Panopticon-Autumn_Eternal-CD-2015-D2H_iNT
- Section
-
MP3/FLAC
- Group
- D2H_iNT
- Size
- 127,04 MB
- Files
- 12
- Date
- 2020-02-14
NFO
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██ ▒ Artist : Panopticon ░ █░ ▓███
██ ░ Album : Autumn Eternal ░ ▓▒ ▓███
██▄▄ Genre : Black Metal ░ ▓ ▓███
███▓ Source : CD ░ ▒ ▓███
███▓ Label : Nordvis Produktion ░ ▓███
███▓ Cat. Number : NVP034 ▓███
███▓ Street Date : 2015-00-00 ▓███
███▓ Rip Date : 2020-00-00 ▓███
███▓ Encoder : LAME 3.100 -V0 ▓███
███▓ Quality : 270kbps / 44.1KHz / Joint Stereo ▓███
███▓ Tracks : 8 ▓███
███▓ Playtime : 01:01:37 (126.1MB) ▓███
███▓ URL : http://www.nordvis.com/en/ ▓███
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███▓ 01 Tamarack's Gold Returns 4:32 ▓███
███▓ 02 Into The North Woods 6:20 ▓███
███▓ 03 Autumn Eternal 7:04 ▓███
███▓ 04 Oaks Ablaze 8:38 ▓███
███▓ 05 Sleep To The Sound Of Waves Crashing 8:41 ▓███
███▓ 06 A Superior Lament 8:13 ▓███
███▓ 07 Pale Ghosts 11:01 ▓███
███▓ 08 The Wind's Farewell 7:08 ▓███
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███▓ 61:37 min ▓███
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███▓ After the release of Roads to the North in August of 2014, one ▓███
███▓ wonders where Panopticon might have gone next. Would the next ▓███
███▓ release up the bluegrass or shoegaze elements of Roads even ▓███
███▓ further? Would Austin Lunn foray back into the political realm ▓███
███▓ lyrically? Not being one to travel the same road twice, Lunn ▓███
███▓ abandoned most of the folk elements of previous releases, but did ▓███
███▓ not sacrifice any of the melodies or intensity. Autumn Eternal is ▓███
███▓ as layered as Roads, but with a different sort of dark energy ▓███
███▓ pervading throughout the album. This darkness doesn't manifest ▓███
███▓ itself in what you might hear on a classic black metal album, but ▓███
███▓ the sort of nature-inspired melancholy that bands like Agalloch and ▓███
███▓ Wolves in the Throne Room have mastered. This slight shift in ▓███
███▓ direction results in a beautifully triumphant album that serves as ▓███
███▓ a perfect conclusion to the trilogy started by 2012's Kentucky. ▓███
███▓ ▓███
███▓ The only trace of real folk present on the album comes in the form ▓███
███▓ of it's first track, the beautiful "Tamarack's Gold Returns". The ▓███
███▓ call of a loon preceding a soft guitar melody lets the listener ▓███
███▓ know that Lunn's folk roots are certainly not left behind, but are ▓███
███▓ merely a gateway to what is laid out on Autumn Eternal. As ▓███
███▓ "Tamarack's" fades into the sounds of a stream, Lunn brings out the ▓███
███▓ metal all guns blazing with "Into the North Woods". On this track ▓███
███▓ and the title track following it, a noted reservedness in the ▓███
███▓ intensity of drumming is found compared to the pervasive blasts of ▓███
███▓ Roads and Kentucky. Many of the drum patterns found on this album ▓███
███▓ tend to follow a more traditional hard rock or metal beat style, ▓███
███▓ but this serves the music well in downplaying the more progressive ▓███
███▓ nature of the songwriting found on Roads. This reservedness does ▓███
███▓ pave the way for moments of pure percussive intensity, such as the ▓███
███▓ final minutes of "Autumn Eternal" or the more traditional black ▓███
███▓ metal opening of "Sleep to the Sound of the Waves Crashing". ▓███
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███▓ Lunn's guitar playing on Autumn Eternal ditches the furious sweeps ▓███
███▓ and melodeath riffing of Roads, but none of the beautiful melody. ▓███
███▓ More time is spent on developing single riffs over the course of a ▓███
███▓ song as opposed to including multiple riff sections. The album ▓███
███▓ takes on much more a post-metal sense in this way, especially in ▓███
███▓ the closing track "The Wind's Farewell". A single melody is built ▓███
███▓ and expanded on throughout the entire song, leading to a triumphant ▓███
███▓ crescendo that concludes the album. ▓███
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███▓ The melancholic atmosphere of this album owes a great deal to Colin ▓███
███▓ Marston, once again in charge of all mixing and mastering. Whether ▓███
███▓ it is the soft sections such as the intro track and the clean vocal ▓███
███▓ section of "A Superior Lament" or the blackened intensity of "Pale ▓███
███▓ Ghosts", no sound range is left unfilled, proving essential in ▓███
███▓ developing the atmosphere of autumn. The carefully placed layers of ▓███
███▓ complex guitar melodies, blast beats, thudding bass drum, and ▓███
███▓ keyboards that form the audioscape of this album bring to mind ▓███
███▓ images of a cascading waterfall, leading down to a furious plunge ▓███
███▓ pool. ▓███
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███▓ With Autumn Eternal Austin Lunn has successfully concluded what ▓███
███▓ will hopefully be regarded as one of the best string of albums in ▓███
███▓ the history of metal. A reflection of the path that brought him ▓███
███▓ from Kentucky to Norway to Minnesota, and a testament to those who ▓███
███▓ helped him along the way. This is a triumphant, beautifully ▓███
███▓ melancholy hour of deeply personal music by an artist that has ▓███
███▓ expanded the breadth of black metal further than any artist in ▓███
███▓ recent memory. ▓███
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Files
| Path | Size |
|---|
| 00-panopticon-autumn_eternal-cd-2015-proof.jpg | 6,70 MB |
| 00-panopticon-autumn_eternal-cd-2015.m3u | 301 B |
| 00-panopticon-autumn_eternal-cd-2015.nfo | 17,44 KB |
| 00-panopticon-autumn_eternal-cd-2015.sfv | 381 B |
| 01-panopticon-tamaracks_gold_returns.mp3 | 7,57 MB |
| 02-panopticon-into_the_north_woods.mp3 | 12,46 MB |
| 03-panopticon-autumn_eternal.mp3 | 14,00 MB |
| 04-panopticon-oaks_ablaze.mp3 | 16,99 MB |
| 05-panopticon-sleep_to_the_sound_of_waves_crashing.mp3 | 16,59 MB |
| 06-panopticon-a_superior_lament.mp3 | 16,58 MB |
| 07-panopticon-pale_ghosts.mp3 | 21,79 MB |
| 08-panopticon-the_winds_farewell.mp3 | 14,34 MB |