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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Stevie Wonder
Title | Innervisions
Genre | Soul Format | Album
Source | CD Time | 44:11
Label | Motown Store | 2000
Catalog | 157 355-2 Rip | 2019
Bitrate | 929 kbps Size | 308.92 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Too High 4:36
02. Visions 5:23
03. Living For The City 7:22
04. Golden Lady 4:58
05. Higher Ground 3:42
06. Jesus Children Of America 4:10
07. All In Love Is Fair 3:41
08. Don't You Worry 'Bout A Thing 4:44
09. He's Misstra Know-It-All 5:35
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Stevie Wonder is a much-beloved American icon and an indisputable
genius not only of R&B but popular music in general. Blind virtually
since birth, Wonder's heightened awareness of sound helped him
create vibrant, colorful music teeming with life and ambition.
Nearly everything he recorded bore the stamp of his sunny, joyous
positivity; even when he addressed serious racial, social, and
spiritual issues (which he did quite often in his prime), or sang
about heartbreak and romantic uncertainty, an underlying sense of
optimism and hope always seemed to emerge.
When Wonder applied his tremendous songwriting talents to the
unsettled social morass that was the early 70's, he produced one of
his greatest, most important works, a rich panoply of songs
addressing drugs, spirituality, political ethics, the unnecessary
perils of urban life, and what looked to be the failure of the 60's
dream - all set within a collection of charts as funky and catchy as
any he'd written before. Two of the highlights, "Living For The
City" and "Too High", make an especially deep impression thanks to
Stevie's narrative talents.
On the first, an eight-minute mini-epic, he brings a hard-scrabble
Mississippi black youth to the city and illustrates, via a brilliant
dramatic interlude, what lies in wait for innocents (he also uses
his variety of voice impersonations to stunning effect). "Too High"
is just as stunning, a cautionary tale about drugs driven by a
dizzying chorus of scat vocals and a springing bassline. "Higher
Ground," a funky follow-up to the previous album's big hit
('Superstition'), and "Jesus Children Of America" both introduced
Wonder's interest in Eastern religion.
It's a tribute to his genius that he could broach topics like
reincarnation and transcendental meditation in a pop context with
minimal interference to the rest of the album. Wonder also made no
secret of the fact that "He's Misstra Know-It-All" was directed at
Tricky Dick, aka Richard Milhouse Nixon, then making headlines (and
destroying America's faith in the highest office) with the biggest
political scandal of the century.
Putting all these differing themes and topics into perspective was
the front cover, a striking piece by Efram Wolff portraying Stevie
Wonder as the blind visionary, an artist seeing far better than
those around him what was going on in the early '70s, and using his
astonishing musical gifts to make this commentary one of the most
effective and entertaining ever heard.
Originally released on Tamla T326, August 3, 1973, here's
"Innervisions" remastered by Kevin Reeves at Universal Mastering
East in 2000.
┌────────┐
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└────────┘