Wynton_Marsalis_Septet-United_We_Swing_Best_of_The_Jazz_At_Lincoln_Center_Galas-(Repack)-2018-MTD

Section

MP3/FLAC

Group

MTD

Size

138,14 MB

Files

21

Date

2020-03-25

NFO

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    ▀█████▓▌                   MTD Proudly Presents                ▐▓█████▀

    [Info]

    Artist       : Wynton Marsalis Septet
    Album        : United We Swing Best of The Jazz At Lincoln Center Galas
    Label        : Blue Engine Records
    Genre        : Jazz
    Street Date  : 2018-03-23
    Quality      : 268 kbps / 44.1kHz / Joint Stereo
    Encoder      : Lame 3.100 -V0
    Size         : 142.59MB
    Time         : 70:33 min
    Url          : http://tinyurl.com/y8j5swx5

    [Tracks]

    1.  The Last Time (Feat. Blind Boys Of Alabama)                        4:15
    2.  It Takes A Lot To Laugh It Takes A Train To Cry (Feat. Bob Dylan)  4:31
    3.  Im Gonna Move To The Outskirts Of Town (Feat. Ray Charles)         3:46
    4.  Im Not Rough (Feat. Eric Clapton)                                  3:03
    5.  Creole Love Call (Feat. Audra Mcdonald)                            3:12
    6.  Milk Cow Blues (Feat. Willie Nelson)                               4:19
    7.  Im Gonna Find Another You (Feat. John Mayer)                       2:44
    8.  My Baby Dont Tolerate (Feat. Lyle Lovett)                          3:46
    9.  The Worst Thing (Feat. Natalie Merchant)                           6:43
    10. Please Baby Dont (Feat. John Legend)                               4:06
    11. Mean Old Man (Feat. James Taylor)                                  3:27
    12. Are You Gonna Go My Way (Feat. Lenny Kravitz)                      7:36
    13. Fools Paradise (Feat. Jimmy Buffett)                               4:22
    14. Empty Bed Blues (Feat. Carrie Smith)                               4:04
    15. I Wish I Knew How It Would Feel To Be Free (Feat. Susan Tedeschi   5:35
        And Derek Trucks)
    16. What Have You Done                                                 5:04


    [Notes]

    Wynton Marsalis' exuberant 2018 concert collection United We Swing: Best of
    the Jazz at Lincoln Center Galas brings together a handful of live
    performances the trumpeter gave on behalf of Jazz at Lincoln Center between
    2003 and 2007. Recorded first at New York's Apollo Theater and later at
    JALC's Frederick P. Rose Hall, these previously unreleased gala performances
    featured Marsalis and his septet alongside a bevy of special guests,
    including such luminaries as Bob Dylan, Ray Charles, Eric Clapton, James
    Taylor, John Legend, and many more. Of course, all of the performances hinge
    upon the superb interplay between Marsalis' septet bandmates, including at
    various times drummer Herlin Riley, bassist Reginald Veal, pianist Dan
    Nimmer, saxophonist Wessell "Warmdaddy" Anderson, trombonist Wycliffe
    Gordon, and clarinetist Victor Goines, to name just a few of the superb
    musicians on display here. What's particularly engaging about these gala
    performances is how successfully Marsalis is able to blend each guest
    artist's own distinctive style into his septet's swinging, traditional New
    Orleans jazz aesthetic. It's a sound that works best with guests like the
    legendary vocal gospel band Blind Boys of Alabama, whose "The Last Time"
    finds them matching Marsalis' roiling brass band energy with their own
    earthy, R&B-soaked tones. Similarly captivating is Ray Charles' greasy
    spotlight on "I'm Gonna Move to the Outskirts of Town," in which his vibrant
    singing is dynamically accented by Marsalis' own rounded, bluesy,
    plunger-muted asides. Also surprisingly effective are collaborations with
    less jazz-oriented performers, like John Mayer's yearning, soulful rendition
    of his own "I'm Gonna Find Another You" and Broadway superstar Audra
    McDonald's leonine, show-stopping performance of Duke Ellington's "Creole
    Love Call." Even when Marsalis stretches a song far beyond its original
    conception, as with Lenny Kravitz's expansive, slow blues reading of "Are
    You Gonna Go My Way," the results work to bridge artistic connections rather
    than spotlight any differences. Ultimately, it's that generous artistic
    connectivity on display throughout United We Swing that makes it such a
    joyous experience.

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