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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Stevie Wonder
Title | Fulfillingness' First Finale
Genre | Soul Format | Album
Source | CD Time | 42:33
Label | Motown Store | 2000
Catalog | 157 581-2 Rip | 2019
Bitrate | 890 kbps Size | 283.70 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Smile Please 3:28
02. Heaven Is 10 Zillion Light Years Away 5:02
03. Too Shy To Say 3:29
04. Boogie On Reggae Woman 4:56
05. Creepin' 4:22
06. You Haven't Done Nothin' 3:22
07. It Ain't No Use 4:01
08. They Won't Go When I Go 5:58
09. Bird Of Beauty 3:48
10. Please Don't Go 4:07
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Stevie Wonder is a much-beloved American icon and an indisputable
genius not only of R&B but popular music in general. Blind virtually
since birth, Wonder's heightened awareness of sound helped him
create vibrant, colorful music teeming with life and ambition.
Nearly everything he recorded bore the stamp of his sunny, joyous
positivity; even when he addressed serious racial, social, and
spiritual issues (which he did quite often in his prime), or sang
about heartbreak and romantic uncertainty, an underlying sense of
optimism and hope always seemed to emerge.
After the righteous anger and occasional despair of the socially
motivated "Innervisions", Wonder returned with a relationship
record: "Fulfillingness' First Finale". The cover pictures his life
as an enormous wheel, part of which he's looking ahead to and part
of which he's already completed (the latter with accompanying images
of Little Stevie, JFK and MLK, the Motor Town Revue bus, a child
with balloons, his familiar Taurus logo, and multiple Grammy
awards).
The songs and arrangements are the warmest since "Talking Book", and
Stevie positively caresses his vocals on this set, encompassing the
vagaries of love, from dreaming of it ('Creepin') to being bashful
of it ('Too Shy To Say') to knowing when it's over ('It Ain't No
Use'). The two big singles are "Boogie On Reggae Woman", with a deep
electronic groove balancing organic congas and gospel piano, and
"You Haven't Done Nothin", an acidic dismissal of President Nixon
and the Watergate controversy (he'd already written 'He's Misstra
Know-It-All' on the same topic).'
As before, "Fulfillingness' First Finale" is mostly the work of a
single man; Stevie invited over just a bare few musicians, and most
of those were background vocalists (though of the finest caliber:
Minnie Riperton, Paul Anka, Deniece Williams, and the Jackson 5).
Also as before, the appearances are perfectly chosen; "Too Shy to
Say" can only benefit from the acoustic bass of Motown institution
James Jamerson and the heavenly steel guitar of Sneaky Pete Kleinow,
while the Jackson 5 provide some righteous amens to Stevie's
preaching on "You Haven't Done Nothin".
It's also very refreshing to hear more songs devoted to the many and
varied stages of romance, among them "It Ain't No Use", "Too Shy To
Say", "Please Don't Go". The only element lacking here, in
comparison to the rest of his string of brilliant early-70's
records, is a clear focus; "Fulfillingness' First Finale" is more a
collection of excellent songs than an excellent album.
Originally released on Tamla T332, July 22, 1974, here's
"Fulfillingness' First Finale" remastered by Kevin Reeves at
Universal Mastering East in 2000.
┌────────┐
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└────────┘