would already
have been assured. The so-called "smart Beatle," he
brought a penetrating intelligence and a stinging wit
both to the band's music and its self-presentation.
But in such songs as "Strawberry Fields Forever,"
"Norwegian Wood (This Bird Has Flown)," "Rain" and "In
My Life," he also marshaled gorgeous melodies to evoke
a sophisticated, dreamlike world-weariness well beyond
his years. Such work suggested not merely a profound
musical and literary sensibility - a genius, in short
-- but a vision of life that was simultaneously
reflective, utopian and poignantly realistic.
While in the Beatles, Lennon displayed an
outspokenness that immersed the band in controversy
and helped redefine the rules of acceptable behavior
for rock stars. He famously remarked in 1965 that the
Beatles were "more popular than Jesus" - a statement
that was more an observation than a boast, but that
resulted in the band's records being burned and
removed from radio station playlists in the U.S. He
criticized America's involvement in Vietnam, and, as
the Sixties progressed, he became an increasingly
important symbol of the burgeoning counterculture.
But it was only after the breakup of the Beatles in
1970 that the figure the world now recognizes as "John
Lennon" truly came into being. Whether he was engaging
in social activism; giving long, passionate interviews
that, once again, broadened the nature of public
discourse for artists; defining a new life as a
self-described "househusband;" or writing and
recording songs, Lennon came to view his life as a
work of art in which every act shimmered with
potential meaning for the world at large. It was a
Messianic attitude, to be sure, but one that was
tempered by an innate inclusiveness and generosity. If
he saw himself as larger than life, he also yearned
for a world in which his ego managed at once to absorb
everyone else and dissolve all differences among
people, leaving a Zen-like tranquility and calm. "You
may say I'm a dreamer, but I'm not the only one," he
sang in "Imagine," which has become his best-known
song and an international anthem of peace. "I hope
someday you'll join us, and the world will live as
one."
Such imagery, coupled with the tragedy of his murder
in 1980, has often led to Lennon's being
sentimentalized as a gentle prince of peace gazing off
into the distance at an Eden only he could see. In
fact, he was a far more complex and difficult person,
which, in part, accounts for the world's endless
fascination with him. Plastic Ono Band (1970), the
first solo album he made after leaving the Beatles,
alternates songs that are so emotionally raw that to
this day they are difficult to listen to with songs of
extraordinary beauty and simplicity. Gripped by his
immersion in primal-scream therapy, which encouraged
its practitioners to re-experience their most profound
psychic injuries, Lennon sought in such songs as
"Mother" and "God" to confront and strip away the
traumas that had afflicted his life since childhood.
And those traumas were considerable. Lennon's mother,
Julia, drifted in and out of his life during his
childhood in Liverpool - he was raised by Julia's
sister Mimi and Mimi's husband, George - and then died
in a car accident when Lennon was seventeen. His
father was similarly absent, essentially walking out
on the family when John was an infant. He disappeared
for good when Lennon was five, only to return after
his son had become famous as a member of the Beatles.
Consequently, Lennon struggled with fears of
abandonment his entire life. When he repeatedly cries,
"Mama, don't go/Daddy come home," in "Mother," it's
less a performance than a scarifying brand of
therapeutic performance art. And in that regard, as
well as many others, it revealed the influence of Yoko
Ono, whom Lennon had married in 1969, leaving his
first wife, Cynthia, and their son Julian in order to
do so.
The minimalist sound of Plastic Ono Band was
significant too. Lennon had come to associate the
elaborate musical arrangements of much of the Beatles'
later work with Paul McCartney and George Martin, and
he consciously set out to purge those elements from
his own work. Co-producing with Ono and the legendary
Phil Spector, he built a sonic environment that could
not have been more basic - guitar, bass, drums, the
occasional piano -- whatever was essential and
absolutely nothing more. Lyrically, he turned away
from the psychedelic flights and Joycean wordplay of
such songs as "I Am the Walrus" and "Lucy in the Sky
With Diamonds" - as well as his books, In His Own
Write and A Spaniard in the Works -- and toward a
style in which unadorned, elemental speech gathered
poetic force through its very directness.
On his next album, Imagine (1971), Lennon felt
confident enough to reintroduce some melodic elements
reminiscent of the Beatles into his songs. Working
again with Ono and Spector, he retains the eloquent
plainspokenness of Plastic Ono Band, but allows
textural elements such as strings, to create more of a
sense of beauty. The album's title track alone ensured
its historical importance; it is a call to idealism
that has provided solace and inspiration at every
moment of social and humanitarian crisis since it was
written.
