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▓▒ Ashley_McBryde-Never_Will-WEB-2020-ENTiTLED ▒▓
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░ artist........ | Ashley McBryde ░
title......... | Never Will
label......... | Ashley McBryde
genre......... | Country
rip date...... | 2020-04-02
retail date... | 2020-04-03
runtime....... | 39:34
tracks........ | 11
size.......... | 92.4MB
quality....... | 320kbps 44.1kHz
░ codec......... | MP3 (MPEG-2 Audio Layer III) ░
▒░ encoder....... | LAME ░▒
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█ 01 > Hang In There Girl < 03:49 █
█ 02 > One Night Standards < 03:11 █
█ 03 > Shut Up Sheila < 03:51 █
█ 04 > First Thing I Reach For < 03:14 █
█ 05 > Voodoo Doll < 03:29 █
█ 06 > Sparrow < 03:50 █
█ 07 > Martha Divine < 03:37 █
█ 08 > Velvet Red < 03:27 █
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█ 10 > Never Will < 03:56 █
█ 11 > Styrofoam < 02:55 █
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"I hear the crowd, I look around, and I can't find one empty chair.
Not bad for a girl going nowhere" sings Ashley McBryde on "Girl Goin'
Nowhere," the seminal title track from her forthcoming LP. They're
words built from experience: over the course of her life, growing up
in Arkansas, McBryde's been finding her own way to fill those seats
and sway those hearts since the very first time her teacher told her
that her dreams of writing songs in Nashville would never see the
light of day. Every time she was brought down, she persevered;
trusting her timeless tone and keen, unwavering eye for the truth. It
paid off. In April, Eric Church brought her on stage and called her a
"whiskey-drinking badass," confessing that he's a massive fan. The
rest of the world is quickly catching on,Dubbed as one of Rolling
Stone's "Artists You Need To Know," citing she's "an Arkansas red-clay
badass, with the swagger of Hank Jr. and the songwriting of Miranda
Lambert," McBryde fearlessly lays it all on the line, and it's that
honest all-in approach that has led to NPR critic Ann Powers to ask if
McBryde could be "among the first post-Stapleton country stars?"
McBryde's album will showcase an artistic vision that will prove her
to be one of the genre's keenest working storytellers, bringing
unwavering honesty back into a pop-preoccupied genre. Pulling tales
from every corner of her human experience - a happenstance love on "A
Little Dive Bar In Dahlonega," a neighbor with a heavy past on "Livin'
Next to LeRoy," a girl with an impossibly possible dream on "Girl
Goin' Nowhere" - McBryde sings with fire and fury, laughing and
swigging that brown stuff along the way. And she's not going to do it
in glitter and sequins, either, like a good lady of Music Row. McBryde
will wear her boots and crack her jokes: with McBryde, what you see is
what you get, and what you get is what you see.It's that authenticity
bleeding through every lyric, riff and song that had McBryde's name as
the top trending item on Apple Music All Genre upon release of "A
Little Dive Bar In Dahlonega." It's those lyrics that hit the heart
and gut, like "here's to the breakups that didn't break us," that
scored her opening slots Chris Stapleton and Eric Church.McBryde was
raised in Mammoth Spring, Arkansas, taking to music at the age when
most kids were running wild in the backyard, dressing dolls or playing
with trains. At three, she'd secretly pluck her father's guitar like
an upright bass, and after about the 17th time being caught, her
father bought her a guitar of her own. When she was twelve, she played
her parents and grandparents her very first composition."It was about
this awful torrid love affair," says McBryde, laughing. "My mom was
like, 'oh shit. You are a twelve going on forty.' At twelve I knew
that I could make stuff up. At sixteen I was like, I'm getting good at
this. By the time I got to college, I had a big catalogue for an
eighteen-year-old."It was at Arkansas State when, while a member of
the marching band, McBryde finally started sharing her voice with
others - first at karaoke parties, then in a band, and then in Memphis
where she'd play a mix of cover and original songs while still
commuting from college. When McBryde finally moved to Nashville in
2007, she settled with a friend at an apartment in a building that
housed storage units - not the most glamorous of homes, but enough of
a place to crash in between a healthy dose of dive bars, biker
hangouts, and colorful joints where she fought to have her songs
heard.Her first EP, the self-released 2016 Jalopies and Expensive
Guitars was just a taste of what McBryde can do, and, on her full-
length debut, she will meld her songwriting chops with the vision of
producer Jay Joyce, peppering her tales with a touch of guitar-driven
rock fury - but offering plenty of room for her emotive, vulnerable
twang to move softly through songs like "Girl Goin' Nowhere," which
was written the morning that Guy Clark passed away."I'm not a pretty
crier, and I got to my write with Jeremy Bussey that morning, red and
blotchy," she says. "So he said, 'for Guy, maybe we should write a
good song, one you'd want to play at the Opry someday.' So, I told the
story of when I was back in Algebra class, and we were going around
the room saying what we wanted to do when we grew up. When it got to
me, I said, 'I'm going to move to Nashville and write songs, and
they're going to be on the radio.' The teacher looked at me and said,
'that won't happen and you better have a good backup plan.' It didn't
put the fire out, it just added to it."That fire's been described as a
combination of Bonnie Raitt, Lzzy Hale and Loretta Lynn, and that's
not wrong: McBryde isn't afraid to tell the truth, get raw and real
and use the spirits of country, folk and rock when it serves her
greater purpose. And McBryde indeed played "Girl Goin' Nowhere" at her
Opry debut, and still performs it on stage to crowds that now sing
along. She gets emotional from time to time, remembering the days when
she was working at a guitar shop or as a security guard or selling
barbecue, never letting that vision go - a vision she will share on
her forthcoming LP that will help remind Nashville what country music
is about. And that's the stories that shake us, make us and tell us a
little more about what it's like to be human.And that girl goin'
nowhere, from a little town in Arkansas? She's a whiskey-drinking
badass, going everywhere. Just watch.
Never Will is the fourth studio album by American country music
singer-songwriter Ashley McBryde. It is scheduled to be released on
April 3, 2020 via Warner Music Nashville. The album is McBryde's
second major label release and was preceded by the lead single "One
Night Standards". McBryde launched the One Night Standards Tour in
support of the album on January 30, 2020.
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█▀ Shout out to all of those who keep the dream of the scene alive. ▀█
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█▀ Special thanks to those who have paved the way and parted. ▀█
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█▀ We miss you! ▀█
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