N.W.A.-Niggaz4Life-CD-1991-D2H_iNT
- Section
-
MP3/FLAC
- Group
- D2H_iNT
- Size
- 120,37 MB
- Files
- 22
- Date
- 2020-02-14
NFO
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██ ▒ Artist : N.W.A. ░ █░ ▓███
██ ░ Album : Niggaz4Life ░ ▓▒ ▓███
██▄▄ Genre : Hip-Hop ░ ▓ ▓███
███▓ Source : CD ░ ▒ ▓███
███▓ Label : Ruthless Records ░ ▓███
███▓ Cat. Number : 261 464 ▓███
███▓ Street Date : 1991-00-00 ▓███
███▓ Rip Date : 2020-00-00 ▓███
███▓ Encoder : LAME 3.100 -V0 ▓███
███▓ Quality : 285kbps / 44.1KHz / Joint Stereo ▓███
███▓ Tracks : 18 ▓███
███▓ Playtime : 00:55:34 (120.0MB) ▓███
███▓ URL : http://www.google.com ▓███
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███▓ 01 Prelude 2:28 ▓███
███▓ 02 Real Niggaz Don't Die 3:40 ▓███
███▓ 03 Niggaz 4 Life 4:58 ▓███
███▓ 04 Protest 0:53 ▓███
███▓ 05 Appetite For Destruction 3:22 ▓███
███▓ 06 Don't Drink That Wine 1:08 ▓███
███▓ 07 Alwayz Into Somethin' 4:25 ▓███
███▓ 08 Message To B.A. 0:48 ▓███
███▓ 09 Real Niggaz 4:27 ▓███
███▓ 10 To Kill A Hooker 0:50 ▓███
███▓ 11 One Less Bitch 4:47 ▓███
███▓ 12 Findum, Fuckum & Flee 3:55 ▓███
███▓ 13 Automobile 3:15 ▓███
███▓ 14 She Swallowed It 4:14 ▓███
███▓ 15 I'd Rather Fuck You 3:57 ▓███
███▓ 16 Approach To Danger 2:45 ▓███
███▓ 17 1-900-2-Compton 1:27 ▓███
███▓ 18 The Dayz Of Wayback 4:15 ▓███
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███▓ 55:34 min ▓███
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███▓ Review Summary: Proof NWA was so good they could be epic without ▓███
███▓ "Benedict Arnold." ▓███
███▓ ▓███
███▓ In 2010, if you tune your radio into the local hip-hop station, ▓███
███▓ youÆll hear rappers boast about jewelry-encrusted necklaces and ▓███
███▓ desirable sexual adventures, delve into feverous ego-stroking ▓███
███▓ trips, and mention use of controlled substances. Turn the clock ▓███
███▓ back nearly two decades ago, to 1991. Back then, if you listened in ▓███
███▓ on the local hip-hop station, youÆd hear criminals narrate stories ▓███
███▓ about drug deals and drive-bys, express hatred for women and law ▓███
███▓ enforcement, and recount hardships of poverty. Enter NWA, a band ▓███
███▓ that was banned from the radio periodically, had their own FBI file ▓███
███▓ on them, and was despised by anybody who wasnÆt pulling triggers, ▓███
███▓ hitting women, or selling rocks. But, eventually, all groups æsell ▓███
███▓ outÆàat least to an extent. For such a crew, Efil4zaggin was the ▓███
███▓ effort in which NWA delved into the ploys that make an album more ▓███
███▓ commercially successful. Catchy verses, infectious beats, and ▓███
███▓ deflected attention from aforementioned lyrics made Efil4zaggin ▓███
███▓ NWAÆs bestselling album. Reaching #1 on the chart positions for ▓███
███▓ 1991 û in comparison to #37 for their previous album Straight Outta ▓███
███▓ Compton û this was the best way for NWA to go out, as they ▓███
███▓ dissembled quickly after. A testament to the statement ôhappy ▓███
███▓ medium,ö Efil4zaggin combined the catchiness of mainstream and the ▓███
███▓ substance of the underground to make one awesome album. ▓███
███▓ ▓███
███▓ On Efil4zaggin, NWA doesn't differ in their lyrical ideals per se. ▓███
███▓ Listen to a handful of songs from the album and you'll have no ▓███
███▓ trouble recognizing why they were banned from the radio. It's ▓███
███▓ evident why the FBI started a file on the group, and why Eazy-E ▓███
███▓ contracted AIDS. Ranging from attempted gang rape and murder (ôOne ▓███
███▓ Less B*tchö) to running many miles in order to escape the police ▓███
███▓ (ô100 Miles And RunninÆö) to downright n*gg*ry (ôReal N*gg*z DonÆtÆ ▓███
███▓ Die,ö ôN*gg*z 4 Life,ö ôReal N*gg*zö) N.W.A packed plenty of ▓███
███▓ potent, odious content into Efil4zaggin. The only real difference ▓███
███▓ manifests itself in the degree of offensiveness the lyrics the ▓███
