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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Elton John With Ray Cooper
Album : Live From Moscow 1979
Label : Mercury Records
Genre : Rock
Street Date : 2020-01-24
Quality : 274 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.100 -V0
Size : 203.77MB
Time : 97:54 min
Url : http://amazon.com/Live-Moscow-Elton-John-Cooper/dp/B07T7W87RT
/
[Tracks]
Disc 1/2
1. Daniel 3:57
2. Skyline Pigeon 4:02
3. Take Me To The Pilot 6:50
4. Rocket Man (I Think, It's Going To Be A Long Long Time) 7:33
5. Don't Let The Sun Go Down On Me 5:36
6. Goodbye Yellow Brick Road 3:04
7. Candle In The Wind 3:34
8. I Heard It Through The Grapevine 11:50
Disc 2/2
1. Funeral For A Friend 3:04
2. Tonight 7:41
3. Better Off Dead 2:58
4. Bennie And The Jets 12:31
5. Sorry Seems To Be The Hardest Word 3:33
6. Crazy Water 7:58
7. Saturday Night's Alright (For Fighting) 10:11
8. Crocodile Rock, Get Back, Back In The USSR 3:32
[Notes]
Live from Moscow 1979 is the first official release of a heavily bootlegged
show Elton John performed in Moscow on May 29, 1979. It was the last show of
his groundbreaking tour of the U.S.S.R., where he was the first rock star to
play behind the Iron Curtain (he was preceded by Cliff Richard, who can't
quite be called a rocker, especially in 1979), and the occasion was
commemorated by a broadcast on the BBC. The tour was historically important,
but John was at a bit of a personal and creative crossroads in 1979,
separated from his songwriting collaborator and most of his regular backing
musicians. That makes Live from Moscow 1979 a bit of a quiet reprieve,
containing none of the ersatz pizzazz of A Single Man or the desperate disco
of Victim of Love, thanks to how the shows consisted of nothing more than
John himself, occasionally supported by longtime percussionist Ray Cooper.
The intimacy is appealing but flying solo gives John the freedom to stretch
out, which he does often: three of the sixteen tracks are well over ten
minutes, with many others bunched around the seven-minute mark. Each of
these performances are extended with lots of piano runs, a display of
prowess that's alternately dazzling and languid. As the album rolls on, the
performances feel a bit formless, an effect that makes the occasional tight
number -- such as the quick blast through "Better Off Dead" -- hit harder,
but also suggests that this tour was a way for John to explore his songbook,
trying to reconnect with pieces that would resonate with him while he was
wandering through the wilderness. That may not make for a dynamic concert
album, but it does make for an interesting one.