.-----------------------------------------------------------------------------.
| |
| # # # |
| # # # |
| # ##### ##### ####### ##### ##### ###### ###### ##### |
| # # # # # # # # # # # # DIGITAL |
| # # # # # # # # # # # # |
| # # # ##### ##### # # # # # # # # DOWNLOAD |
| # # # # # # # # # # # # |
| # # # # # # # # # # # # NETWORK |
| ##### ####### ##### ### # ##### ##### # ### |
| # |
| # # # # |
| ## # ## |
| ### |
| |
| |
| ARTIST/S / Terence Fixmer |
| TITLE/ID / Silence Control A |
| RECS/CAT / International DeeJay Gigolo / GIG189 |
| RIP/DATE / 2006/04/04 |
| IN/STORE / 2006/03/29 |
| GENRETAG / Techno / EBM / Electro / Electro House |
| |
| 93611 / Terence Fixmer / Inside One |
| 93612 / Terence Fixmer / Far Away |
| 93613 / Terence Fixmer / Running After Time |
| 93614 / Terence Fixmer / Raw Power |
| |
| Slammin' 80s EBM/wave+atmospheric early 90s techno influenced club tracks. |
| |
| International Deejay Gigolos is the Munich based record label ran by techno |
| legend DJ Hell. Started in 1996 as an affiliate of Disko B, Gigolo quickly |
| established itself as THE definitive cult label, a label where you could |
| find everyone from Jeff Mills to downtempo electro... where every release |
| was unified by Hell's personal taste and the highest standards. |
| |
| Over the years this has become the 'Gigolo' sound, an open and adventurous |
| musical style that laughs in the face of convention, fusing raw acid-house |
| with electro, nu-wave and synth-pop. |
| |
| Long before the electro-revival and vocoded pop songs, Gigolo was |
| pioneering the way with a roster that includes techno icons Dave Clarke, |
| Jeff Mills and DJ Hell; David Carretta, Miss Kittin & The Hacker, DJ |
| Naughty, The Advent, Dopplereffekt, Terrence Fixmer, Japanese Telecom and |
| new signings like Fischerspooner, Tiga & Zyntherius, Savas Pascalidis and |
| Vitalic. |
| |
| www.gigolo-records.de |
| |
|-----------------------------------------------------------------------------|
| |
| * ABOUT BEATPORT |
| |
| Beatport is the first authentic digital music group designed to service the |
| evolution of the digital music culture, redefining how DJ's and enthusiasts |
| acquire their music. Beatport allows users to access the world of club |
| music through secure, hi-speed, high quality downloads in WAV format, wich |
| was LAME-coded for mp3 scene. With hundreds of labels world wide, Beatport |
| is recognized as the leader in mp3 scene digital dance music. |
| |
| * TERMS & CONDITIONS |
| |
| All rights not expressly granted to you in this Agreement are reserved to |
| Beatport and/or is licensors. |
| |
| 1. Content. All music is the property or is licensed to Beatport, and is |
| protected by trademark, trade dress, copyright, and other intellectual |
| property rights laws. Without the prior written consent of Beatport, and |
| except as provided in this Agreement, no Content may be transmitted / |
| translated, publicly displayed, uploaded, published, recorded, |
| retransmitted, rented, sold, distributed, digitized, marketed, reproduced, |
| altered to make new works, performed, or compiled in any way to any other |
| computer, website, or other medium for any commercial purpose. |
| |
| 2. Content Usage Rules. A "Mp3 Scene Rip" is a Released Track that you can |
| transfer to a any secured scene site, any compatible portable device, save |
| to your hard drive with unlimited playback time, burn to a CD/DVD. Beatport |
| shall have no liability for lost, damaged, or destroyed Tracks. Any |
| security technology that is provided with a Download is an inseparable part |
| of the Download (This Tracks is not for insecured Web/P2P/Etc sharing, only |
| Scene Sites Allowed). The Download capability does not operate to limit any |
| rights of the copyright owners in Tracks or Material or any works embodied |
| in them. You shall be authorized to use the Downloads only for |
| noncommercial, personal use. The Downloads are strictly limited to your |
| personal use and any use or sharing outside the Scene is in violation of |
| Copyright, Intellectual Property laws and Scene Basic Rules! |
| |
| 3. Prohibited Uses of Digital Downloads. You may not reverse engineer, |
| decompile, disassemble, modify or disable any copy protection or use |
| limitation systems associated with the Downloads. You may not play and then |
| redigitize any Downloads. You may not create any "derivative works" by |
| altering any of the Content. You may not use the Downloads in conjunction |
| with any other third-party content (e.g., to provide sound for a film). YOU |
| MAY NOT UPLOAD DOWNLOADS TO THE INTERNET. PEER-2-PEER FILE SHARING IS |
| STRICTLY PROHIBITED. Any other manner of network file sharing and transfer |
| of Downloads to devices for such purpose is prohibited. ONLY FOR THE SCENE! |
| |
| * SOURCE NOTE |
| |
| We desided to use classic (allowed by rules) tagging source as WEB, anyway |
| no other changes happend. Also we need to do a notice, that our releases is |
| Not Re-encode, the source is WAVE. From Wikipedia, Re-encoding glossary: |
| |
| Codec - the type of COMPRESSION used for a audio. |
| Re-encoding - is CHANGING the CODEC of the audio in order to make it's size |
| bigger or smaller, or to ameliorate It's quality. |
| |
| WAVE format is pulse-code modulation (PCM) audio data. Since PCM uses an |
| UNCOMPRESSED, lossless storage method, which keeps all the samples of an |
| audio track, professional users or audio experts may use the WAV format for |
| maximum audio quality. |
| |
| Audio CDs do not use WAV as their storage format. The commonality is that |
| both audio CDs and WAV files have the audio data encoded in PCM. WAV is a |
| data file format for computer use. As we can see WAVE data is equal to CD! |
| If you don't like this form of music releases, use site filters. But if you |
| enjoy it, you can contact us, we are always looking for Serious Sites. |
| |
|-----------------------------------------------------------------------------|
| "There is a bit of insanity in dancing that does | |
| everybody a great deal of good." | BEATPORT (C)2006 |
| --Edwin Denby | |
'-----------------------------------------------------------------------------'