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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Ice Cube
Title | Kill At Will
Genre | Rap Format | EP
Source | CD Time | 21:53
Label | Priority Records Store | 1990
Catalog | CDS 7230 Rip | 2020
Bitrate | 835 kbps Size | 142.80 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Endangered Spieces (Tales From The Darkside) (Remix) 4:10
(Feat. Chuck D)
02. Jackin' For Beats 2:57
03. Get Off My Dick And Tell Yo Bitch To Come Here (Remix) 3:39
04. The Product 3:35
05. Dead Homiez 3:55
06. JD's Gaffilin (Part 2) 0:32
07. I Gotta Say What Up 3:05
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Ice Cube was the first member of the seminal California rap group N.W.A. to
leave, and he quickly established himself as one of hip-hop's best and most
controversial artists. From the outset of his career, he courted
controversy, since his rhymes were profane and political. As a solo artist,
his politics and social commentary sharpened substantially, and his first
two records, "AmeriKKKa's Most Wanted" and "Death Certificate", were
equally praised and reviled for their lyrical stance, which happened to be
considerably more articulate than many of his gangsta peers. As his career
progressed, Cube's influence began to decline, particularly as he tried to
incorporate elements of contemporary groups like Cypress Hill into his
sound, but his stature never diminished, and he remained one of the biggest
rap stars throughout the 90s.
For such a revolutionary figure, Cube (born O'Shea Jackson) came from a
surprisingly straight background. Raised in South Central Los Angeles,
where both of his parents had jobs at UCLA, Cube didn't become involved
with b-boy culture until his late teens. He began writing raps while in
high school, including "Boyz-n-the Hood". With his partner Sir Jinx, Cube
began rapping in a duo called CIA at parties hosted by Dr. Dre, and he
eventually met Eazy-E, then leading a group called HBO, through Dre. Eazy
asked Cube to write a rap, and he presented them with "Boyz-n-the Hood",
which was rejected. Eazy decided to leave CIA, and he, Cube, and Dre formed
the first incarnation of N.W.A. Cube left to study architectural drafting
at Phoenix, AZ, in 1987, returning the following year after he obtained a
one-year degree. He arrived just in time for N.W.A.'s breakthrough album,
"Straight Outta Compton". Released late in 1988, "Straight Outta Compton"
became an underground hit over the course of 1989, and its extreme lyrical
content - which was over-the-top both lyrically and politically - attracted
criticism, most notably from the FBI.
N.W.A. may have been rivaling Public Enemy as the most notorious group in
hip-hop, but Cube was having deep conflicts with their management,
resulting in him leaving the band in late 1989. He went to New York with
his new posse, da Lench Mob, and recorded his first solo album with Public
Enemy's production team, the Bomb Squad. Released in the spring of 1990,
his debut "AmeriKKKa's Most Wanted" was an instant hit, going gold within
its first two weeks of release. While the record's production and Cube's
rhythmic skills were praised, his often violent, homophobic, and misogynist
lyrics were criticized, particularly by the rock press and moral watchdogs.
Even amid such controversy, the album was hailed as a groundbreaking
classic within hip-hop, and it established Cube as an individual force. He
began his own corporation, which was run by a woman, and he produced the
debut album from his female protegee, Yo-Yo. At the end of 1990, he
released the EP "Kill At Will", which was followed in the spring by Yo-Yo's
debut, "Make Way for the Motherlode". That summer, his acting debut in John
Singleton's acclaimed urban drama Boyz 'n the Hood was widely praised.
Ice Cube's riveting debut album, "AmeriKKKa's Most Wanted", was still
burning up the charts when Priority Records released the "Kill At Will" EP,
which lacks that album's overall excellence but has its moments. With "Kill
At Will", Cube unveiled his engaging "The Product" and "Dead Homiez", a
poignant lament for the victims of black-on-black crime that is among the
best songs he's ever written. Enjoyable but not essential are remixes of
"Endangered Species (Tales From the Darkside)" and the outrageous "Get Off
My Dick and Tell Yo Bitch to Come Here." Clearly, "Kill At Will" was
intended for hardcore fans rather than casual listeners.
┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
└────────┘