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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 10-18-2005
Release date : 04-02-2006
Album name : Playing The Angel
Artist : Depeche Mode
Ripped by : apathy
Genre : Electronic
Label : Sire
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 12
Size of Files : 76,4 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 04:11 A Pain That I'm Used To
02 03:43 John The Revelator
03 03:50 Suffer Well
04 04:56 The Sinner In Me
05 04:10 Precious
06 04:03 Macro
07 06:10 I Want It All
08 04:21 Nothing's Impossible
09 01:42 Introspectre
10 03:30 Damaged People
11 04:50 Lilian
12 06:55 The Darkest Star
Total time: 52:21 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
When Ultra was declared the best Depeche Mode album
since Violator, those who said so must have forgotten
about Songs of Faith and Devotion. When Exciter was
declared the best Depeche Mode album since Violator,
those who said so must have also forgotten about Songs
of Faith and Devotion, in addition to having found a
roundabout way of saying that it was merely better than
Ultra. There's no doubt this time: Playing the Angel is
both the band's best album since Violator and, more
significantly, an album that is near Violator in
stature. The biggest clue dropped by the band prior to
its release was a quote from Dave Gahan, who said that
being in Depeche Mode is better than it has been in 15
years. Some quick math reveals that Gahan was hinting
at the Violator era, a time when the band's creativity
and popularity peaked synchronously. It also turns out
that this is a time as good as any other to be paying
attention to the band. Playing the Angel lacks Songs of
Faith and Devotion's end-to-end chest-beating, Ultra's
grinding murk, and Exciter's desiccated patches. It
takes the best qualities from those releases, combines
them with a few subtle allusions to Violator ù
tiptoeing the border that separates retread from
reinvention ù and makes for a highly concentrated set
of songs that all but demand to be heard in one
uninterrupted shot. Gahan, still riding the confidence
he gained as a songwriter from Paper Monsters, his 2003
solo debut, contributes three songs co-written with
band associates Christian Eigner and Andrew Phillpott.
Though none of them vie to be the album's centerpiece,
it's apparent that the move wasn't a concession of
desperation on anyone's part. The friendly competition
seems to have kicked chief songwriter Martin Gore into
high gear; he's in top form. Musically, a lot of analog
gear was used, and it's apparent that the arrangements
and extra sounds were less fussed over than they have
been in the recent past. You get the sense that
everything fell into place, as opposed to being forced
or aimlessly manipulated. Despite the favoring of older
gear, there's no other year in which any of the songs
could've been made. Like the best Depeche Mode, almost
everything on the album will make an initial wowing
impact while remaining layered enough in subtle details
to surprise and thrill with repeated listens. It is not
the kind of album a 25-year-old band is supposed to
make.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
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▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