███▓ leading songs contain. In contrast to its hit songs on former ▓███
███▓ albums (e.g. ôF@ck Tha Policeö) the chief song on Efil4zaggin, ▓███
███▓ Alwayz Into SomethinÆ, isnÆt as insulting as some of their older ▓███
███▓ material. While this isnÆt enough to offset the entire lyrical ▓███
███▓ content of the album, it repels the spotlight from the ▓███
███▓ complaint-inducing libretto. ▓███
███▓ ▓███
███▓ Needless to mention, helping was the fiery production of Dre. ▓███
███▓ Arguably at its best during his time with NWA, the Docta prescribed ▓███
███▓ some of his sample-heavy gangsta funk. Typical of any collection of ▓███
███▓ Dr. Dre instrumentals, samples of Isaac Hayes, Parliament, Jimi ▓███
███▓ Hendrix and James Brown are present, in addition to sludgy bass, ▓███
███▓ sharp percussion, whiny, droning horns, and various assortments of ▓███
███▓ clicks, clacks, and twinkles. All the cuts are engaging in some way ▓███
███▓ or another, which is something NWAÆs previous albums didnÆt ▓███
███▓ provide. The Parliament-mimicking portrayed on ôAutomobileö with ▓███
███▓ its æI been workinÆ on the railroadö-esque vocals seemingly extends ▓███
███▓ the invite to sing along, and the fat, reverberating synths, ▓███
███▓ glimmering chimes, and cutting percussion make of ôIÆd Rather F*ck ▓███
███▓ Youö for a perfectly relaxing smoke beat. ▓███
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███▓ However, a few songs into the album, something is to be noticed. ▓███
███▓ ItÆs nothing really negative, necessarily. Yet, itÆs definitely not ▓███
███▓ positive. By the time you hit the eighth track, ôMessage to BA,ö it ▓███
███▓ hits you like a train: Ice CubeÆs gone. After departing following ▓███
███▓ their second album, Ice Cube had been gone for around two years by ▓███
███▓ the time this album hit the market. This was the album in which the ▓███
███▓ vocals of MC Ren were first heavily employed. Obviously the best ▓███
███▓ lyrical member of the group, RenÆs upper-kick voice and ▓███
███▓ semi-energetic delivery played a new kind of foil to EÆs nasally, ▓███
███▓ shrill voice and uptempo flow in contrast to the authoritative ▓███
███▓ presence and thick, mid-gamut voice of Cube. ▓███
███▓ ▓███
███▓ Other than the nostalgia-killing, disappointing absence of Ice Cube ▓███
███▓ and the slight lack of taboo subjects in the hit single, ▓███
███▓ Efil4zaggin surpasses NWAÆs other albums in quality. Shortly after ▓███
███▓ this album, the group disbanded. A great career for a highly ▓███
███▓ influential supercrew ended at an almost-perfect juncture, and that ▓███
███▓ juncture was Efil4zaggin. ▓███
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███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███
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Files
| Path | Size |
|---|
| 00-n.w.a.-niggaz4life-cd-1991-proof.jpg | 5,84 MB |
| 00-n.w.a.-niggaz4life-cd-1991.m3u | 555 B |
| 00-n.w.a.-niggaz4life-cd-1991.nfo | 19,32 KB |
| 00-n.w.a.-niggaz4life-cd-1991.sfv | 735 B |
| 01-n.w.a.-prelude.mp3 | 4,96 MB |
| 02-n.w.a.-real_niggaz_dont_die.mp3 | 7,44 MB |
| 03-n.w.a.-niggaz_4_life.mp3 | 10,25 MB |
| 04-n.w.a.-protest.mp3 | 1,82 MB |
| 05-n.w.a.-appetite_for_destruction.mp3 | 6,72 MB |
| 06-n.w.a.-dont_drink_that_wine.mp3 | 2,23 MB |
| 07-n.w.a.-alwayz_into_somethin.mp3 | 8,92 MB |
| 08-n.w.a.-message_to_b.a..mp3 | 1,64 MB |
| 09-n.w.a.-real_niggaz.mp3 | 9,92 MB |
| 10-n.w.a.-to_kill_a_hooker.mp3 | 1,68 MB |
| 11-n.w.a.-one_less_bitch.mp3 | 9,91 MB |
| 12-n.w.a.-findum_fuckum_and_flee.mp3 | 8,13 MB |
| 13-n.w.a.-automobile.mp3 | 6,39 MB |
| 14-n.w.a.-she_swallowed_it.mp3 | 8,67 MB |
| 15-n.w.a.-id_rather_fuck_you.mp3 | 7,98 MB |
| 16-n.w.a.-approach_to_danger.mp3 | 5,91 MB |
| 17-n.w.a.-1-900-2-compton.mp3 | 3,02 MB |
| 18-n.w.a.-the_dayz_of_wayback.mp3 | 8,93 MB |