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██ ▒ Artist : Bohren & Der Club of Gore ░ █░ ▓███
██ ░ Album : Patchouli Blue ░ ▓▒ ▓███
██▄▄ Genre : Jazz ░ ▓ ▓███
███▓ Source : CD ░ ▒ ▓███
███▓ Label : PIAS Germany ░ ▓███
███▓ Cat. Number : PIASD5045CD ▓███
███▓ Street Date : 2020-00-00 ▓███
███▓ Rip Date : 2020-04-12 ▓███
███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███
███▓ Quality : 247kbps / 44.1KHz / Joint Stereo ▓███
███▓ Tracks : 11 ▓███
███▓ Playtime : 00:59:29 (110.MB) ▓███
███▓ URL : http://www.bohrenundderclubofgore.de ▓███
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███▓ 01 Total Falsch 7:19 ▓███
███▓ 02 Verwirrung am Strand 5:16 ▓███
███▓ 03 Glaub Mir Kein Wort 5:11 ▓███
███▓ 04 Patchouli Blue 9:07 ▓███
███▓ 05 Deine Kusine 3:15 ▓███
███▓ 06 Vergessen & Vorbei 5:22 ▓███
███▓ 07 Sollen es Doch Alle Wissen 3:35 ▓███
███▓ 08 Tief Gesunken 4:16 ▓███
███▓ 09 Zwei Herzen aus Gold 3:15 ▓███
███▓ 10 Sag Mir, Wie Lang 7:39 ▓███
███▓ 11 Meine Welt ist Sch÷n 5:14 ▓███
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███▓ 59:29 min ▓███
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███▓ The fog is turning to rain as I push through the doors into the old ▓███
███▓ Club of Gore. The place has been closed up for a few years but ▓███
███▓ nothing much has changed, itÆs still comfortably frayed around the ▓███
███▓ edges. Organ drone swells up from the background, cuts out. They ▓███
███▓ kept the worn fittings and the gloom, smells like death rock. After ▓███
███▓ a couple of minutes the saxophone sighs softly, like a friendly ▓███
███▓ hand on your shoulder. Patchouli Blue just fell into my lap, new ▓███
███▓ information at short notice. The hardcore had the jump on me all ▓███
███▓ along. By the time this review makes it out theyÆll be soaked in ▓███
███▓ it, hip to details I havenÆt had time for yet. ▓███
███▓ Bohren & der Club of Gore play a superbly unhurried type of slow ▓███
███▓ core doom jazz. The sort of stuff to make long shot film noir ▓███
███▓ images spool across the mindÆs eye and your internal monologue turn ▓███
███▓ all hard-boiled detective without warning. New faces at their ▓███
███▓ notional dive bar turn on their heel pretty sharp or settle right ▓███
███▓ on in because it feels like home. Companionship in solitude, nobody ▓███
███▓ pulling on yer sleeve and making noisy chit chat, itÆs all ▓███
███▓ existential brooding on lifeÆs mystery in here. If youÆre coming to ▓███
███▓ it cold then what Patchouli Blue most sounds like is Angelo ▓███
███▓ BadalamentiÆs dark jazz mood music for Twin Peaks. Only slowed down ▓███
███▓ and left to wander the woods. ItÆs whatÆs playing on the jukebox in ▓███
███▓ Audrey HorneÆs coma. ▓███
███▓ Still, as much as I love BadalamentiÆs music and as helpful as the ▓███
███▓ comparison is I canÆt help feeling it does the band something of a ▓███
███▓ disservice. Twin PeaksÆ strong visual and sonic identity has been ▓███
███▓ widely influential and there are plenty of bands who model their ▓███
███▓ look and sound on elements of that or more widely on the idea of ▓███
███▓ noir soundtracks and æcrime jazzÆ. That stuff is fine as far as it ▓███
███▓ goes but what they often end up with is kitsch. A grab bag of ▓███
███▓ musical short hand and manipulative tricks used to emphasise on ▓███
███▓ screen action. An empty shell, all style with no heart. ▓███
███▓ Bohren & der Club of Gore donÆt do any of that. The instrumentation ▓███
███▓ may be the same but their purpose is more open. While it might be ▓███
███▓ fair to call it mood music the overall mood is contemplative, it ▓███
███▓ never manhandles you roughly towards emotional cues. BohrenÆs music ▓███
███▓ is flowing and mellifluous but rarely if ever settles on the kind ▓███
███▓ of short, repeating, melodic phrases you might catch yourself ▓███
███▓ absent mindedly humming. They donÆt do riffs and they donÆt do wild ▓███
███▓ improvisational flights either, creating a steadily drifting sound ▓███
███▓ field for you to float in. ItÆs in this patient enveloping of the ▓███
███▓ listener that their improbable roots in doom metal are revealed. ▓███
███▓ Equal parts comfort and dread are wound about one another and ▓███
███▓ across your shoulders like a heavy blanket. ▓███
███▓ I couldnÆt tell you which track was playing because they are merely ▓███
███▓ parts of a whole. The titles are all in German except for the ▓███
███▓ actual title track, the first time theyÆve ever indulged such a ▓███
███▓ thing I believe. It perhaps explains the kaleidoscope of skulls and ▓███
███▓ flowers floating before a church window on the cover. It looks like ▓███
███▓ an album by a hopelessly derivative young bunch of goths. Is there ▓███
███▓ Goth Jazz? Should there be? According to the band themselves this ▓███
███▓ album is four parts æclassic BohrenÆ, three parts æstrangeÆ and ▓███
███▓ four parts æjazz lurkersÆ. Words donÆt really serve them well, ▓███
███▓ æambient jazzÆ makes sense as you listen, but just out there by ▓███
███▓ themselves those two words falter, offering up some unwelcome ▓███
███▓ associations with smooth aural wallpaper. æJazz lurkersÆ is perfect ▓███
███▓ though, for the band, for their music, and for the tired solitary ▓███
███▓ patrons of this imaginary bar. Lost in their thoughts, and their ▓███
███▓ whiskey, and that soft breathy saxophone. ▓███
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███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███
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▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ <LNK^2016> ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀
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