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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | DJ Shadow
Title | Endtroducing
Genre | Electronic Format | Album
Source | CD Time | 122:03
Label | Mo Wax/Island Records Store | 2005
Catalog | 0602498286821 Rip | 2020
Bitrate | 776 kbps Size | 725.98 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
CD 1/2
01. Best Foot Forward 0:48
02. Building Steam With A Grain Of Salt 6:41
03. The Number Song 4:38
04. Changeling / Transmission 1 7:51
05. What Does Your Soul Look Like (Part 4) 5:08
06. Untitled 0:24
07. Stem / Long Stem / Transmission 2 9:22
08. Mutual Slump 4:04
09. Organ Donor 1:57
10. Why Hip Hop Sucks In '96 0:43
11. Midnight In A Perfect World 5:00
12. Napalm Brain / Scatter Brain 9:23
13. What Does Your Soul Look Like (Part 1: Blue Sky Revisit) / 7:28
Transmission 3
CD 2/2
01. Best Foot Forward (Alternate Version) 1:15
02. Building Steam With A Grain Of Salt (Alternate Take 6:43
Without Overdubs)
03. The Number Song (Cut Chemist Party Mix) 5:13
04. Changeling (Original Demo Excerpt) 0:59
05. Stem (Cops N Robbers Mix) 3:48
06. Soup 0:44
07. Red Bus Needs To Leave! 2:44
08. Mutual Slump (Alternate Take Without Overdubs) 4:21
09. Organ Donor (Extended Overhaul) 4:28
10. Why Hip Hop-Sucks In '96 (Alternate Take) 0:54
11. Midnight In A Perfect World (Gab Mix) 4:55
12. Napalm Brain (Original Demo Beat) 0:34
13. What Does Your Soul Look Like (Peshay Remix) 9:24
14. DJ Shadow Live In Oxford, England, Oct 30, 1997 12:34
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
DJ Shadow Josh Davis is widely credited as a key figure in
developing the experimental instrumental hip-hop style associated
with the London-based Mo' Wax label. His early singles for the
label, including "In/Flux" and "Lost And Found (S.F.L.)", were
all-over-the-map mini-masterpieces combining elements of funk, rock,
hip-hop, ambient, jazz, soul, and used-bin finds. Although he'd
already done a scattering of original and production work (during
1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle
contacted him about releasing "In/Flux" on the fledgling imprint, it
wasn't until his association with Mo' Wax that his sound began to
mature and cohere. Davis went on to co-write, remix, and produce
tracks for labelmates DJ Krush and Dr. Octagon plus the Mo' Wax
trip-hop supergroup UNKLE. After the label's demise, Shadow launched
his own Liquid Amber imprint and worked with artists as diverse as
Nils Frahm and Run The Jewels.
As a suburban Californian kid, Shadow tended to treat hip-hop as a
musical innovation, not as an explicit social protest, which goes a
long way toward explaining why his debut album "Endtroducing"
sounded like nothing else at the time of its release. Using hip-hop,
not only its rhythms but its cut-and-paste techniques, as a
foundation, Shadow created a deep, endlessly intriguing world on
"Endtroducing", one where there are no musical genres, only shifting
sonic textures and styles. Shadow created the entire album from
samples, almost all pulled from obscure, forgotten vinyl, and the
effect is that of a hazy, half-familiar dream - parts of the record
sound familiar, yet it's clear that it only suggests music you've
heard before, and that the multi-layered samples and genres create
something new. And that's one of the keys to the success of
"Endtroducing" - it's innovative, but it builds on a solid
historical foundation, giving it a rich, multi-faceted sound. It's
not only a major breakthrough for hip-hop and electronica, but for
pop music.
Packaged in 4-panel Digipak with 28-page full-colour booklet, the
2CD deluxe edition from 2005 includes the original version of
"Endtroducing" (originally released on Mo Wax in 1996) on the first
disc, and the second disc "Excessive Ephemera" which is demo
versions, alternate takes, remixes and b-sides.
┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
└────────┘