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▓█▓▓█ Artist.....[ VA ▀████▄█▓
██▓▀ Album......[ The Edge: David Axelrod At Capitol ▀▓██
▄ █▓█ █ Label......[ Blue Note Records █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ ▀▄█▓█▒█
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▓█████▓▓█ █▓▓█████▓
▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Easy Listening ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2005-09-22 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2005-09-13 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.90.3 --alt-preset standard ▀████▄█▓
▀█▓▀ Quality....[ 207kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.bluenote.com ▓█▓▄█▓█ ▄
█▒██▓█▀ ▀█ █▀ ▀█▓██▒█
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▓█▀ █▀█▓█▒ ▒█▓█▀█ ▀█▓
▀▀ ██▓ ▓██ ▀▀
█▓ 01 David McCallum - House Of Mirrors 2:21 ▓█
█▓ 02 David McCallum - The Edge 2:54 ▓█
█▓ 03 Letta Mbulu - Pula Yetla 3:37 ▓█
█▓ 04 Lou Rawls - Lifetime Monologue 1:51 ▓█
█▓ 05 Lou Rawls - You've Made Me So Very Happy 4:24 ▓█
█▓ 06 David Axelrod - The Smile 3:24 ▓█
█▓ 07 David Axelrod - Songs Of Innocence 4:30 ▓█
█▓ 08 David Axelrod - The Mental Traveler 4:02 ▓█
█▓ 09 David Axelrod - A Divine Image 4:36 ▓█
█▓ 10 David Axelrod - London 2:46 ▓█
█▓ 11 David Axelrod - The Fly 4:47 ▓█
█▓ 12 David Axelrod - Human Abstract 5:27 ▓█
█▓ 13 David Axelrod - Warning Talk, Part 1 2:47 ▓█
█▓ 14 David Axelrod - Warning Talk, Part 3 4:38 ▓█
█▓ 15 David Axelrod - The Signs, Part 1 3:43 ▓█
█▓ 16 Don Randi - Theme From The Fox 3:53 ▓█
█▓ 17 Cannonball Adderley - Tensity 12:35 ▓█
█▓ ----- ▓█
█▓ 72:15 ▓█
▄███▓ ▓███▄
▄ ▀ ▓█▓ ▓█▓ ▀ ▄
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▀█▓█▀ █ ██▀█ ██▀▀ ██ █▄ █ ██▀█ ▀██▀ ██▀▀ ██▀▀ █ ▀█▓█▀
▓█▓█ ▀ ▓█▄▀ ▓█▀ ▓█ ▓█▀█ ▓█ █ ▓█ ▓█▀ -▀▀▀█ ▀ █▓█▓
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█░█ Not really the regular iPC affair but its sweet █░█
█░█ orchestral pop! And once again the id3 genere tag █░█
█░█ fails. █░█
█░█ ---- █░█
█░█ Pitchforkmedia: 8.7 █░█
█░█ █░█
█░█ If super-producer David Axelrod played █░█
█░█ professional basketball he'd probably have been █░█
█░█ "Pistol" Pete Maravich. Sometimes it's easy to █░█
█░█ mistake Axelrod's showy productions for bombastic █░█
█░█ and soulless affairs, much like Maravich's █░█
█░█ ill-regarded and ostentatious ball-handling. But █░█
█░█ also like Maravich, Axelrod used flash as a means █░█
█░█ to substance, not a substitute for it. His █░█
█░█ Capitol years, where he threaded the deep █░█
█░█ breakbeats of power drumming (typically courtesy █░█
█░█ the unshakeable Earl Palmer) with ornate █░█
█░█ orchestration, are akin to Pistol Pete's █░█
█░█ ridiculously unheralded four-year term at █░█
█░█ Louisiana State University. They scored at will █░█
█░█ and dazzled in the process. █░█
█░█ █░█
█░█ The Edge is an expertly selected compendium of █░█
█░█ Axelrod at his zenith, including obvious █░█
█░█ orchestral monsters like Lou Rawls' "You've Made █░█
█░█ Me So Very Happy" strapped next to lesser-heard █░█
█░█ gems like Letta Mbulu's literally stormy "Pula █░█
█░█ Yetia". The majority of the 17 tracks come from █░█
█░█ Axelrod's solo albums, particularly his first two █░█
█░█ William Blake-inspired works, Song of Innocence █░█
█░█ and Songs of Experience, essential if only as a █░█
█░█ tour guide through early 90s hip-hop. These █░█
█░█ albums have literally been a rap producer's █░█
█░█ delight for years. "The Human Abstract"'s █░█
█░█ morosely iridescent piano line was famously █░█
█░█ sampled by DJ Shadow on "Midnight in a Perfect █░█
█░█ World". Pete Rock cribbed from "Smile" for █░█
█░█ "Strange Fruit". Lord Finesse dipped in, too. █░█
█░█ Black Moon got to "A Divine Image" as well. How █░█
█░█ "Holy Thursday", the source for UNKLE's "Rabbit █░█
█░█ in Your Headlights" among more than 10 other █░█
█░█ songs each more obscure than the next, missed the █░█
█░█ cut is inscrutable. █░█
█░█ █░█
█░█ This wealth of sample-worthy material draws █░█
█░█ Axelrod's brilliance to light even further. Each █░█
█░█ element of his productions stood out, whether an █░█
█░█ obvious trumpet solo or the lowest-of-the-low key █░█
█░█ xylophone note. Axelrod was unafraid to walk near █░█
█░█ the lines of pretentiousness, too. Some songs, █░█
█░█ like "The Signs, Part One", from his █░█
█░█ hug-the-globe-cuz-you-love-it exploration Earth █░█
█░█ Rot, used haughty choral arrangements while █░█
█░█ others used the ever-trite spoken-word. Still, he █░█
█░█ makes each one work. █░█
█░█ █░█
█░█ Like the Pistol, Axelrod has been ripped off, in █░█
█░█ homage or not. John Stockton, another thin, white █░█
█░█ Utah Jazz guard got his game smarts and █░█
█░█ razor-sharp elbows from Maravich. Just as in the █░█
█░█ respectful and wizardly hands of Axelrod █░█
█░█ enthusiast Shadow, Axelrod's grace and power █░█
█░█ shines through. In a free-shooting whirling █░█
█░█ dervish like Allen Iverson, an obvious Maravich █░█
█░█ disciple, we see blazing talent but no brakes for █░█
█░█ the motor. Akin maybe to Dr. Dre, an Axelrod █░█
█░█ admirer who's been known to crank the bluster up █░█
█░█ a tad too much in the past. █░█
█░█ █░█
█░█ The Edge closes on Cannonball Adderley's extended █░█
█░█ and tightly-laced "Tensity" a bold, buzzing █░█
█░█ 12-minute trip. The only artist to flip a sample █░█
█░█ from "Tensity" was rap duo the Beatnuts for a █░█
█░█ skit from their 1993 Intoxicated Demons EP. On █░█
█░█ the skit, called "Engineer Talking Shit", a man █░█
█░█ in a booth, over the crashing snares of █░█
█░█ "Tensity", says "They got no kind of beat, they █░█
█░█ never understand the shit, no soul." This will █░█
█░█ never be said about Axelrod. █░█
█░█ █░█
█░█ -Sean Fennessey, September 16, 2005 █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
▀▓█ ESC FNT FTD gF HiT2000 iTS █▓▀
▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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