From there Lennon turned to a style that was a sort of
journalistic agit-prop. Sometime In New York City
(1972) is as outward-looking and blunt as Imagine was,
for the most part, soft-focused and otherworldly. As
its title suggests, the album reflects Lennon's
immersion in the drama and noise of the city to which
he had moved with Yoko Ono. And as its cover art
suggests, the album is something like a newspaper - a
report from the radical frontlines on the political
upheavals of the day. His activism would create
enormous problems for Lennon, however. The Nixon
administration, paranoid about the possibility that a
former Beatle might become a potent leader and
recruiting tool of the anti-war movement, attempted to
have Lennon deported. Years of legal battles ensued
before Lennon finally was awarded his green card in
1976.
Lennon's political struggles unfortunately found their
match in his personal life. He and Ono split up in the
fall of 1973, shortly before the release of his album,
Mind Games. He moved to Los Angeles and later
described the eighteen months he spent separated from
Ono as his "lost weekend," a period of wild indulgence
and artistic drift. Like Mind Games, the albums he
made during this period, Walls and Bridges (1974) and
Rock N Roll (1975), are the expressions of a major
artist seeking, with mixed results, to recover his
voice. None of them lack charm, and their high points
include the lovely title track of Mind Games; Walls
and Bridges' "Whatever Gets You Through the Night," a
rollicking duet with Elton John that gave Lennon his
first number-one single as a solo artist; and the
sweet nostalgia of Rock N Roll, a covers album that
was Lennon's tribute to the musical pioneers of his
youth. But none of those albums rank among his
greatest work.
In 1975, Lennon reunited with Ono, and their son Sean
was born later that year. For the next five years,
Lennon withdrew from public life, and his family
became his focus. Then, in 1980, he and Ono returned
to the studio to work on Double Fantasy, a hymn to
their life together with Sean. The couple was plotting
a full-fledged comeback - doing major interviews to
support the album's release, recording new songs for a
follow-up, planning a tour. Then, shockingly, Lennon
was shot to death outside the apartment building where
he and Ono lived on the night of December 8, 1980.
Lennon's death broke hearts around the world. In the
U.S., it recalled nothing so much as the assassination
of John Kennedy in 1963, an event for which,
ironically, the arrival of the Beatles a few months
later had provided a welcome tonic. In the twenty-five
years since, Lennon's influence and symbolic
importance have only grown. His music, of course, will
live forever. But he has survived primarily as a
restless voice of change and independent thought. He
is an enemy of the status quo, a bundle of
contradictions who insisted on a world in which all
the various elements of his personality could find
free, untrammeled expression. Innumerable times since
his death Lennon has been sorely missed. And just as
many times and more he has been present - evoked by
all of us who find ourselves and each other in the
music he made and the vision that he articulated and
tried to make real.
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▐█▓▓ ▄▓▄ - GUTTERFUCKED - ■ ▄▌▓▓▄ ■ - GUTTERFUCKED - ▄▓▄ ▓▓█▌
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▄▓▓ ▐▒▓▄ ▀▀▀█▀ T R A C K L I S T ▀█▀▀▀ ▄▓▒▌ ▓▓▄
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01 Woman Is The Nigger Of The World 05:15
02 Sisters, O Sisters 03:46
03 Attica State 02:53
04 Born In A Prison 04:03
05 New York City 04:30
06 Sunday Bloody Sunday 05:02
07 The Luck Of The Irish 02:57
08 John Sinclair 03:26
09 Angela 04:06
10 We're All Water 05:19
11 Cold Turkey (Live Jam) 08:35
12 Don't Worry Kyoko (Live Jam) 15:21
13 Well Baby Please Don't Go (Live Jam) 04:28
14 Listen The Snow Is Falling (Bonus Track) 03:07
15 Happy Xmas (Bonus Track) 03:34
Total Playtime: 76:22 min
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▄▓▓ ▐▒▓▄ ▀▀▀█▀ S H O U T O U T S ▀█▀▀▀ ▄▓▒▌ ▓▓▄
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gROUPS -> BUTT COR FKK FNT hXc iTS PMS RAGEMP3 rH SDR
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▓▀ ▀ ▓▒▓▄ ■ Irc ......: NONE ▄▓▒▓ ▀ ▀▓
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Header+Layout: d!J of BAFH! ▀▓▓▄ ▓▒░ ░▒▓ ▄▓▓▀ Updated On 04-01-2004 By gF
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