Reticent-John_Scott-RET003-WEB-2006-BEATPORT

Section
MP3/FLAC
Group
BEATPORT
Size
22,98 MB
Files
2
Date
2006-04-02

NFO

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| ARTIST/S / John Scott                                                       |
| TITLE/ID / Bitch Got Magic                                                  |
| RECS/CAT / Reticent / RET003                                                |
| RIP/DATE / 2006/04/03                                                       |
| IN/STORE / 2006/03/17                                                       |
| GENRETAG / House / Tech House / Progressive Trance                          |
|                                                                             |
|   103777 / John Scott / Bitch Got Magic                                     |
|   103778 / John Scott / Bitch Got Magic / Thomas Penton Remix               |
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| John Scott  has been  spinning records for  10 years  all over Florida.  He |
| played bass  and  keyboards in various bands since he was 15 years old.  He |
| started  writing industrial dance  tracks  before  he  new  anything  about |
| spinning records.  Frustrated with trying  to figure out  how a dance track |
| should be put together,  he sold his bass and amp and bought turntables and |
| a mixer.  Six years later  he felt he was ready  to start producing tracks. |
| John  moved from South Florida to Gainesville, FL in 1999. Moving there was |
| a huge influence in his life.  He met  Scott Stokes aka  Dj Ghost  who took |
| him into the scene and hooked him up  with all the right people.  He joined |
| an already popular live techno  PA.  Band called  Freightliner as their Dj. |
| Spinning under the name PacMan he played all over North Florida.  He's been |
| producing  house  tracks  with  Ghost  for  about  four  years.  They  both |
| complement  each  others  style and see eye to eye on how a track should be |
| put together.  John Scott  is currently  a resident at  Blu Sushi  in  Fort |
| Myers,  Florida and at  Zen Sushi in Naples, Florida. John is excited about |
| Rocketfish a new label that he is starting up with his partner Ghost.  They |
| are  looking forward  to leaving  their mark  on the scene  that they  both |
| respect and love.                                                           |
|                                                                             |
| As one of the first pioneers to start introducing dance music to his native |
| South Florida, Thomas Penton has been DJing, producing and releasing techno |
| projects since 1992.  Penton has produced various releases that have fueled |
| the best talents in the world. His productions have been supported for over |
| a decade by   Sasha,  John Digweed,   Dave Seaman,  Paul Oakenfold,  Chus & |
| Celballos  among  many others.  Today,  he has  released  over  60  various |
| projects on some of the industries highest respected dance labels including |
| Perfecto, Intenso,  Stereo Productions, Sutil, Baroque and more.  For-more, |
| his many past and present productions are featured on numerous compilations |
| from some of the industrie's largest selling dance labels such as Euphoria, |
| Gatecrasher, Bedrock and Perfecto.  His style has crossed all borders, from |
| producing  a wide range of  progressive,  tribal  and  electro sounds.  His |
| productions  have received  acclaim press from some of  the world's largest |
| dance magazines and on-line publications.                                   |
|                                                                             |
| www.reticentrecordings.com                                                  |
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| * ABOUT BEATPORT                                                            |
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| Beatport is the first authentic digital music group designed to service the |
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| * SOURCE NOTE                                                               |
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| We desided to use classic (allowed by rules) tagging source as WEB,  anyway |
| no other changes happend. Also we need to do a notice, that our releases is |
| Not Re-encode, the source is WAVE. From Wikipedia, Re-encoding glossary:    |
|                                                                             |
| Codec       - the type of COMPRESSION used for a audio.                     |
| Re-encoding - is CHANGING the CODEC of the audio in order to make it's size |
|               bigger or smaller, or to ameliorate It's quality.             |
|                                                                             |
| WAVE format is pulse-code modulation (PCM) audio data.  Since  PCM  uses an |
| UNCOMPRESSED,  lossless storage method,  which keeps all  the samples of an |
| audio track, professional users or audio experts may use the WAV format for |
| maximum audio quality.                                                      |
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| Audio CDs do not use WAV as their storage format.  The commonality is  that |
| both audio  CDs and WAV files have the audio data encoded in PCM.  WAV is a |
| data file format for computer use.  As we can see WAVE data is equal to CD! |
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| "There is no feeling,  except the  extremes of fear  and |                  |
|  grief, that does not find relief in music."             | BEATPORT (C)2006 |
|                                           --George Eliot |                  |
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Files

PathSize
a-john_scott-bitch_got_magic.mp311,80 MB
b-john_scott-bitch_got_magic_(thomas_penton_remix).mp311,18 MB